Index of Titles Filed Under 'Artist Writings'

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PublisherHatje Cantz2012
Charles Correa (*1930 in Secunderabad) has played an instrumental role in the shaping of postcolonial architecture in India. He has also been a pioneer in addressing crucial issues of housing and urbanization in the Third World, including the proliferation of squatters. This anthology assembles a selection of essays and lectures whose subjects range from the metaphysical to the decidedly pragmatic and deal with architecture, urban planning, landscape, and individuals such as Le Corbusier, Isambard Brunel, and Mahatma Gandhi. It also contains a reprint of his seminal book The New Landscape (1985), long out of print, on urban development in the Third ...
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PublisherAsia Art Archive2017
AAA Public Programmes Curator Ingrid Chu explored the international phenomenon of the ‘art book bag’ in a short history of the art book bag (and the things that go in them). Using the last 15 years as a guide, the exhibition featured ‘the things that go in them’—art publications, magazines, and related ephemera—alongside a vast array of these popular totes in the AAA Library. Chu invited artists, curators, art book fair organisers, and print and online publishers to provide insight into the changing modes of knowledge production and circulation, and their influence on recent art of Asia. An associated public talk, ...
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PublisherEdition Société2015
As the physical world degrades and so corrodes the credibility of institutions that enable consumption, the status quo in the global north goes virtual. Within a short time, we’ve witnessed a rapidly increasing capacity to design, simulate and conjure a virtual perception of reality with exactitude and definition. Our ability to simulate reality has come to match our ability to record it. We’re able to simulate and produce a photographic image of an object without any need for the object itself. The same goes for retouched images and the act of retouching. As a result, images no longer need to ...
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The second installment of the Reader is centered on the theme ‘Mobilities and Fixtures’. In this issue Sean O’Toole interviews architect David Adjaye about African cityscapes, snapshot photography and failed utopias; Victor Lavalle uncovers the making of mercenaries in Uganda; Martin Kimani follows the African visa-seeker in the tragi-comedy that is the post 9/11 airport; Sherif El-Azma explores Cairo by foot; MADEYOULOOK and Santu Mofokeng imagine the didactic possibilities of trains; Manu Herbstein documents the ‘car-doctors’ of Accra; Chris Abani discovers the African city of Las Vegas; and Michael Watts examines oil cities.
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An ‘object’ is a work of architecture that is expressly cut off from its environment. Objects are not exclusive to any particular architectural style, but objectification has long been central to western architecture. Indeed, it might even be said to be the very strategy by which modernism succeeded in conquering the world. It is all-pervasive because it is consistent with the aim of the prevailing economic system: to transform virtually everything into a commodity. In Anti-Object, Kengo Kuma argues that this mindset prevents us from establishing a healthy relationship with the external world and suggests that an alternative form of architecture ...
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En los últimos años, el lugar del documento y los archivos ha cobrado una fuerte dimensión pública y han suscitado importantes debates ético-políticos frente a aquellas posturas que los dimensionan únicamente en tanto mercancía o activo económico. De este modo, la segunda emisión del Encuentro Internacional Archivos fuera de lugar. Desbordes discursivos, expositivos y autorales del documento, realizado en el Museo Universitario Arte Contemporáneo en colaboración con Ex Teresa Arte Actual, convoca a la reflexión de diversos agentes vinculados con la práctica del archivo —desde el arte contemporáneo y otras prácticas que lo atraviesan— para exponer casos y posicionamientos concretos. Esta ...
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As part of our publishing program engaged with social activism, Printed Matter published the Artists & Activists Pamphlet Series between 2008 and 2012. Inspired by the legacy of the political pamphlet, these modest format publications offered artists and collectives a space to address some of the social and political concerns of our time and critically examine the concept of art and activism. Twenty pamphlets were created in total, and they were distributed for free at the Printed Matter storefront and included in mail-order packages. Printed Matter is now making the entire series available for free download through our website.
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PublisherHesse Flatow2021
Gordon Hall’s version of this oddly gendered furniture item is riddled with tiny nails, a laboriously achieved decorative feature that resembles reptilian skin, silvery and shifting in the sunlight. Here it stands, drained of use but suggestive of function, stiff but body-like, in the gallery. These tensions in the clothes valet point to a sense of animacy that threads through the enigmatic works in Hall’s exhibition, which shares the clothes valet’s name: END OF DAY. While most of the works hover on the edge of domestic function—a table, a chair, a bench, folded linens—they veer in unexpected directions. The leg ...
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PublisherArcangel Surfware2018
Cory Arcangel, 2009 http://www.coryarcangel.com An OSX app which plays a quicktime movie one horizontal line of download at colors−personal−edition.com “When you’re too relaxed it’s not good to create” − David Guetta
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PublisherFiktion2015
In this anthology, edited by Fiktion’s cofounder Ingo Niermann, nineteen writers and researchers address a fiercely contested commodity in digital society: concentration. Ingeborg Harms, Quinn Latimer, Arthur Jacobs, and Raoul Schrott write about the circumstances under which a text or activity can completely draw us into its spell, Dirk Baecker and Amy Patton about a shifting concentration, Jenna Sutela and Elvia Wilk about one that carries us into the spherical, Charis Conn about concentration violently induced; Nina Bußmann writes about the uncertainty as to whether she is currently concentrating or distracting herself; Sophie Jung, Emily Segal, and Alexander Tarakhovsky make ...
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PublishersSternberg Presse-flux2013
What makes a city successful today? Over the past few decades, artists—and more broadly, clusters of creative people—have become central to narratives of urban revitalization and civic growth in cities around the world. In many locales, artists in search of cheap rent constitute the vanguard wedge of gentrification. Yet the so-called creative class includes whole categories of knowledge workers enjoying far less precarious conditions than artists, and it is their affluence that continually leads to the displacement of both working-class residents and artists alike. In the creative city, the branding of subcultural movements, the translation of the gritty into the quaint, ...
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Domenico Quaranta, art curator and critic, writes about the 2004 project Evidence Locker by Jill Magid, now part of the permanent collection of the Whitney Museum of New York. Jill Magid is a visual artist who has focused her work since the beginning (the end of the 90s) on surveillance infrastructures and the relationship between observers and the observed. In Evidence Locker, she has built an epistolary romantic relationship with the City Watch System of Liverpool – the largest video surveillance system in all of Britain – bringing into being a story in which love and seduction become tools for ...

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