The 3D Additivist Cookbook (2017), devised and edited by Morehshin Allahyari & Daniel Rourke, is a free compendium of imaginative, provocative works from over 100 world-leading artists, activists and theorists. The 3D Additivist Cookbook contains .obj and .stl files for the 3D printer, as well as critical and fictional texts, templates, recipes, (im)practical designs and methodologies for living in this most contradictory of times.
In March 2015 Allahyari & Rourke released The 3D Additivist Manifesto, ...
#Additivism considers the 3D printer as a profound metaphor for our times. A technology for channelling creative endeavour, through digital processes, into the layering of raw matter excavated from ancient geological eras. Considered as a tool for art, design and engineering, and gesturing towards a forthcoming era of synthetic chemistry and biological augmentation, 3D fabrication technologies are already a site of common exchange between disciplines and forms of materiality. 3D ...
This conversation with two members of a relatively new whistleblowing platform—we called them Sarah and Cleo to preserve their anonymity—intends to present the latter. It allows people working on development projects in London to leak information that can be used by local inhabitant associations to organize in time their defense against their planned eviction. We discuss the platform both theoretically—the conceptual approach to disobedience will be presented in the next ...
A very personal conversation with artist and musician Tim Goldie about his involvement in Eddie Prévost’s workshop, the London’s music scene in the 2000’s, his long engagement with anti-fascism and his overcoming of rough times.
A Queer Year of Love Letters: Alphabets Against Erasure is a toolkit for writing and remembering queer and trans histories. Expanding on Nat Pyper’s series of fonts whose letterforms derive from the life stories and printed traces of countercultural queers of the last several decades, this new book showcases overlooked biographies alongside previously unseen archival materials, as well as Pyper’s unique approach to designing fonts as containers for memory. In ...
Léopold Lambert met with Indigenous Lakota activists Madonna Thunder Hawk and Marcella Gilbert during their passage in France to present Christina D. King and Elizabeth A. Castle’s film Warrior Women that portrays their struggle over two generation — Madonna is Marcella’s mother. In this conversation, we talked about four episodes of Indigenous resistance in Turtle Island (North America): the occupations of Alcatraz (1969), Mount Rushmore (1971), Wounded Knee (1973) and Standing Rock ...
Following our recent debate “Politics of Spatial Segregation” that shed light on racist Danish housing policies and the notion of structural discrimination co-hosted with CAMP – Center for Arts on Migration Politics in Copenhagen on 22 March, Margarida Waco from The Funambulist met with the two co-founders of the association Almen Modstand (Common Resistance), Fatma Tounsi and Marie Northroup, for a conversation about current legislation and the founding pillars of ...
The education project Pink Triangle is a long term project initiated by the Education Department of Museo Reina Sofía in 2019 as a space of reflection and action regarding LGTBIQ+ activisms in school spaces. Through their experiences, perspectives and reflections, students, teachers and families contribute to this complex and necessary discussion. The project entailed 3 workshops, a video dialogue and the set of materials presented here. These didactic materials make ...
Law and art are oftentimes perceived as standing in opposition, and even seen in terms. The first is dismissed as provincial, rigid, and bureaucratic, while the latter is repeatedly characterized as global, flexible, and dynamic. Yet, closer observation and analysis reveal hidden links and layers, and substantial preoccupation by both legal and art practitioners in the visual and in the judicial. It is through the unraveling of spaces, gaps, and ...
Between December 2006 and January 2007, Sillman and Bordowitz recorded approximately 10 hours of conversation on topics ranging from art and philosophy to their personal histories and friendship. The resulting publication follows the chronology of their discussions from beginning to end. The transcript starts where they consider the beliefs underlying their respective endeavors, what art can and cannot accomplish.
This e-book contains a new postscript created by Sillman and Bordowitz in ...
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