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Businesspeople talk about art like artists talk about money: gratuitously, without compensation. Hired to talk about money, an entrepreneur will speak in terms of art. Put an artist on a panel and you will often get disquisitions on exchange, capital, and commerce. Both constituencies are compelled by what lies outside their professional responsibility, and the response to this compulsion vibrates between veneration and contempt. For every Übermensch crypto-expressionist billionaire patron, there is one who sneers at the foolish valuelessness of art history and its scribes. For every dedicated anticapitalist artist, there is one who happily understands themselves to be making ...
Cover art
PublisherTulips and Roses2013
Published: May 2013 Cover: Transit (2012), an open file by Gintaras Didžiapetris Designed by: Joseph Miceli & Lina Ozerkina (alfa60 / friends make books) Format: 16 x 24 cm, 42 pages, soft cover, stapled, B&W offset printing Printed by: Petro ofsetas, Vilnius, Lithuania Number of copies: 300 Price: 5€ Editors: Aurime Aleksandraviciute, Gintaras Didžiapetris, Jonas Žakaitis Copy editor: Josephine Baker-Heaslip Translations: Jurij Dobriakov Editorial assistance: Ruta Juneviciute, Viktorija Rybakova CONTRIBUTORS TO THIS ISSUE: Gintaras Didžiapetris is an artist based in Vilnius, Lithuania. Ron Eglash is a cyberneticist and ethno-mathematician based in New York, US. Chris Fitzpatrick is a curator and director of Objectif Exhibitions, Antwerp, Belgium. Antanas Gerlikas is an artist based in Vilnius, Lithuania. Francis ...

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