Index of Titles Filed Under 'Art World'

PublisherDroste Effect2018
James R. Southard has been working with small community groups in the hopes of building collaborative digital photo and video projects. Each series has been catered to the issues and concerns of each region through documenting local habits, patterns, rituals, language, history, and so on. This most recent year, James has started to turn the lens around towards himself. He has started to alter this regional material gathering technique into a biographical survey of his late father’s experiences in the 1970s. The resulting work has been a digital collage of still and moving images along with life action shots, building ...

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PublisherArtFCity2018
In this episode of Explain Me William Powhida and Paddy Johnson discuss the horrific business practices of Peter Brant and Interview Magazine, a fundraising campaign at University of North Carolina so misguided that firing is in order, and the latest headscratching Creative Time project. To help us discuss all of this, and how the new tax code will affect artists accountant and painter Hannah Cole joins us.

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PublisherSALT2013
Sarkis and “When Attitudes Become Form” is an oral history project by curator and art critic Nazlı Gürlek. It presents a compilation of three interviews conducted with Sarkis at his studio in Villejuif, Paris on three separate occasions in January 2011 and December 2012. The text is accompanied by photographs from the personal archive of the artist. Taking as its starting point the 1969 exhibition entitled When Attitudes Become Form, the publication creates a critically and intellectually fertile ground where Sarkis’ thought processes of the 1960s can be understood as part of the relationship between art and transformed production and exhibition ...

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PublishersArt BaselUBS2017
Art is a $57 billion market almost entirely unregulated by the government. Here is a remarkable summary of its recent performance as an asset class by two key power players: a fair and a bank. The summary tells a story of segmentation and distension of the market towards extreme ends of the scale: a tiny fraction of artists make up the vast bulk of sales, with just .017% of galleries responsible for 80% of total sales by value. On page 236, note how the text suddenly worries about the effect of dramatic wealth inequality on the market, if chiefly via ...

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