Index of Titles Filed Under 'Book Arts'

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“18 PARIS IV.70” was an exhibition organized by Michel Claura in Paris in 1970. Held at a temporary space on Rue Mouffetard that April, it was accompanied by this trilingual publication (in English, French, and German), edited by Claura and published and distributed by Seth Siegelaub. Claura invited a group of artists to each contribute a work to the exhibition. Having collected a series of artist proposals, Claura then sent this collection to each of the participants, after which they were allowed to change their initial plans. This publication includes a preface and a postface by Claura and a two-part entry ...
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Invited to Stockholm in spring of 2015 to work with the graduating MA and BA students of the Royal Institute of Art on “making a publication,” the two foreign editors of A:Art (Stuart Bailey and Angie Keefer) instead found themselves swept into the death throes of a decades-old struggle between rival institutions over the current identity and possible future of a national art scene. The book is a chronological account of events that unfolded among the Academy, the art school, its students, assorted government ministries, and the Swedish press, with accompaniment from various outside texts, including Raymond Williams’ Keywords, an ...
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PublisherTorque Editions2015
“Reading inquisitively over each others’ shoulders, the poems, meditations, analyses and experiments in this volume respond with audacity and adventure to the challenge of characterizing what reading, this most familiar yet renewedly strange occupation, has been and may yet become.”
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PublisherBlaker gml. Meieri2015
THIRD REPORT Two of the protagonists of the final iteration of the exhibition project The Gutenberg Galaxy at Blaker were makers of books who have had a profound influence on the archival practice of Guttorm Guttormsgaard. They were also experts in the destruction of books. A friend of Asger Jorn (1914– 1973) once noted how the Danish artist “presented a danger to any book collection” as he used to tear out pages from books belonging to others in order to create his own. Jorn’s compatriot Rudolf Broby-Johansen (1900–1987) was also a notorious book slaughterer, leaving behind a trail of books full ...
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PublisherUntitled, Radio2019
This episode features a panel that was broadcast live from San Francisco’s The Battery on November 7, 2018. The panel—hosted by Untitled, Art’s curator of Special Projects and Books & Editions, Juana Berrío—invites Robin Wright (co-founder, RITE Editions), Margaret Tedesco (founder, 2nd floor projects), and Vee Moran (co-founder, Owl Cave Books) to join in conversation about books that were created within the context of art. The episode also features a reading of Virginia Woolf by artist and bookmaker Brook Hsu.
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BULLETINS OF THE SERVING LIBRARY is a composite printed/electronic publication that follows a direct line from Dot Dot Dot, the semi-annual journal founded in 2000 and published by Dexter Sinister. The “bulletins” that make up each issue are first published online as PDFs at www.servinglibrary.org over a six-month period, then assembled, printed and distributed separately in Europe and in the U.S.A. Each collection makes up a semester’s worth of loosely-themed material, with its constituent PDFs grouped together on the website.
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PublisherK. Verlag2014
Camouflage of Large Installations by Charles Stankievech is a rare World War II handbook created by the British Government as a guide for factory owners to implement the then new theories of camouflage in order to protect industrial assets. The handbook is composed of three sections: instructional, advertising by corporations supplying camouflage services and full-page colour swatches. The full-page color swatches are particularly beautiful and when viewed aesthetically are interesting forerunners to the history of monochromes, specifically Yves Klein’s first artwork Peintures (1954): a small portfolio booklet that presents a series of monochromes. Interestingly, Klein had never made these paintings and the ...
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PublisherSternberg Press2019
In Design by Accident, Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design’s established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers ...
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“Digital publications are on the rise. In our daily lives we read more material than ever on electronic devices, while paper books – once everyday objects – are becoming collectible design objects. For publishers, visual designers and artists it can be difficult to keep up with these developments; few possess the knowledge and resources to develop a digital publishing practice of their own. For arts and design-oriented books, going electronic can be an extra challenge because form and content are deeply intertwined, while electronic book formats were not engineered with visual publications in mind. The Digital Publishing Toolkit initiative – a ...
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Fantasies of the Library is a sequence of pages wherein the reader-as-exhibition-viewer learns, rather surprisingly—but with growing conviction—that the library is not only a curatorial space, but that its bibliological imaginary is also a fertile territory for the exploration of paginated affairs in the Anthropocene.
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PublisherDia Art Foundation2016
Franz Erhard Walther should be far more widely known in the US than he is. Since the late 1950’s, he has developed a language around the activation of fabric-based sculptures, using them not in “performances” but in what he calls “demonstrations.” When being demonstrated, his objects are in their “handlungsform,” their active situation, and when functioning as static sculpture they are in their “lagerform,” their storage situation. Here, Walther demonstrates the “reading” of an edition of his Grosses Prozess-Buch (Large Process-Book), made in 1969 in conjunction with his First Work Set, a suite of fifty-eight usable sculptures made between 1963 ...
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Is electronic book technology really the way forward for these types of publications? Or does the answer lie in some hybrid form of publication, in which both print and electronic editions of the same basic content can be published in a parallel or complementary fashion? And perhaps more importantly, what are the changes in workflow and design mentality that will need to be implemented in order to allow for such hybrid publications? This Toolkit is meant for everyone working in art and design publishing. No specific expertise of digital technology, or indeed traditional publishing technology, is required. The Toolkit provides hands- ...

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