Index of Titles Filed Under 'Anthropocene'

Cover art
PublisherInhabitants2015
Climatologists have confirmed it is now too late to avoid certain global warming and that a shift to a low or zero carbon economy is thus vital. This implies an urgent transition to renewable energy sources as well as radical adaptive measures, which collide against established industrial monopolies. This episode gathers several geoengineering patent applications, and through these documents presents the history of these emerging technologies and the private interests, actors, think tanks, and corporations behind them. Within the debate of climate change mitigation, geoengineering—the technological management of weather patterns and carbon capture processes—occupies an especially politicized place. It has slowly ...
Cover art
PublisherThe Distance Plan2015
“…And I was like—yes it is! Part of my broader project as an artist is thinking about how the term climate change can be redefined and expanded to enable people to understand its relevance. So climate change is redefined as an issue of inequality, or social justice, and also urban design and planning. So if I go by that broader definition, I don’t see why I should exclude those things here.” Amy Howden-Chapman in conversation with the Newspaper Reading Club, 2015
Cover art
Taking as its premise that the proposed epoch of the Anthropocene is necessarily an aesthetic event, this collection explores the relationship between contemporary art and knowledge production in an era of ecological crisis. Art in the Anthropocene brings together a multitude of disciplinary conversations, drawing together artists, curators, scientists, theorists and activists to address the geological reformation of the human species. With contributions by Amy Balkin, Ursula Biemann, Amanda Boetzkes, Lindsay Bremner, Joshua Clover & Juliana Spahr, Heather Davis, Sara Dean, Elizabeth Ellsworth & Jamie Kruse (smudge studio), Irmgard Emmelhainz, Anselm Franke, Peter Galison, Fabien Giraud, & Ida Soulard, Laurent ...
Cover art
This sourcebook is a gathering of documentation on the labeling of all the materials that have gone into the exhibition Blind Sensorium. Il paradosso dell’Antropocene in Matera at the “Domenico Ridola” National Museum of Archaeology and in the spaces of the former “Alessandro Volta” school, from 6 September 2019 to 8 March 2020. The photographic images – which for the installation in Basilicata have been reproduced and printed in A4 and A3 format on specially prepared panels – are joined on these pages by the reproduction of materials contained in the “Domenico Ridola” Museum, which we have chosen as an integral ...
Cover art
The implications around climate change have far-reaching consequences but they can also have far-reaching benefits. The e-publication Ecologising Museums explores how museums and cultural institutions can face the issue not only head-on, but from all angles. To what degree are the core activities of collecting, preserving and presenting in fact attitudes that embody an unsustainable view of the world and the relationship between man and nature?
Cover art
Publishercontinent2017
What would a conversation with a piece of asbestos, or a piece of plastic stranded on the shore of the Schuylkill River be like? And how could a conversation transpire, between things and researchers and other things, if they landed in the same place and found for themselves a common language? Imprinted by Philadelphia’s singular industrial and technological history, the soils, water systems, and infrastructures of the Delaware Valley tell a story of the Anthropocene, the contentious and debated terminology for this “new” and anthropocentric geological era in which human activities have forever altered Earth’s ecosystems. For the Anthropocene Campus Philadelphia ...
Cover art
PublisherThinkbelt2019
Solar geoengineering and soil carbon sequestration could help avert a climate catastrophe. But what’s the end goal of these technologies? Writer and geographer Holly Jean Buck speculates on their potential for social and economic transformation.
Cover art
Land & Animal & Nonanimal is an ensemble which contends that the meaning of the Anthropocene is less a geological re-formation than it is trans-formation of both land and animal; once exposed to some of the parameters defining this transition, the reader-as-exhibition-viewer may begin to discern erratic rhythms generated by the creatures of nonconformity that inhabit, with their violence, struggles, and love the vast, machinic reality called Earth.
Cover art
PublisherNew Models2019
Christine Lariviere works at the intersection of climate change and media. In this episode, she helps us render a massive map of the anthropocene (and humanity’s fate therein) while exploring why the word “systems” belies the incomprehensibly vast matrix of networks our changing climate is set to effect. If you make it past the hour mark, stay locked for some hot local foraging tips.
Cover art
Cover art
PublisherInhabitants2015
The Anthropocene Issue is a special series of short videos shot during the “Anthropocene Curriculum,” campus held at Haus der Kulturen der Welt, Berlin, from November 14 to 22, 2014. The program brought together more than a 100 people from various disciplines around a series of workshops, presentations, and talks. It included, among many others, specialists in climatology, geography, law, history of science and technology, architecture, and art to discuss the concept of the Anthropocene. This special series presents the week-long gathering with a set of close-ups, interviews, group discussions, and informal conversations with some of its participants, launched over two ...
Cover art
PublisherThe Distance Plan2013
The first issue of The Distance Plan journal outlines an idea: that distance is a useful metaphor for talking about climate change. It contains essays, an interview and artworks which speculate on the possibilities, and implications, of this image of distance. Published at a time when popular awareness of climate change – particularly in the context of the arts – was significantly underrepresented, this journal primarily sought to heighten visibility and stimulate discussion.
Cover art
PublisherThe Distance Plan2014
The Distance Plan, Journal Issue 2, 2014 ‘Seven Conversations,’ The Distance Plan Journal’s second issue, is intended as a place to record the shifts in dialogue and language related to art and climate change. The texts span a range of subjects; each includes someone involved in the arts: writers, curators, artists, teachers. Our hope is that by cataloguing our communities’ changing concerns when it comes to talking about climate change we can play the role of witnesses, help to sustain the momentum which already exists towards combating this problem, and motivate each other to move the discussion forward. These conversations ...
Cover art
PublisherThe Distance Plan2015
The Distance Plan, Journal Issue 3, 2015 ‘Climate and Precarity’, The Distance Plan Journal’s third issue, sets out to survey how migration, environmental crisis and climate activism are debated in relation to capitalism and its alternatives. Taking Judith Butler’s notion of precarity – the destruction of the conditions of liveability – as a starting point, the issue brings together texts and artist pages that speak about the relationship between ecological and economic precarity. A recurring question is how climate change is most effectively represented as an issue of social justice, and the role of artists and thinkers in developing a critical ...
Cover art
PublisherThe Distance Plan2016
This issue features artist pages by Louise Menzies and Michala Paludan, an essay by Lina Moe on the closure of New York’s L Line, and, through our ongoing Climate Change & Art: A Lexicon, surveys the language currently surrounding anthropogenic climate change. Through proposing neologisms and promoting less well-known terms, we wish to propel interdisciplinary discussion, and by extension accelerate the pace of action. Through this lexicon we propose that the science around climate change is developing so rapidly that we need new language to articulate its processes and effects. The lexicon is also based on the recognition that evolving science ...
Cover art
PublisherMute2013
Hannah Black’s review of The Whole Earth: California and the Disappearance of the Outside curated by Diedrich Diedrichsen and Anselm Franke considers the legacy of the counterculture-cyberculture that largely shaped my childhood in Northern California. Black reminds us that the “Y” in DIY was not directed at everyone: “For Brand and those like him, the blue planet and, later, the exponential development of IT, meant that otherness and its attendant forms of suffering were just failures to get with the holistic, progressive programme.” This notion of us and them, rich and poor, prepped and not prepped, is the core value ...
Cover art
PublisherStrelka Press2019
This title will be available soon. The Terraforming is the comprehensive project to fundamentally transform Earth’s cities, technologies, and ecosystems to ensure that the planet will be capable of supporting Earth-like life. Artificiality, astronomy, and automation form the basis of that alternative planetarity. This short book was written in July 2019. It is is an opening brief and manifesto for The Terraforming urban design research programme at the Strelka Institute in Moscow. It is a narrowly targeted polemic against dominant modes of planetarity and a rejoinder to inadequacies seen in how critical philosophy and design seeks to confront them. The title refers ...
Cover art
The Word for World is Still Forest creates a space for the reader-as-exhibition-viewer to consider how forests may be seen not only for their trees, but also how they can enable experiences of elegance, affirmation, and creation for a multitude of creatures. in response to their violent destruction, which characterizes the Anthropocene, these pages traverse various woodlands by way of their semiotic, socio-political, historical, and epistemic incitements in order to reveal how practices of care, concern, and attention also enable humans to inhabit and flourish in this world as forest.
Cover art
PublisherThe Volume Project2016
The Lesson of Zoology first appeared in the trash heap of contemporary Lisbon. While researching the role of Lisbon’s Geographical Society in one of the first planetary colonizations, we happened upon an antiquarian bookshop with seemingly endless piles of natural history lithographs. Among them, The Lesson stood out as an especially compelling meta-image of just what a lesson is—an ordering of nature, by way of presentation, about who intended to possess the earth.
Cover art
PublisherUrbanomic2010
For the event The Real Thing, Urbanomic brought together a group of writers to create new interpretative labels for the set of paintings grouped under the title Art and the Sublime at Tate Britain
Cover art
2013
The strangeness and mystery of the Voynich Manuscript has inspired musicians and novelists. Not surprisingly, the document has also proved a springboard for visual artists, but the remarkable thing about the body of work made by Miljohn Ruperto and Ulrik Heltoft is how it doesn’t just feed o the manuscript’s secrets and complications but builds upon them to become something odd, fantastic and mysterious in its own right…

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List