Index of Titles Filed Under 'Animality'

Cover art
PublisherEBM(T)2015
Boids is an artificial life program, developed by Craig Reynolds in 1986, which simulates the flocking behaviour of birds.The name “boid” corresponds to a shortened version of “bird-oid object”, which refers to a bird-like object. Taking the position of the bird-like object, how does other creatures sound like? The limitation of labelling computer generated species after preexisting ones complicates our relation to the former. Digitally sythesized -oids lost in the deep sea, later found and played back in 2x speed. A group of dead -oids scattered along the timeline. It’s our choice to hear an -oid.
Cover art
PublisherZer0 Books2017
Unprecedented kinds of experience, and new modes of life, are now produced by simulations, from the CGI of Hollywood blockbusters to animal cloning to increasingly sophisticated military training software, while animation has become an increasingly powerful pop-cultural form. Today, the extraordinary new practices and radical objects of simulation and animation are transforming our neoliberal-biopolitical “culture of life”. The Animatic Apparatus offers a genealogy for the animatic regime and imagines its alternative futures, countering the conservative-neoliberal notion of life’s sacred inviolability with a new concept and ethics of animatic life.
Cover art
PublisherSculpture Center2015
Descartes famously believed that animals were living machines; he was said to beat, torture, and vivisect dogs simply to demonstrate that they had no feelings. He interpreted the sounds emerging from the dog’s mouth as mere physical reactions, just the mechanical result of air passing through a windpipe, not indicative of emotional self-expression. According to Descartes and many of his followers, animals were inferior to humans because they lacked the capacity for language. While scientific evidence as well as popular opinion about the emotive actuality and potential of animals has proven that they have inner lives, most do not speak ...
Cover art
PublisherFlugschriften2019
The arrow arrives at its destination with a clamor, its blackness marking the arrival of thought from the outside: thought as problem, thought as sabotage.
Cover art
PublisherThe Serving Library2011
For this PILOT issue, we have posted PDFs, bound and printed the publication over the first six months of 2011 in advance of launching. From now on, bulletins will be posted to this website as they are ready. If you would like to be told when a new season is complete, and the printed version available, you can join our mailing list. We begin with a plea to remember dead media by Bruce Sterling; an 8-part examination of the Octopus Vulgaris as a metaphor for post-symbolic communication (whatever that might mean) by Angie Keefer; a zero-sum conversation about Libraries and ...
Cover art
Publishere-flux2017
Division is the characteristic habit of humanity: ēthos anthropōi daimōn, as Heraclitus had it. Demons for division, we divide and are divided. Taken over by divisions within ourselves, the demonic appears as the divided self. Wherever the self realizes an apparent struggle, whenever one is possessed by another, the demon is present. Possession dramatizes self-production as a fight for local control. Demonology is the science of these heteronomous selves, these others inside us. “From the beginning,” Boris Groys writes in this issue, “the contemporary artist is demonic: he is possessed by himself and cannot be relieved of his demons”… Editorial Editors Black Circuit: ...
Cover art
Publisheronestar press2014
This book was produced in the context of Art Dubai’s Marker, a curated not-for-profit gallery programme that concentrates each year on a particular theme or geography. (www.artdubai.ae/marker). The 2014 edition of Marker is curated by Slavs and Tatars and takes Central Asia and the Caucasus as its focus.
Cover art
Land & Animal & Nonanimal is an ensemble which contends that the meaning of the Anthropocene is less a geological re-formation than it is trans-formation of both land and animal; once exposed to some of the parameters defining this transition, the reader-as-exhibition-viewer may begin to discern erratic rhythms generated by the creatures of nonconformity that inhabit, with their violence, struggles, and love the vast, machinic reality called Earth.
Cover art
The Multispecies Worldbuilding podcast brings together conversations with scientists, writers, and artists who work with specific organisms (farmed, feral, wild, synthetic) or ecologies (for example, Superfund sites, forests, data networks) that are increasingly affected by climate change. Each episode features one interviewee and combines their voice with field recordings and experimental soundscapes to offer engaging and accessible examples of various kinds of research, teaching, and design practices. The episodes are not about the end of the world. MWL seeks to foreground multispecies histories and interdependencies, and ways in which people here and now are tinkering with new languages, playful devices, ...
Cover art
JAMES HIGHAM talks about the evolution and ecology of nonhuman primates, as well as the ethics and politics involved in long-term fieldwork with: rhesus and macaques at Cayo Santiago, Puerto Rico, which was wiped out by Hurricane Maria in 2017; and the movements of people and cattle at Gashaka Gumti in Nigeria. He is interested in variation and sexual selection, and the urgent questions around conservation. Higham works across fields of primatology and anthropology. He is professor of Anthropology at New York University where he also leads the Primate Reproductive Ecology and Evolution Group.
Cover art
PublisherSculpture Center2016
In Rochelle Goldberg’s exhibition The Plastic Thirsty, sculptures of aquatic beings are served up as interlocutors addressing a complex set of relations. In one instance, a severed fish head resting in a pan simmers in a dehydrated landscape, provoking the basic question of how a head without a body came to be. For Goldberg, thirst, a biologically vital need, is central to this examination, driving both animate and inanimate things. The fish in Goldberg’s exhibition operate in the ambiguous space of need, both as entities that have independent lives and requirements of their own and as commodities for human consumption ...
Cover art
PublisherCura Books2015
Styrofoam seagulls, replicant owls, and explosive donkeys casually amble through this visual primer on some aesthetics, histories, and cinematic legacies of artificial animals. Comprising three commissioned essays and a pool of visual research tracing hidden overlaps between technical and natural forms, Scrim Sinews connects DARPA robotics with the HUAC testimony of Bertolt Brecht, and the chronophotographic gun to the high realism of Pinnochio. Convened and edited by Benjamin Tiven and Per-Oskar Leu on the occasion of their joint exhibition at 1/9unosunove gallery in Rome, Nov. 2014-Jan. 2015. Includes commissioned essays by Homay King, Philip Glahn, and Jonah Westerman. Design by Lucas Quigley using ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List