Index of Titles Filed Under 'Archives'

PublisherMACBA2014
Walter Mignolo (1941, Córdoba, Argentina) is a semiotician and professor at Duke University, who has published extensively on semiotics and literary theory, and worked on different aspects of the modern and colonial world, exploring concepts such as global coloniality, the geopolitics of knowledge, transmodernity, border thinking, and pluriversality. In Enacting the Archives, Decentring the Muses Mignolo reads through the Museum of Islamic Art and of Asian Civilizations Museum, attempting to decolonize the single story of western museums by showing how de-westernization works.The author’s argument will be that the de-colonial story of western museums through the appropriation of the museum model in ...

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PublisherMACBA2013
This text by Wolfgang Ernst is the keynote lecture of the conference The Anarchival Impulse in the Uses of the Image in Contemporary Art, organised by the University of Barcelona. In «Aura and Temporality: The Insistence of the Archive», the author analyses how the archive in the traditional sense, based on rigorous classification and secrecy, must be redefined in the light of the enormous potential for dissemination and organisation that arises from the digital media: archives are now ephemeral, adapted to various supports and, for the first time, more than a specific space, they occupy time. Wolfgang Ernst is Professor of ...

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PublisherThe Funambulist2013
Daniel and I had this conversation the day after the 2013 Goldsmiths Graduate Conference, where we were both participating in a panel suitably entitled “The Sea, Shores, Islands – Territory, Sovereignty and the State.” His paper “The Construction of the End,” given that day is the starting point of our discussion, in which we discuss the legal debates about the location of the shore line in Spain, the national claims of sovereignty of a given territory based on scientific and technological criteria, as well as the various circumventions of the law that provide a form of cabinet of architectural curiosities of which ...

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PublisherLink Editions2011
The last decade has seen an incredible growth in the production and distribution of images and other cultural artefacts. The internet is the place where all these cultural products are stored, classified, voted, collected and trashed. What is the impact of this process on art making and on the artist? Which kind of dialogue is going on between amateur practices and codified languages? How does art respond to the society of information? This is a book about endless archives, image collections, bees plundering from flower to flower and hunters crawling through the online wilderness.

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PublisherDroste Effect2016
Bulletin #1: Broadcasting the Archive by Gemma Medina Estupiñan and Alessandra Saviotti Broadcasting the Archive è un progetto che ha come scopo principale la diffusione dell’archivio di Arte Útil, al di fuori dell’istituzione che ne custodisce i materiali. Il concetto di Arte Útil è stato sviluppato dall’artista cubana Tania Bruguera in collaborazione con i curatori, curatrici e ricercatrici del Queens Museum di New York e del Van Abbemuseum di Eindhoven, in Olanda. L’archivio è stato composto da Gemma Medina Estupiñan e Alessandra Saviotti, che hanno quindi iniziato a pensare a come diffondere le potenzialità di questo strumento anche al di fuori dell’ambito artistico. ...

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Publishere-flux2016
Businesspeople talk about art like artists talk about money: gratuitously, without compensation. Hired to talk about money, an entrepreneur will speak in terms of art. Put an artist on a panel and you will often get disquisitions on exchange, capital, and commerce. Both constituencies are compelled by what lies outside their professional responsibility, and the response to this compulsion vibrates between veneration and contempt. For every Übermensch crypto-expressionist billionaire patron, there is one who sneers at the foolish valuelessness of art history and its scribes. For every dedicated anticapitalist artist, there is one who happily understands themselves to be making ...

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PublisherSALT2015
For the first time in the forty years that have passed since its formation, the experience of the Global Tools counter-school has been brought together in book form, uniting the images and archive documents that were produced over the few short years of its existence. This volume is compiled to chronicle and evaluate the three years of seminar activity that took place between Florence, Milan and Naples in the early 1970s, bringing to a wider audience the story of this tentative attempt to realize an experimental dispersed educational program that would serve as an alternative to the university as an ...

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PublisherSALT2013
It Was a Time of Conversation is an archive and research project. It revisits the story of three exhibitions that took place in the first half of the 1990s in Turkey: Elli Numara: Anı Bellek II [Number Fifty: Memory/Recollection II], GAR [Railway Station] and Küreselleşme–Devlet, Sefalet, Şiddet [Globalization–State, Misery, Violence]. In 2012, SALT visualized the research in the form of an exhibition at SALT Galata in the Open Archive. This was followed by a more developed presentation of the exhibition at SALT Ulus in 2013. This publication, prepared in parallel with the exhibition, brings together texts by Ali Akay, Selim Birsel, Burak ...

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Publisher
Welcome to my ‘vanity site’ directed towards fans, students and those embroiled in the informational economy of  Black popular music from Jamaica and America c1940’s to 1970’s. If you have an interest in anything on this site and you want to get in touch, or to correct any mistakes (there are probably many) or whatever, go here:   mail@johnnyspencer.info  Please give the mail a relevant subject head: like Records, and not just Re. or any of the other insincere headings that stupid Spam mailers use, as it will be deleted without opening.  There are two main categories on this site: American: R&B,  Blues ...

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Midnight Notes (digitized) is a collection compiling the (digitized) issues of issues of Midnight Notes. It also contains some books by the Midnight Notes Collective (these have been treated and numbered as if they were issues of the magazine). The collection was prepared using digital files originally sent out to a reader on CD, then compiled for a small circulation print reader (20 privately printed copies) shared among friends based in London. Some of the same files are available at: http://www.midnightnotes.org/mnpublic.html

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PublisherThe Funambulist2013
Every publishing house constructs an editorial line of its own. Sometimes it has to do with the topic, sometimes with a question, sometimes with the authors… In the case of punctum books however, the editorial line is to be found in the failure of the book it publishes to properly take place into a given academic category. The manifesto that lies behind such choice is the topic of the conversation I had with Eileen. The not-so-well-known (at least for me) medieval era meets the scheme of the archipelago dear to this platform, as we imagined together a non-institutionalized university where ...

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PublisherLink Editions2012
Released on the occasion of the presentation of the exhibition Collect the WWWorld. The Artist as Archivist in the Internet Age at 319 Scholes, New York (October 18–November 4, 2012), this book presents Ryan Trecartin’s series of prints “A Lossless Fall 2010” together with its background documentation, in order to allow the reader to better get into an iconic, seminal piece of contemporary art. In November 2010, Ryan Trecartin published in the fashion and design magazine “W” the portraits of four of his long time collaborators: Lizzie Fitch, Veronica Gelbaum, Telfar Clemens, and Ashland Mines. The group was titled “A ...

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Mindy Seu is a designer, educator, and researcher. She is currently a student at the Harvard Graduate School of Design and was previously a designer at 2×4 and MoMA. She’s designed and produced archival sites for Ralph Ginzburg and Herb Lubalin’s Eros and Avant Garde magazines. In this episode, Mindy and I talk about her early career and why she decided to go to graduate school, the role of research and archives in her work, and how graphic design is just one pillar of her practice.

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PublisherAsia Art Archive2017
Following his 2014 residency at AAA, New York-based artist Walid Raad developed Section 39_Index XXXVII: Traboulsi. The project stemmed from his research into AAA’s Ha Bik Chuen Archive and consisted of several ‘sculptural spaces’ built by Raad’s fictional collaborator, Suha Traboulsi, who creates reproductions of canonical modern paintings by Arab artists.

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PublisherShifter2008
Most libraries around the world use the Dewey Decimal Classification System (DDCS) to list and categorize books. e DDCS is a library classification system developed by Melvil Dewey in 1876. By categorizing items within a library it serves as a tool for people searching for specific knowledge. It was an attempt to organize all knowledge into ten main classes, which are further subdivided into 100 divisions and 1000 sections. is makes the DDCS appear purely numerical and infinitely rational. However, DDCS is regularly revised, reflecting how culture, ideology, and the perception of knowledge change over time. As a result of ...

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PublisherHarvard University2014
An alternate version of a humbling lecture-performance by the poet Susan Howe, first given at an event organized by the CEL for the 2014 Whitney Biennial. Drawn from Howe’s experiences searching in archives and special collections (including the Emily Dickinson Collection at Amherst College, the William Carlos Williams Collection at SUNY Buffalo, the Ratti Textile Center at the Met, and both the Jonathan Edwards Collection and the Gertrude Stein and Alice B. Toklas papers at Yale’s Beinecke Library), SPONTANEOUS PARTICULARS: The Telepathy of Archives mines the moments when the materiality of research in physical archives brings the past into what ...

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PublisherPaul Soulellis2018
This project — a broadcast, a book, and a download — restores access to 1,964 climate change-related URLs that were removed from EPA.gov on April 28, 2017. The URLs point to web pages, documents, presentations, publications, and other files that were purged by the U.S. Environmental Protection Agency under the direction of EPA Administrator Scott Pruitt and the Trump administration. Some of the assets had been accessible on the web since 1997. The April 28 purge redirected hundreds of climate change URLs to one of three new pages: “This page is being updated,” “Complying with President Trump’s Executive Order on Energy ...

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PublisherAsia Art Archive2017
Mumbai-based artist Shilpa Gupta presented That photo we never got, a research-based exhibition that drew out narratives from the AAA collection to explore friendships and love in the field of art.

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PublisherRhizome2017
The latest Download commission, by Sheida Soleimani, laments the death of Reyhaneh Jabbari, who was convicted and hanged in Iran on October 25, 2014 for the alleged murder of her rapist. to oblivion.zip, a dirge-like work that eulogizes Jabbari’s untimely death, consists almost entirely of Jabbari’s own written and spoken words. Once expanded, the ZIP file presents a multi-layered work of nested folders that contain execution records, letters, photographs, and voice recordings. Soleimani has been creating photographic and sculptural works focused on human rights violations in Iran since 2015. This is the first time that she has used a digital ...

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A limited special edition is available at MU, Eindhoven for only 29 € In more than five years of activity, the Free Art and Technology Lab (F.A.T. Lab) produced an impressive series of projects, all developed with open source software, shared online and documented in a way that allows everybody to copy, improve, abuse or simply use them. This approach situates F.A.T. Lab in a long tradition of DIY, processual, sharable artistic practices based on instructionals, and reveals a democratic idea of art where Fluxus scores meet hacker culture (and rap music). Featuring texts by Régine Debatty, Evan Roth, Domenico Quaranta, Geraldine Juárez ...

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PublisherAsia Art Archive2017
Udlot-udlot was organised by Hong Kong-based independent curator Inti Guerrero to present video pieces, short films, and artefacts by Pio Abad, Anand Patwardhan, Jan Švankmajer, and Koki Tanaka in the Asia Art Archive Library. His intervention was based on different possible ideological readings of Udlot-udlot, a 1972 large-scale sound performance by Philippines new-music composer José Maceda (1917–2004) documented in AAA’s Roberto Chabet Archive.

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PublisherAsia Art Archive2017
Guangzhou-based Hu Fang and Zhang Wei intervened into the AAA library stacks with Untitled (for redundant books), a selection of books inspired by experimental botany, farming, architecture, and gardening philosophy that activate alternative readings of the AAA collection. Responses to the texts were gathered and shared through a series of reading groups, field trips, and conversations.

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What does it mean to personalize method? This essay by Endre Dányi is both a sociologist’s historical study of the Hungarian Parliament building in the context of European democracy in crisis, and a means of activating the author’s own subjectivity. By walking us to archives, through memories, and inside buildings, Dányi’s mobile narratives help us cast history anew.

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