Index of Titles Filed Under 'Artist Conversations'

PublisherRivet2013
A conversation with Diedrich Diederichsen about non-human labor, time and value. Made in the context of Resonance at Goethe-Institut in New York. (fall 2013)

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Publisherdos-dos.org2017
dos focuses on conversations in, about, and with exhibitions. dos commissions and edits conversations between two visitors to an exhibition to emphasize subjective experience and meaning-making at large. dos conversations can be streamed, followed as an RSS feed, or accessed as a podcast. dos conjures their listeners as eavesdroppers and vicarious visitors who experience exhibitions on their own time, partaking in a continuum of physical experience and shared interpersonal thinking.

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Publisherdos-dos.org2017
dos focuses on conversations in, about, and with exhibitions. dos commissions and edits conversations between two visitors to an exhibition to emphasize subjective experience and meaning-making at large. dos conversations can be streamed, followed as an RSS feed, or accessed as a podcast. dos conjures their listeners as eavesdroppers and vicarious visitors who experience exhibitions on their own time, partaking in a continuum of physical experience and shared interpersonal thinking.

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Publisherdos-dos.org2017
dos focuses on conversations in, about, and with exhibitions. dos commissions and edits conversations between two visitors to an exhibition to emphasize subjective experience and meaning-making at large. dos conversations can be streamed, followed as an RSS feed, or accessed as a podcast. dos conjures their listeners as eavesdroppers and vicarious visitors who experience exhibitions on their own time, partaking in a continuum of physical experience and shared interpersonal thinking.  

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PublisherDroste Effect2018
James R. Southard has been working with small community groups in the hopes of building collaborative digital photo and video projects. Each series has been catered to the issues and concerns of each region through documenting local habits, patterns, rituals, language, history, and so on. This most recent year, James has started to turn the lens around towards himself. He has started to alter this regional material gathering technique into a biographical survey of his late father’s experiences in the 1970s. The resulting work has been a digital collage of still and moving images along with life action shots, building ...

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Publishere-flux2017
Art cannot solve the problems of 2017, Alexander Kluge says to Hans Ulrich Obrist in this issue, but it can start solving the problems of 2036. Though it may begin in the affective work of mourning, art moves towards a rational archeology and a realistic anticipation. We could call this “futurist realism,” a vision of the coming decades as a series of problems to be solved, rather than as a source for transcendent salvations or damnations of whatever fashion. Unlike the ecstatic or dispirited futurisms we are accustomed to, futurist realism looks forward with no false regrets. Bad-faith futurism, by ...

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PublisherInduction Burners2017
Induction Burners episode #21, with Korakrit Arunanondchai.  

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PublisherSALT2013
It Was a Time of Conversation is an archive and research project. It revisits the story of three exhibitions that took place in the first half of the 1990s in Turkey: Elli Numara: Anı Bellek II [Number Fifty: Memory/Recollection II], GAR [Railway Station] and Küreselleşme–Devlet, Sefalet, Şiddet [Globalization–State, Misery, Violence]. In 2012, SALT visualized the research in the form of an exhibition at SALT Galata in the Open Archive. This was followed by a more developed presentation of the exhibition at SALT Ulus in 2013. This publication, prepared in parallel with the exhibition, brings together texts by Ali Akay, Selim Birsel, Burak ...

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PublisherUntitled Radio2015
This program originally aired on WynwoodRadio.com, Saturday, December 5, 2015 at 2:30pm EST, live from the Untitled art fair in Miami Beach. — Choreographers and artists Madeline Hollander (NYC) and Amanda Keeley (Miami) in conversation on Untitled, radio, about their performances at the 4th edition of Untitled, Miami Beach: “MILE” and “Dance Constructions”.

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PublisherBadlands Unlimited2013
In 1964, Calvin Tomkins spent a number of afternoons interviewing Marcel Duchamp in his apartment on West 10th Street in New York. Casual yet insightful, Duchamp reveals himself as a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, and surprising as life itself. Those interviews have never been edited and made public, until now. The Afternoon Interviews, which includes an introductory interview with Tomkins reflecting on Duchamp as an artist, guide, and friend, reintroduces the reader to key ideas of his artistic world and renews Duchamp as a vital model ...

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PublisherTramway2013
Glasgow based sculptor Nick Evans makes solid, organic and amorphous works that constantly question the relationship between form and meaning and, embody an awareness of the properties and purposes of the language of sculpture. Evans’ work alternates between the use of traditional and newer materials; such as plaster, bronze, wood, terracotta and ceramic as well as polyester resin, fibreglass and silicon rubber. Through evocations of cultural and geographical histories, Evans’ practice reveals philosophical, existential, art related maters/questions. Exploring relationships between forms and material, sculpture and plinth, mass and gravity, Evans indicates more contrasted ones such as between abstract and figurative, ...

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PublisherInduction Burners2017
Induction Burners interview with Marina Rosenfeld (1:37:00″)

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PublisherRhizome2014
When artist Frances Stark and Snapchat developer David Kravitz discussed the idea of having sex on stage during a public presentation at the New Museum last spring, it wasn’t entirely surprising. This proposal came as part of Rhizome’s Seven on Seven Conference, which pairs artists and technologists for a one-day collaboration with the prompt to “make something” and then present it to the public the following day. During their presentation, neither of their bodies was on view on stage (Kravitz came up alone for the Q&A). Instead, they appeared onscreen via a live iMessage conversation. Soon, Kravitz was telling Stark about his ...

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PublisherPARSE2015
We begin with a dialogue between the artist Christian Boltanski and the editors, where the danger and intrinsic slipperiness of judgement are manifest. This dialogical text is both an enactment of judgement and a deferral of judgement, as we move from Boltanski’s – “the older you get, the more you want to talk about serious things, and you become pompous” – to  – “there is only discrepancy and postponed judgement.” The text is unsettled in its genre: part artist’s statement, part interview, part anecdote, part travelogue, and part diaristic reflection. The tangle of genre is a formal strategy that serves ...

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PublisherInduction Burners2017
Induction Burners podcast interview with Sara Greenberger Rafferty.

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PublisherSALT2013
Sarkis and “When Attitudes Become Form” is an oral history project by curator and art critic Nazlı Gürlek. It presents a compilation of three interviews conducted with Sarkis at his studio in Villejuif, Paris on three separate occasions in January 2011 and December 2012. The text is accompanied by photographs from the personal archive of the artist. Taking as its starting point the 1969 exhibition entitled When Attitudes Become Form, the publication creates a critically and intellectually fertile ground where Sarkis’ thought processes of the 1960s can be understood as part of the relationship between art and transformed production and exhibition ...

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PublisherSilvershed2010
To broaden the discussion of 21st century consciousness and aesthetic production, Silvershed contacted three artists: Matt Mullican, John McCracken, and Peter Halley. As a selection, these three artists address cultural shifts in the 70s and 80s with early digital inquiries in their work–demonstrating a broadening range of aesthetics, application, and production. The artists’ conversations have been fruitful in many ways and expanded the scope of our initial questions, engendering renewed ways to look and to think about their work today.

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PublisherInduction Burners2017
Artist conversation with Anne Libby and Matthew Schrader, on sculpture and public space in 2017.

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PublisherAperture Foundation2009
Words Without Pictures was conceived by curator Charlotte Cotton and artist Alex Klein as a means of creating space for thoughtful and urgent discourse around current issues in photography. Every month for a year, an artist, educator, critic, art historian, or curator was invited to contribute a short, un-illustrated, and opinionated essay about an aspect of photography that, in his or her view, was either emerging or in the process of being rephrased. Each piece was available on the Words Without Pictures website for one month and was accompanied by a discussion forum, which received both invited and unsolicited responses ...

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