Index of Titles Filed Under 'Artist Audio'

PublisherPrinted Matter2008
Thesis: The field of sound is the site and the means of the Militant Sound Investigation. Regardless whether analogue or digital, the record gives object form to an undifferentiated field of sound. Through both magnetic particles and binary code, experience enters into the record and becomes available to be repeated and analyzed. What initially sounded like undifferentiated registers acquires through repetition and analysis a different texture of audibility. It is as if need, demand, desire have been rendered concrete. Militant Sound Investigation, simply put, derives from a practice of listening that intervenes upon the presumed fidelity of the audio recording. ...
PublisherTalk is Cheap2020
To say that Albie is a multidisciplinary artist shows the paucity of art speak itself. He seems to use whatever tactics are at his disposal. Some of them relate, some of them don’t, although throughout our conversation we seem to find more vectors that connect through work than he was willing to admit to. Albie’s practice seems to be about just doing what seems right and feasible at the moment. He works as a graphic designer, he’s done conceptual audio pieces, one we play here, he’s made and shown sculptures and film and until the recent pandemic has split his ...
PublisherThe Serving Library2011
  This issue grew out of two physical incarnations of The Serving Library in 2011. The first took place from July 4–August 10 in the Walter Phillips Gallery of the Visual Arts department at The Banff Centre, Alberta, Canada. Here we set up a model of the library’s projected interior to house a six-week summer school titled From the Toolbox of a Serving Library. The school comprised daily morning seminars, supplemented by a few evening events. Each week was based on a specific component from a (Photoshop-proxy) digital software toolbox, in order to reconsider what a contemporary (Bauhaus-proxy) Foundation Course might ...
PublisherBureau2017
FEBRUARY 2017 VIVIENNE GRIFFIN SK (4:48 Psychosis by Sarah Kane, 1999) 2012, 33 min. 41 sec. I As In Us, 2017, 6 min. 44 sec. Release Your Inner Dolphins, 2016, 7 min. 44 sec.
PublisherBureau2017
Bureau gallery audio program, 2017. MARCH 2017 MATT HOYT SIDE A Birds on Front St. Melting ice under BQE Drainage pipe in the woods Drainage stream in the woods  SIDE B Stream and crickets Ocean waves Eddy and small waterfall Stream medley Birds and rain
PublisherBureau2017
JUNE 2017 WOJCIECH BAKOWSKI KOT ‘Intro’ Album: „Kły” / ‘Fangs’ 2007 Label: Pinkpunk Music: Wojciech Bakowski KOT „Kły” / ‘Fangs’ Album: „Kły” 2007 Label: Pinkpunk Music and lyrics: Wojciech Bakowski Wojciech Bakowski „Ściana” / ‘The wall’ Album: „Kształt” / ‘Shape’ 2010 Label: Bocian records Music and lyrics: Wojciech Bakowski Wojciech Bakowski „Widok pokoju” / ‘View of the room’ Album: „Telegaz” / ‘Tv – prog’ 2014 Label: Dunno recordings Music and lyrics: Wojciech Bakowski Wojciech Bakowski “Ciemno” / ‘Darkness’ 2008 Music and lyrics: Wojciech Bakowski Wojciech Bakowski „Zasypianie z nerwów 2” / ‘Falling asleep out of anxiety 2’ Album: „Telegaz” / ‘Tv – prog’ 2014 Label: Dunno recordings Music and lyrics: Wojciech Bakowski Wojciech Bakowski „Ukrycie w rogu szósej planszy” / ‘Hide out in the corner of level 6’ Album: „Duchy kotów” / ...
PublisherArtists Space2008
The YouTube Commentary Project invites artist to reflect on existing videos NY based artists Nina Katchadourian comments on a freehand drawing of a perfect circle
PublisherRadio Web Macba2010
Generative music is a term used to describe music which has been composed using a set of rules or system. This series of six episodes explores generative approaches (including algorithmic, systems-based, formalised and procedural) to composition and performance primarily in the context of experimental technologies and music practices of the latter part of the 20th Century and examines the use of determinacy and indeterminacy in music and how these relate to issues around control, automation and artistic intention. Each episode of this RWM series is followed by a special accompaniment programme of exclusive music by some of the leading sound artists ...
PublisherAm Nuden Da2013
with assumed responsibility of Pascale Berthier & Cerith Wyn Evans and a response by David Cunningham Slope Deviation from the horizontal or vertical Recline Fifty balloons read as a score in an afternoon Da is published by Am Nuden Da. It takes its name after the magazine Da founded by Isidore Isou and Serge Moscovici in 1944.
PublisherEBM(T)2014
What you are hearing right now, if you’re at 1:48 of my recording, which I did via my iPhone’s “Voice Memos” function, is me typing the words you’re currently reading. I’m in Bobst Library, which is New York University’s library. I’m in a computer lab with 24 Apple computers. I’ve probably been in this computer lab 2000+ times. Besides me, there are 6 people in here. I haven’t counted the number of computers or estimated the amount of days I’ve beeninhere—that I can remember at the moment—until today, and I’ve been using this computer lab for something like the past ...
PublisherEBM(T)2014
Hello young traveller, how are you feeling this day? Are you well rested? No? Well, that’s quite alright because I have something to help with that, if you are interested of course. It’ll help you feel well rested, it’ll help you get to sleep, it might even help you feel a few tingles in your head and your back. So all you have to do is listen. You don’t even have to keep your eyes open. All you have to do is listen to the sound of my voice as I chant to you and over you and rid your ...
PublisherFailed Architecture2019
Contemporary urban discourse relies overwhelmingly on visual representation. While it may be more effective both in conveying the actual appearance of a particular urban space and in communicating the intentions of the architect and the planner, this kind of representation leaves little room for individual interpretation and cannot possibly capture the full range of feelings and emotions that people attach to particular places. For this, we must also turn to the more immediate sensations of touch, smell, taste and sound. This episode explores the last of these sensations, considering what it means to represent cities and architecture through sound. Unlike the ...
PublisherGruenrekorder2008
Field Notes is concerned with the phenomenon of sound from varied perspectives: artists, musicians, journalists and scientists. They add to Field Notes with their essays, interviews, travelogues, anecdotes, notes and picture series. This first issue features six articles written by Costa Gröhn, Tanja Hemm, Christoph Korn, Stefan Militzer, Marcus Obst ( aka Dronæment), and Aaron Ximm (aka Quiet American).
PublisherGruenrekorder2009
Our second issue features Marcus Kürten’s interview with the passionate phonographer Walter Tilgner, the second and final part of Stefan Militzer’sessay about “Tones, Sounds and Noises,” a collection of old Chinese texts regarding silence and noise – compiled by sound artist Lin Chi-Wei –, anecdotes by Yannick Dauby regarding his recording and hearing experiences with frogs as well as thoughts and reports based on Gabi Schaffner’s personal experiences with accidentally deleted or never recorded sounds from Finland. The magazine closes with an essay of the componist and sound artist Andreas Bick regarding the construction of meaningful correlations when listening – “listening is making sense.”
PublisherGruenrekorder2012
Traces begins with Tom Lawrence’s fascinating and soon unsettling insights into Ireland’s largest wetland Pollardstown Fen and its ongoing destruction through men. Furthermore he describes his elaborate attempt to record the fen’s rich world of water beetles and talks about the startling discoveries he’s made. ♦ Regarding the question ‘Phonography: Art or Documentation?’ sculptor Scott Sherk examines the history of photography and its parallels to the developing world of phonography via selected historical imagery. ♦ From moments of excited listening in his childhood Jim Cummings carries us to the founding of his label EarthEar and his eventual step into scientific fields with the Acoustic Ecology Institute. ♦ ‘Something which lasts, passes by’ is Marcus Kürten’s ...
PublisherLateral Addition2016
We love too late! “I hadn’t been asked,” Udo Kier shouts into a microphone. Kier, the German actor of Cologne origins recites from a pamphlet against the lack of transparency in local politics as part of a performance initiated by Rosemarie Trockel in 2002. The occasion for the art-performance was a huge hole in the city-center of Cologne that emerged as a result of the demolition of a public contemporary art space, the Josef-Haubrich Kunsthalle, which was built in 1967. The local politicians that planned the destruction of the modern concrete building only recognized that there was no budget for a ...
(Originally performed live as part of the exhibition ‘Last Year at Marienbad Redux’, curated by James Voorhies/Bureau for Open Culture at EFA Project Space, New York City, 2013.) Musician James Brown would fine any member of his band if they could not provide him with a new and entirely comprehensive interpretation of ‘Last Year at Marienbad’ before going on stage. Thus, it is a little known fact that most of the major scholarship surrounding the film was pioneered by Bootsy Collins. (140 springs, 8-10 degrees Celsius, carbonated, used in the treatment of renal, urological, respiratory, rhinitic, asthmatic, digestive, endocrinal and metabolic problems ...
0.00 (mystery extract) Who knows where this is from? It may even be elsewhere on this mix. Who can say? Bootlegs throw up funny things like this. They are also of, ahem, variable audio quality. 2.13 The Gymnasium, NYC, April 7 or 8, 1967 The song’s about a year old now, having been trotted out in the summer of ’66 according to a setlist, but they say this is the earliest recording. The Gymnasium, incidentally, was a real gymnasium that Andy thought was cool. The bootleg of this whole(?) show is really great. The Velvets are starting to form their Andy-less identity as ...
Episode 5: Language Chus Martínez and Quinn Latimer reflecting on ideal working conditions and the use of language. Promise No Promises is a podcasts series produced by the Women’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation CH. The Women’s Center for Excellence is conceived as a think tank tasked to assess, develop, and propose new social languages and methods to understand the role of women in the arts, culture, science, and technology, as well as in all knowledge areas that are interconnected with the field of culture today.
Recently, there has been a revived interest in the medium of radio, which can be attributed to the extended range of network-based services. Most important in this context is the world-wide availability of high-quality streaming, the abolishing of monopolies, or at least the unproblematic and easy access to technologies and infrastructures as well as concessions and licences. After all its years of existence, and despite momentous technological chances, radio still displays its characteristic directness, a characteristic already pointed out by Rudolf Arnheim and Bertolt Brecht and later by Marshall McLuhan. Currently, there is an abundance of art radio projects, practically all ...
PublisherLateral Addition2015
On June 6th and 18th of 2015, I recorded the sounds Enrico produced from manipulating empty aluminum cans. Discouraged by the boomy sound of Enrico’s living room (let alone the noises coming from a few hyperactive neighbors) we decided to take the car out and go in search of a quiet spot in the country. On the crest of a hill we found an almost anechoic slope, populated by dense tall grass. We wanted the recording to be “pure” – as dry and close up as possible in order to verify with plenty of sonic detail the reasons an object ...

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