Charles Correa (*1930 in Secunderabad) has played an instrumental role in the shaping of postcolonial architecture in India. He has also been a pioneer in addressing crucial issues of housing and urbanization in the Third World, including the proliferation of squatters. This anthology assembles a selection of essays and lectures whose subjects range from the metaphysical to the decidedly pragmatic and deal with architecture, urban planning, landscape, and individuals such as Le Corbusier, Isambard Brunel, and Mahatma Gandhi. It also contains a reprint of his seminal book The New Landscape (1985), long out of print, on urban development in the Third ...

AAA Public Programmes Curator Ingrid Chu explored the international phenomenon of the ‘art book bag’ in a short history of the art book bag (and the things that go in them). Using the last 15 years as a guide, the exhibition featured ‘the things that go in them’—art publications, magazines, and related ephemera—alongside a vast array of these popular totes in the AAA Library. Chu invited artists, curators, art book fair organisers, and print and online publishers to provide insight into the changing modes of knowledge production and circulation, and their influence on recent art of Asia. An associated public talk, ...

The second installment of the Reader is centered on the theme ‘Mobilities and Fixtures’. In this issue Sean O’Toole interviews architect David Adjaye about African cityscapes, snapshot photography and failed utopias; Victor Lavalle uncovers the making of mercenaries in Uganda; Martin Kimani follows the African visa-seeker in the tragi-comedy that is the post 9/11 airport; Sherif El-Azma explores Cairo by foot; MADEYOULOOK and Santu Mofokeng imagine the didactic possibilities of trains; Manu Herbstein documents the ‘car-doctors’ of Accra; Chris Abani discovers the African city of Las Vegas; and Michael Watts examines oil cities.

An ‘object’ is a work of architecture that is expressly cut off from its environment. Objects are not exclusive to any particular architectural style, but objectification has long been central to western architecture. Indeed, it might even be said to be the very strategy by which modernism succeeded in conquering the world. It is all-pervasive because it is consistent with the aim of the prevailing economic system: to transform virtually everything into a commodity. In Anti-Object, Kengo Kuma argues that this mindset prevents us from establishing a healthy relationship with the external world and suggests that an alternative form of architecture ...

As part of our publishing program engaged with social activism, Printed Matter published the Artists & Activists Pamphlet Series between 2008 and 2012. Inspired by the legacy of the political pamphlet, these modest format publications offered artists and collectives a space to address some of the social and political concerns of our time and critically examine the concept of art and activism. Twenty pamphlets were created in total, and they were distributed for free at the Printed Matter storefront and included in mail-order packages. Printed Matter is now making the entire series available for free download through our website.

Gordon Hall’s version of this oddly gendered furniture item is riddled with tiny nails, a laboriously achieved decorative feature that resembles reptilian skin, silvery and shifting in the sunlight. Here it stands, drained of use but suggestive of function, stiff but body-like, in the gallery. These tensions in the clothes valet point to a sense of animacy that threads through the enigmatic works in Hall’s exhibition, which shares the clothes valet’s name: END OF DAY. While most of the works hover on the edge of domestic function—a table, a chair, a bench, folded linens—they veer in unexpected directions. The leg ...

Cory Arcangel, 2009 http://www.coryarcangel.com An OSX app which plays a quicktime movie one horizontal line of download at colors−personal−edition.com “When you’re too relaxed it’s not good to create” − David Guetta

In this anthology, edited by Fiktion’s cofounder Ingo Niermann, nineteen writers and researchers address a fiercely contested commodity in digital society: concentration. Ingeborg Harms, Quinn Latimer, Arthur Jacobs, and Raoul Schrott write about the circumstances under which a text or activity can completely draw us into its spell, Dirk Baecker and Amy Patton about a shifting concentration, Jenna Sutela and Elvia Wilk about one that carries us into the spherical, Charis Conn about concentration violently induced; Nina Bußmann writes about the uncertainty as to whether she is currently concentrating or distracting herself; Sophie Jung, Emily Segal, and Alexander Tarakhovsky make ...

Domenico Quaranta, art curator and critic, writes about the 2004 project Evidence Locker by Jill Magid, now part of the permanent collection of the Whitney Museum of New York. Jill Magid is a visual artist who has focused her work since the beginning (the end of the 90s) on surveillance infrastructures and the relationship between observers and the observed. In Evidence Locker, she has built an epistolary romantic relationship with the City Watch System of Liverpool – the largest video surveillance system in all of Britain – bringing into being a story in which love and seduction become tools for ...

I published the essay under these various titles: “Was ist Los”, “Decor Holes”, “Akademische Graffiti”, “Depletion”, “Unique Source/All Natural Suicide Gang.” The text was written between 2003 and 2005 but updated and retitled for different contexts.

This code is written in the language Perl – a general purpose UNIX scripting language written in 1987 by Larry Wall. It’s a great language, especially for quick no bullshit text hacks. Also, FYI, it’s my favorite language, the first one I learned, and the one I program in most. .dae is an open standard XML schema for exchanging digital assets aka ”D”igital ”A”sset ”E”xchange. In English: basically it’s a file format that was developed in order to allow different 3d programs to exchange digital information between each other. Otherwise, a 3d object composed in, say, the 3d program Bryce could ...

DIAPHANES is a publisher and an international print and online magazine with a focus on contemporary art, critical discourse, and multilingual fiction. Open for the plurality of all forms of imagination and knowledge, DIAPHANES MAGAZINE connects an interest in current tendencies with deep-rooted research, the power of fiction with nuanced judgment, aesthetic excitability with essayistic sharpness. Equally committed to art and thought, critique and production, DIAPHANES MAGAZINE wishes to correlate positions that seek new politics of text and image in the face of conformist regimes of meaning, and to contribute to a renewal of the means of critical apprehension and ...