Index of Titles Filed Under 'Art History'

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PublisherHatje Cantz2012
This title will be available soon. Sometime in 1971, Harald Szeemann visited Turin in preparation for the documenta exhibition he was curating for the following year. Among the people he tried to meet in the city was Alighiero Boetti, but when Szeemann visited Boetti’s studio, the Italian artist wasn’t there. All indications are that somebody took the curator through the studio and showed him around, and that, mistakenly, Szeemann forgot a small piece of paper with a list of artists’ names. Several weeks might have passed before Boetti returned to Turin (that year he took two long trips to Afghanistan) and ...
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PublisherLink Editions2018
Digital technology has interfered in all the spheres, private, public and professional, of our society and shaped them. Artists have always used the techniques or technologies of their time to express themselves. To each appropriated innovation thus corresponds a range of works. Yet, it takes time for the art world to integrate new practices and new media. Impatient, the most fervent advocates of digital art have structured themselves into international communities by organizing dedicated events. Their practices have now matured and the public is culturally ready to welcome their creations as it already does in festivals. At the same time, ...
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PublisherFundación Cisneros2013
Carlos Cruz-Diez in conversation with/en conversación con Ariel Jiménez distills over three decades of wide-ranging conversations between preeminent Venezuelan artist Carlos Cruz-Diez and then FC/CPPC Chief Curator Ariel Jiménez. A pioneer in color theory and perception, Cruz-Diez and such artists as Alejandro Otero and Jesús Rafael Soto launched the abstract movements that placed Venezuelan art among the international avant-garde during the 1950s. Born in Venezuela in 1923, Cruz-Diez traveled in Western Europe throughout the 1950s, absorbing Bauhaus color theory and trends in geometric abstraction. He returned to Venezuela in 1957 to help initiate a massive wave of experimentation in Abstract, Concrete, ...
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PublisherAperture Foundation2014
Core Curriculum: Writings on Photography is the long-awaited collection of essays, reviews, and lectures—some of which have gained a cult following online—by Tod Papageorge, one of the most influential voices in photography today. As the Walker Evans Professor of Photography at Yale University School of Art, Papageorge has shaped the work of generations of artist/photographers, and earned a reputation as an unusually eloquent guide to the work of many important figures in twentieth-century photography. Among the artists Papageorge discusses in this essential volume are Atget, Brassaï, Robert Frank (with Walker Evans), Robert Adams, and his close friend, Garry Winogrand. The ...
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PublisherLink Editions2017
The first art movement to use collage to collapse together images and ideas, Dada also pioneered concepts, ideas, approaches and modi operandi that were later transfused into contemporary digital tools, becoming commonplace in the digital environment. To celebrate DADA 100, from 5 February 2016 to 5 February 201 7 the online platform and collaborative project Dadaclub.online shared high quality digital copies of original Dada artworks and magazine covers, inviting artists from all over the world to use them in their work. This book documents the project, presenting 148 remixes produced and shared by participants. Dada is nothing, enjoy Dada!
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PublisherMACBA2019
In this text, Maite Garbayo-Maeztu seeks to think some of the first performances taking place in the 1970s in Spain, along with occupations of the street by feminist activism at the time. Artists like Dorothèe Selz, Fina Miralles, Àngels Ribé and Olga L. Pijoan would use veils, occultations and alterations that invited viewers to go beyond visuality.
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Publisheronestar press2016
Here are some drips, splashes and pours, all accidental or intentional and all stolen from one late work by a well known master. Sometimes it takes a new type of looking in order to move forward. What do we see when we take things apart and reorganize? Really, it is open to your own interpretation but I included a photo I took to let you know how I feel.
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PublisherMACBA2018
Between the 1950s and seventies, Oscar Masotta (Buenos Aires, 1930 – Barcelona, 1979) was a key figure in the transformation of Argentina’s cultural scene. However, to date his work as a disseminator of Lacanian psychoanalytic theory and his active links with the counterculture during the four years he lived in Spain have been less obvious. His multiple and polymorphic interests included art, literature, comics, politics and psychoanalysis. From ideas such as the avant-garde, dematerialisation, discontinuity and the environment, Masotta constructed the tools for thinking about the categorical turn taking place in contemporary art. Perhaps the most relevant appropriation is the term ...
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PublisherDroste Effect2018
James R. Southard has been working with small community groups in the hopes of building collaborative digital photo and video projects. Each series has been catered to the issues and concerns of each region through documenting local habits, patterns, rituals, language, history, and so on. This most recent year, James has started to turn the lens around towards himself. He has started to alter this regional material gathering technique into a biographical survey of his late father’s experiences in the 1970s. The resulting work has been a digital collage of still and moving images along with life action shots, building ...
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PublisherDroste Effect2019
Published on occasion of Débora Delmar’s exhibition Stressed, Blessed and Coffee Obsessed at Gallleriapiù, Bologna. Starting from Débora Delmar’s portfolio, Daniel Garza Usabiaga narrates the pivotal events and turning points in the artist’s career. Narrative Portfolio is one of three formats in Droste Effect’s publication Bulletin. Narrative Portfolios are aimed at investigating the practice and personal taste of international established artists.
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Publishere-flux2019
There is a certain plasticity of meaning inherent in any use of language. If that weren’t the case, poetry and literature would not exist. There would only be contracts, scientific formulas, shopping lists, and so forth. Journalism would be properly factual—there would be no fake news or disinformation. All utterances would document isolated events, never evoking larger patterns or tapping into hidden desires. But then the question arises: Even if language could be cleansed of all ambiguity and spin, what role would images play? If language is the problem, images can only be worse. Against a backdrop where postmodern slippages in ...
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Publishere-flux2019
On November 7, 1929, the Museum of Modern Art “opened in a five-room rented space with an ‘historical’ exhibition of (European) Post-Impressionist art, titled ‘The First Loan Exhibition: Cezanne, Gauguin, Seurat, Van Gogh.’” MoMA’s founding director, Alfred Barr, had the idea that modern works that passed a test called “Torpedo in Time” would, after some fifty years, be considered historical and transfer to the permanent collection of the Metropolitan Museum of Art. At the time, Gertrude Stein also famously quipped that the very idea of a museum of the modern was an oxymoron. In short, MoMA was more of a kunsthalle ...

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