Index of Titles Filed Under 'Book Arts'

Karin Nygård, Ellef Prestsæter, Anna Prestsæter, et alMatthew Fuller, Scandinavian Institute for Computational Vandalism (SICV), Ellef Prestsæter, Karin Nygård, Institutt for Degenerert Kunst
PublisherBlaker gml. Meieri2015
THIRD REPORT Two of the protagonists of the final iteration of the exhibition project The Gutenberg Galaxy at Blaker were makers of books who have had a profound influence on the archival practice of Guttorm Guttormsgaard. They were also experts in the destruction of books. A friend of Asger Jorn (1914– 1973) once noted how the Danish artist “presented a danger to any book collection” as he used to tear out pages from books belonging to others in order to create his own. Jorn’s compatriot Rudolf Broby-Johansen (1900–1987) was also a notorious book slaughterer, leaving behind a trail of books full ...
PublisherUntitled Radio2016
This program originally aired on WynwoodRadio.com, Thursday, December 1, 2016 at 4pm EST, live from the Untitled art fair in Miami Beach. — A young Asian woman’s life at Yale takes a dizzying turn when she meets Dolores—her doppelgänger—at a party. As they begin to merge into each other’s social and sexual worlds, it becomes impossible to tell where one girl ends and the other begins. When Dolores’ boyfriend and his twin brother enter into this pas de deux, identities and couplings spin off into a sinister and perverse web of illusions. Fantasian is Single White Female for the dawn of a ...
… is a sequence of pages wherein the reader-as-exhibition-viewer learns, rather surprisingly—but with growing conviction—that the library is not only a curatorial space, but that its bibliological imaginary is also a fertile territory for the exploration of paginated affairs in the Anthropocene.
PublisherSeth Price2004
A meal in three courses, by Martha Rosler, 1985 by Seth Price, 2004
PublisherThe Funambulist2013
This conversation is an interview I did with graphic novelist Marc-Antoine Mathieu for Chicago-based architectural journal MAS Context (Issue 20: Narrative). The interview was made in French as you will hear, but for the purpose of Archipelago, this version is dub with the English version given by Liduam Pong. Marc-Antoine and I speak about his fascination to design labyrinths in which he can loose his characters, his readers, and himself as well. We also evoke the specificity offered by this unique medium of the graphic novel, as well as the way third and fourth dimensions can be considered and imagined through this ...
PublisherA.I.R. Gallery2019
It’s funny because here we are talking about listening and four out of six people around me are wearing headphones, curating their own sound environment and blocking out others. Those parties where everyone dances and listens to the same music on wireless headphones is the closest to being “in it,” together. Plus, none of the neighbors call the cops. • Empathy is a term that appears in theories of the psychology of art, according to which visual art can make the general public experience emotions. Following this school of thought, art appreciation is not a matter of reason but of feeling. This ...
⋱ ⋮ ⋰ ⋯ ◯ ⋯¨. The inhuman is what is absolutely large. |! |!”(-,-) |!.. //> |!._/_… It is a ););) magnitude that is equal only to itself. — From New New Testament: Book 1 New New Testament documents Paul Chan’s monumental project Volumes, a series of over one thousand paintings made out of dismantled book covers and the texts that complement each painting. A selection of Volumes premiered at Documenta 13 in Kassel, Germany in 2012, but New New Testament is the first time all the paintings have been united in a single publication. Each painting evokes how books and works of art—both considered objects of knowledge in the past—now ...
Paper News is the quarterly newsletter by Drucken Heften Laden with articles on bookstores and spaces, exhibitions, information on new releases and insights into the independent publishing scene with a focus on Berlin.
Paper News is the quarterly newsletter by Drucken Heften Laden with articles on bookstores and spaces, exhibitions, information on new releases and insights into the independent publishing scene with a focus on Berlin.
Paper News is the quarterly newsletter by Drucken Heften Laden with articles on bookstores and spaces, exhibitions, information on new releases and insights into the independent publishing scene with a focus on Berlin.
Paper News is the quarterly newsletter by Drucken Heften Laden with articles on bookstores and spaces, exhibitions, information on new releases and insights into the independent publishing scene with a focus on Berlin.
Paper News is the quarterly newsletter by Drucken Heften Laden with articles on bookstores and spaces, exhibitions, information on new releases and insights into the independent publishing scene with a focus on Berlin.
PublisherDrucken Heften Laden2016/2017
Paper News is the quarterly newsletter by Drucken Heften Laden with articles on bookstores and spaces, exhibitions, information on new releases and insights into the independent publishing scene with a focus on Berlin.
Paper News is the quarterly newsletter by Drucken Heften Laden with articles on bookstores and spaces, exhibitions, information on new releases and insights into the independent publishing scene with a focus on Berlin.
Paper News is the quarterly newsletter by Drucken Heften Laden with articles on bookstores and spaces, exhibitions, information on new releases and insights into the independent publishing scene with a focus on Berlin.
Paper News is the quarterly newsletter by Drucken Heften Laden with articles on bookstores and spaces, exhibitions, information on new releases and insights into the independent publishing scene with a focus on Berlin.
Although the history of photography and the history of photo and artists’ books is widely documented, collected, exhibited, and discussed, the legacy of women using photography in print is underdocumented, cursory, fragmentary and too often, inaccurate. Women were always at the forefront of innovation and the political debate on photography, despite the harsh conditions in which they often lived and worked, but their voices and their historical contribution are still marginalised. As the feminist art historian Linda Nochlin asked, what are the implications of this rejection and what elements of these practices do we need to reevaluate? And why does ...
PublisherOnestar Press2003
A tremendous sadness that life is the way it is and not some other way.
Adam Michaels and Shannon Harvey are the principals of Inventory Form and Content, a Los Angeles-based design and editorial studio focusing on graphic design, spatial design, strategy, and content development. They also operate Inventory Press, a publishing imprint that specializes in books on art, architecture, design, and music. Previously, Adam and Shannon were a part of the New York design studio Project Projects, where Adam was Founding Principal. In this episode, Adam and Shannon talk with Jarrett about the ethos behind IN-FO.com, expanded practices, and publishing.
Craig Mod is a writer, photographer, and designer based in Japan. He’s written extensively about books, publishing, walking, and technology for The New Yorker, The Atlantic, and Medium. He also publishes two newsletters, Roden and Ridgeline, and hosts On Margins, a podcast about making books. In this episode, Jarrett and Craig talk about his background as a designer and programmer, the evolution of his own writing and where he’d like to take it, and taking the longview in all of his work.
Francisca Monteiro is a typographer and book designer based in the United Kingdom. While I was working on my MFA thesis on design criticism in Baltimore, Francisca was also working on a thesis, at the University of Reading, on Emigre and the relationship between design and writing. I was struck by the similarities in our projects which we use to frame a discussion about the history of design criticism, the role of magazines in creating a discourse, and how the design writing has changed over the years.
Peter Mendelsund is a graphic designer, writer, musician. Until recently he was the associate art director at Alfred A. Knopf where he designed book covers for everyone from James Joyce to Franz Kafka, Stieg Larsson and Simone De Beauvoir. In 2014, he published What We See When We Read and Cover and will publish his first novel, Same Same, next year. In this conversation, Peter and I talk about his relationship to graphic design, working across mediums and disciplines, and the differences between writing fiction and nonfiction.
Sara De Bondt is a designer, educator, and publisher. She runs her own independent design practice working with cultural clients and is the co-founder of Occasional Papers, a small publishing company focusing on publishing affordable books devoted to the histories of architecture, art, design, film, and literature. The Walker Art Center called Sara “the epitome of a cultural designer, combining a love of contemporary typography with a deep investigation into the history of graphic design. Through her design practice, which consists of client-based work, designing and editing books, and curating conferences, she is consistently contributing to the critical discourse.” In ...
PublisherSeth Price2009
Teen Image, essay by Seth Price, 2009
PublisherInventory Press2015
This supplement to The Electric Information Age Book reproduces two rare interviews conducted by Steven Heller and Abbott Miller with graphic designer Quentin Fiore, the designer/co-author of The Medium is the Massage and War and Peace in the Global Village, in addition to a reprint of Fiore’s 1969 collage essay “The Future of the Book.”

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