Index of Titles Filed Under 'Animality'

Cover art
PublisherEBM(T)2015
Boids is an artificial life program, developed by Craig Reynolds in 1986, which simulates the flocking behaviour of birds.The name “boid” corresponds to a shortened version of “bird-oid object”, which refers to a bird-like object. Taking the position of the bird-like object, how does other creatures sound like? The limitation of labelling computer generated species after preexisting ones complicates our relation to the former. Digitally sythesized -oids lost in the deep sea, later found and played back in 2x speed. A group of dead -oids scattered along the timeline. It’s our choice to hear an -oid.
Cover art
PublisherZer0 Books2017
Unprecedented kinds of experience, and new modes of life, are now produced by simulations, from the CGI of Hollywood blockbusters to animal cloning to increasingly sophisticated military training software, while animation has become an increasingly powerful pop-cultural form. Today, the extraordinary new practices and radical objects of simulation and animation are transforming our neoliberal-biopolitical “culture of life”. The Animatic Apparatus offers a genealogy for the animatic regime and imagines its alternative futures, countering the conservative-neoliberal notion of life’s sacred inviolability with a new concept and ethics of animatic life.
Cover art
PublisherSculpture Center2015
Descartes famously believed that animals were living machines; he was said to beat, torture, and vivisect dogs simply to demonstrate that they had no feelings. He interpreted the sounds emerging from the dog’s mouth as mere physical reactions, just the mechanical result of air passing through a windpipe, not indicative of emotional self-expression. According to Descartes and many of his followers, animals were inferior to humans because they lacked the capacity for language. While scientific evidence as well as popular opinion about the emotive actuality and potential of animals has proven that they have inner lives, most do not speak ...
Cover art
PublisherFlugschriften2019
The arrow arrives at its destination with a clamor, its blackness marking the arrival of thought from the outside: thought as problem, thought as sabotage.
Cover art
PublisherThe Serving Library2011
For this PILOT issue, we have posted PDFs, bound and printed the publication over the first six months of 2011 in advance of launching. From now on, bulletins will be posted to this website as they are ready. If you would like to be told when a new season is complete, and the printed version available, you can join our mailing list. We begin with a plea to remember dead media by Bruce Sterling; an 8-part examination of the Octopus Vulgaris as a metaphor for post-symbolic communication (whatever that might mean) by Angie Keefer; a zero-sum conversation about Libraries and ...
Cover art
Publishere-flux2011
Released on October 8, the second issue of the Occupied Wall Street Journal included an editorial note entitled “No list of demands,” responding to the perceived absence of strong messaging offered by the movement. The note specified that: The exhausted political machines and their PR slicks are already seeking leaders to elevate, messages to claim, talking points to move on. They, more than anyone, will attempt to seize and shape this moment. They are racing to reach the front of the line. But how can they run out in front of something that is in front of them? They cannot. For Wall Street ...
Cover art
Publishere-flux2012
For the Summer 2012 issue of e-flux journal we are very pleased to present a special “Animism” issue guest-edited by Anselm Franke, curator of the exhibition by the same name. Even if you missed Animism on tour in Europe since it began at Extra City and MUHKA in Antwerp in 2010, you have probably learned of its encompassing mobilization of the systems of inclusion and exclusion defining “science” and “culture.” The various stages of the exhibition have shown the discourse of animism to be a crucial skeleton key for releasing the deadlocks formed by the repressed religious, teleological, and colonial ...
Cover art
Publishere-flux2017
Division is the characteristic habit of humanity: ēthos anthropōi daimōn, as Heraclitus had it. Demons for division, we divide and are divided. Taken over by divisions within ourselves, the demonic appears as the divided self. Wherever the self realizes an apparent struggle, whenever one is possessed by another, the demon is present. Possession dramatizes self-production as a fight for local control. Demonology is the science of these heteronomous selves, these others inside us. “From the beginning,” Boris Groys writes in this issue, “the contemporary artist is demonic: he is possessed by himself and cannot be relieved of his demons”… Editorial Editors Black Circuit: ...
Cover art
Tracklisting: Brian Eno – Little Fishes ACDC – Giving the Dog a Bone Alfred Deller – The Three Ravens Daniel Johnston – King Kong Mysterius Horse – Mysterius Horse Robert Wyatt – Pigs (In There) Brute Force – Tapeworm of Love Ivor Cutler – Flies Bert Jansch – Bird Song Miles Davis – The Big Green Serpent Maher Shalal Hash Baz – No Sheep Recording of Tower Whales from ‘Songs of the Humpback Whale’ (1970) Captain Beefheart – Making Love to a Vampire with a Monkey on My Knee Robert Wyatt- Muddy Mouse (a) Robert Wyatt – Heaps of Sheeps Duran Duran – Hungry like the Wolf David Allan Coe – Monkey David Wine Ami Yoshida Adam and the ...
Cover art
Publisheronestar press2014
This book was produced in the context of Art Dubai’s Marker, a curated not-for-profit gallery programme that concentrates each year on a particular theme or geography. (www.artdubai.ae/marker). The 2014 edition of Marker is curated by Slavs and Tatars and takes Central Asia and the Caucasus as its focus.
Cover art
Land & Animal & Nonanimal is an ensemble which contends that the meaning of the Anthropocene is less a geological re-formation than it is trans-formation of both land and animal; once exposed to some of the parameters defining this transition, the reader-as-exhibition-viewer may begin to discern erratic rhythms generated by the creatures of nonconformity that inhabit, with their violence, struggles, and love the vast, machinic reality called Earth.
Cover art
The Multispecies Worldbuilding podcast brings together conversations with scientists, writers, and artists who work with specific organisms (farmed, feral, wild, synthetic) or ecologies (for example, Superfund sites, forests, data networks) that are increasingly affected by climate change. Each episode features one interviewee and combines their voice with field recordings and experimental soundscapes to offer engaging and accessible examples of various kinds of research, teaching, and design practices. The episodes are not about the end of the world. MWL seeks to foreground multispecies histories and interdependencies, and ways in which people here and now are tinkering with new languages, playful devices, ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List