Political Science

PublisherThe Funambulist2014
This conversation is an introduction to the research conducted by Greg Barton for his thesis at CCCP (Critical, Curatorial & Conceptual Practices) at Columbia University. This research is essentially focused on Diego Garcia island situated in the middle of the Indian Ocean, a territory that was never decolonized and remains under British sovereignty. The island hosts a US military basis that was used for its geographic location during the cold war, the first Gulf War, and now the so-called “war on terror.” Similarly to Guantanamo’s Camp Delta, a legal narrative had to be produced in order for the basis to operate ...
PublisherFall Semester2016
We have been forced to live together. We have been kindly invited to be with one another, side by side, mutually observing each other. I think we know the motives too, and recognize the consequences which have derived from forcing this collective, planetary understanding of what we are expected to be. Even so, we haven`t lost the desire to live together. To bring about this obligation, modernity led the individual to be engaged with his own identity and his own consciousness, and simultaneously, with a control of foreign powers. What we are looking at here, isn’t just the decisive disengagement with these forms ...
PublisherThe Funambulist2015
This conversation is the second one recorded live at Studio-X Amman Lab (the first one being with Rahel Aima & Ahmad Makia). Recorded with Dena Qaddumi, it attempts to propose a struggle narrative for Palestine that is not focused on Jerusalem to which many of us contribute, thus participating to a debate mostly focused on the 1967 war. By examining the spatial politics of Jaffa-Tel Aviv, Dena attempts to show that similar “ethonocratic” logic of segregation are also at work in an environment admittedly less militarized. This logic also incorporates the same capitalist mechanisms of gentrification at work in other cities ...
PublisherThe Distance Plan2015
“…And I was like—yes it is! Part of my broader project as an artist is thinking about how the term climate change can be redefined and expanded to enable people to understand its relevance. So climate change is redefined as an issue of inequality, or social justice, and also urban design and planning. So if I go by that broader definition, I don’t see why I should exclude those things here.” Amy Howden-Chapman in conversation with the Newspaper Reading Club, 2015
PublisherTriple Canopy2017
The Amme Talks is a conversation between poet and machine. In 2003, poet Ulf Stolterfoht and a chatbot named Amme (which means “wet nurse” in German) met in Berlin. For one week, Stolterfoht interrogated Amme: not just a chatbot, actually, but a steel-and-glass construction with a computer interface, which is connected to a glass of milk, a robotic arm that tips over the glass, and a tube that releases water, as if urinating. Stolterfoht asked Amme—the creation of artist Peter Dittmer—about the nature of authorship and the agency of language; he intended to turn the answers into an essay on poetics. ...
Artist and media critic Alessandro Ludovico interviews the three artists named Janez Janša. It’s no coincidence that they have the same name and not by chance that they share it with the former Slovenian Prime minister: they deliberately and officially changed the names they’d had from birth to Janez Janša. They also joined the right-wing SDS party led by their homonymous counterpart. After that they experienced a “visible disappearance” from having canceled their previous names but simultaneously having gained huge visibility thanks to their radical gesture. Changing your name is similar to dying: it affects more people other than just ...
This zine explores anarcho-surrealist imagination in midcentury and current-day USA, with particular emphasis on the Chicagoland scene.
Ancestors and Algorithms appears online in Fictional Journal issue #2, and in the PROPAGANDA pdf document. In 2000, Dan Greaney, the writer of The Simpson’s cartoon, imagined Donald Trump as the president of the United States in the episode Bart to the Future, and he admits that the idea “was pitched because it was consistent with a vision of America going insane”1. The show creates an unimaginable scene, the embodiment of its viewer’s worst nightmare and hilarious fantasy that has since become reality…
Publisher[NAME]2017
“Police killings captured on cell-phone video or photographs have become the hallmark of United States visual culture in the twenty-first century. In this book, I examine this transformation of visual culture from the deaths of Eric Garner and Michael Brown in the summer of 2014 to the inauguration of Donald Trump in 2017. As a person designated “white” by the color line in the United States, I do so from the perspective of anti-antiblackness. I study the formation of the space of appearance, that space where we catch a glimpse of the society that is to come—the future commons or communism. ...
Architecture in the Anthropocene: Encounters Among Design, Deep Time, Science and Philosophy, edited by Etienne Turpin, brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth’s land, oceans, biosphere and climate have demonstrated that, from a wide variety of perspectives, it is almost certain that humans have initiated a new geological epoch, their own. First labeled the Anthropocene by the chemist Paul Crutzen, the consideration ...
PublisherZero Books2015
The main affirmation of artistic practice must today happen through thinking about the conditions and the status of the artist’s work. Only then can it be revealed that what is a part of the speculations of capital is not art itself, but mostly artistic life. Artist at Work examines the recent changes in the labour of an artist and addresses them from the perspective of performance.
PublisherLink Editions2015
Astronaut Luggage is a collection of short texts written along the last years and circulated online, rearranged around five main topics: the Apocalypse, commodities, drones, history and politics. Adopting the forms of the essay and the short story, Rothstein sets himself in an “atemporality” that allows him to tell stories in which the distinction between reality and fiction is not important. As he writes in the introduction: “None of these stories are true, but none of them are false, either. These distinctions are not the point, at least not immediately. The difference between fact and fantasy are important, just not ...

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