Protest Art

PublisherThe Funambulist2019
Léopold Lambert met with Indigenous Lakota activists Madonna Thunder Hawk and Marcella Gilbert during their passage in France to present Christina D. King and Elizabeth A. Castle’s film Warrior Women that portrays their struggle over two generation — Madonna is Marcella’s mother. In this conversation, we talked about four episodes of Indigenous resistance in Turtle Island (North America): the occupations of Alcatraz (1969), Mount Rushmore (1971), Wounded Knee (1973) and Standing Rock (2016), all of which were experienced by Madonna. Madonna Thunderhawk is an Oohenumpa Lakota. Born and raised across the Oceti Sakowin homelands, she first became active in the late 1960s as a ...
PublisherRecess2019
Accessibility in the Arts: A Promise and a Practice is an accessibility guide geared toward small-scale arts nonprofits and the potentially expansive publics these organizations serve. It details specific ways in which disabled people are excluded from cultural spaces and offers possible solutions to those barriers. Moving away from historical and juridical definitions of accessibility, this guide considers the unique capacity of small scale arts organizations to meet the needs of disabled communities. It engages principles of disability justice to think through what can urgently be done to create more equitable and accessible arts spaces…
This zine explores anarcho-surrealist imagination in midcentury and current-day USA, with particular emphasis on the Chicagoland scene.
In 2010, drawing on Richard Grusin’s theory of “premediation”, the Italian artist collective IOCOSE – specializing in pranks and hoaxes – released the video In the Long Run. The video is the realistic reconstruction of the media event “death of a star”. It was realized following the ritual rules of news format displayed in such cases, staging the death of Madonna as narrated by the BBC. As the art curator and critic Domenico Quaranta explains, there is a long tradition of fake media events, the most famous being The War of the Worlds by Orson Welles. In the Long Run, however, differs from ...
PublisherLateral Addition2018
Southwest Key Programs’ website was unavailable on the night of June 19th. “Under Renovations,” a static page read.[1] The next day, Southwest Key offered a second static page in place of its full corporate site: a few FAQs and a statement that the Program “does not support separating families at the border.” Southwest Key Programs does not support separating families at the border. For 30 years, our work in offering youth alternative justice, immigrant children’s shelters and education has served to improve the lives of thousands of young people. We believe keeping families together is better for the children, parents and ...
PublisherPrinted Matter2012
Occupy Museums approached this booklet as an opportunity to collaboratively reexamine and explore our underlying principles. We developed a list of questions together and gave each member the time and space to answer two or three of their choice autonomously. From the very beginning, with roots deep in Occupy Wall Street’s process and ideals, Occupy Museums has been committed to both group process and the autonomous self-expression of group members. Members of Occupy Museums show an individual voice in this booklet, sometimes agreeing with others and sometimes not, and it is exactly within this dialogue that OM finds its coherence.
PublisherPrinted Matter2012
Sara Jordenö is a NYC based Swedish visual artist and documentary filmmaker. Using film, photography, drawing and experimental poetry, Jordenö aims to work through historical and contemporary narrations around issues of authorship, labor, real and imaginary queer spaces and the habitual acts of everyday life. While being a resident at the Lower Manhattan Cultural Council Workspace program in 2010-2011 she started working on a series of works about urban life in New York City, titled “Time and Motion Studies”. This in turn prompted her to enter collaborations with people in other fields than contemporary art.
PublisherPrinted Matter2012
The Zone explores the intersections between neo-liberal and colonial regimes in the contemporary Palestinian context. By evoking both the phantasmagoria of the dream-worlds and the dystopia of the catastrophe that marks this landscape, the project reveals a situation of surreal absurdity and a growing sense of the uncanny. Navigating a dialectic of dreamworld and catastrophe, desire and disaster, past and present. The incongruence is arresting. The dissonance jarring.
PublisherOnCurating.org2018
This issue of OnCurating takes political resistance and sanctuary as its subject, with Herman Melville’s nineteenth-century literary avatar Bartleby—famous for his refrain “I would prefer not to”—as its tutelary spirit. Forms of civil disobedience and tricksterism are coterminous agents in artistic and curatorial practices, both historical and contemporary. How to subvert and subvene, how to recast structural mechanisms of suppression and oppression, how to avoid, deny, magnify, spatially disjoint, and refute (earnestly, comically)? By what means can we, as cultural producers, refuse, while fostering a discourse of reparation? The activism now crucial in the face of ascendant political forces bent ...
Publisher(D)IRT2019
In solidarity with Decolonize This Place’s nine weeks of action leading up to the Whitney Biennial, we produced an alternative to the museum’s official guide. Our spring guide is designed to lead the reader through the crisis at the Whitney caused by the continuing presence of tear gas manufacturer Warren B. Kanders on the museum’s board of trustees. We have made the PDF available for download and encourage you to share and print the the guide. Please feel free to assemble the guide and bring it with you to the museum. You may choose to leave it in the museum’s ...

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