Historiography

PublisherIrena Haiduk2013
Two figures go out into this world and traverse it: the explorer and the imposter. The explorer stands on terra firma, surveying the horizon that magnetically pulls him. Sometimes Fernweh (in German, “yearning for the faraway”) produces an explorer who never returns, but his traveling is still made possible by the knowledge that he could return at any time. e image of the explorer appends a few basic corollaries to the nature of the Western image and the way it renders history. is Western image is weightless, infinitely thin, hovering above everything, including history. It is reproducible on all channels, ...

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PublisherSALT2015
Becoming Istanbul is a critical dictionary exploring the problematics of Istanbul. Made up of 152 entries focusing on transformations to the city, clichés used by observers to evaluate these transformations, and commonplace complaints and conditions, Becoming Istanbul invites the reader to question and critique popular discourses. This collection of original writings, seeking to examine Istanbul from different perspectives, has brought together a diverse selection of writers, including architects, musicians, urban planners, orchestral conductors, activists, sociologists, economists, film critics, authors, museum directors, geographers, reporters, anthropologists and historians.

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PublisherAshkal Alwan2014
A DIALOGUE ON MARGINAL GEOLOGY This dialogue was developed during Home Workspace Program 2013-14, at Ashkal Alwan – Beirut, Lebanon, 2014.

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Publishere-flux2018
Some time around 1882, God was pronounced dead. For certain Russian thinkers of the era, this loss provided a building opportunity: where the place of one god closes, space for another one opens. Unlike most established schools of thought, Russian cosmism does not present a singular vision, a consistent epistemology, or a unified theory. On the contrary: the ideas of its nineteenth- to early-twentieth-century protagonists are often so divergent and contradictory that they appear incoherent, paradoxical, or delirious. Russian cosmism’s known scientists, philosophers, and writers have been understood to include figures ranging from Nikolai Fedorov, the nineteenth-century librarian who aimed to ...

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PublisherMagnum2016
Europa is a book created by a group of Magnum photographers and journalists who have been covering both the refugee crisis in Europe and the many contexts across the Middle East, Asia, and Africa that gave rise to these migrations. This book is launched in partnership with the Arab Fund for Arts and Culture (AFAC) as the first project under its special program, the Arab European Creative Platform. The book harnesses the collective energy, skills and resources of its contributors to create Europa, a collaborative and independent book, the first of its kind intended for practical use by migrants and ...

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PublisherHalmos2010
Written in 1733, Memoirs of the Twentieth Century is widely regarded to contain the earliest known conception of time-travel and, in particular, the first cognitive leap that would allow for a historicized image of the present as seen from the point of view of a distant future. Intriguingly, it is the text itself which is claimed to have traveled back in time and Madden has used this conceit to satirize his own period – tracing out its bureaucratic absurdities into a strange yet pointed vision of the late 20th century: a world politically fraught, overwhelmed with corruption and struggling to ...

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… unfolds an itinerant encounter with nineteenth-century European naturalists in the Malay world, where the theory of evolution by natural selection emerged alongside less celebrated concerns about mass extinction and climate change; by re-considering the reverse hallucinatory condition of colonial science in the tropics—how scientists learned to not see what was manifestly present—the reader-as-exhibition-viewer may exhume from the remains of this will to knowledge an ethical conviction of particular relevance for confronting forms of neocolonization in the Anthropocene.

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PublisherShifter2008
Most libraries around the world use the Dewey Decimal Classification System (DDCS) to list and categorize books. e DDCS is a library classification system developed by Melvil Dewey in 1876. By categorizing items within a library it serves as a tool for people searching for specific knowledge. It was an attempt to organize all knowledge into ten main classes, which are further subdivided into 100 divisions and 1000 sections. is makes the DDCS appear purely numerical and infinitely rational. However, DDCS is regularly revised, reflecting how culture, ideology, and the perception of knowledge change over time. As a result of ...

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PublisherShifter2008
While stranded in Dublin, Ohio on September 13th 2001 due to the grounding of all domestic flights in the US, the editors visited the local library. umbing through the card catalogue, they found a reference to “Other Possibilities,” by Indira Sylvia (I.S.) Belissop assigned the Dewey Decimal call number 125.20. Let alone the book, even this curious number inserted between “Teleology” (124) and “ e Self” (126) has since been impossible to find in major libraries around the world. e book itself did not appear on the shelf, and the card, in classic Courier font, stated simply, “Collected writings of ...

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PublisherRabRab Press2014
Published in Tbilisi, in 2014, Sezgin Boynik’s Still Stealing Steel is historical-materialist study of avant-garde zaum language. The book actualises the most radical and subversive promises of Futurist zaum experiments made at the beginning of XX century in Russia and Georgia.

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PublisherUrbanomic1939
In this record of a 1939 meeting, two great philosophers of mathematics, Jean Cavaillès and Albert Lautman, attempt to define what constitutes the ‘life of mathematics’, between historical contingency and internal necessity, describe their respective projects, which attempt to think mathematics as an experimental science and as an ideal dialectics, and respond to interventions from some eminent mathematicians and philosophers.

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2013
The strangeness and mystery of the Voynich Manuscript has inspired musicians and novelists. Not surprisingly, the document has also proved a springboard for visual artists, but the remarkable thing about the body of work made by Miljohn Ruperto and Ulrik Heltoft is how it doesn’t just feed o the manuscript’s secrets and complications but builds upon them to become something odd, fantastic and mysterious in its own right…

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… creates a space for the reader-as-exhibition-viewer to consider how forests may be seen not only for their trees, but also how they can enable experiences of elegance, affirmation, and creation for a multitude of creatures. in response to their violent destruction, which characterizes the Anthropocene, these pages traverse various woodlands by way of their semiotic, socio-political, historical, and epistemic incitements in order to reveal how practices of care, concern, and attention also enable humans to inhabit and flourish in this world as forest.

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