Index of Titles Filed Under 'Color'

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PublisherO-R-G2009
The resulting flickering light repeats at a constant frequency between 8 and 13 Hz matching the brain’s alpha waves present in deep relaxation, such as drifting into sleep. When a viewer closes their eyes, sits close to the machine and the turntable is started, the flickering light induces waves of color and repeating geometric patterns that form and re-form in the mind’s eye. Ian Somerville described the experience in a letter to Gysin: Visions start with a kaleidoscope of colors on a plane in front of the eyes and gradually become more complex and beautiful, breaking like surf on a shore ...
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PublisherThe Serving Library2016
This issue is both *in* and *about* COLOR. Starting with ISSUE #10, we have reduced our format and we are printing in all of the available inks. The issue was published in time to inaugurate (finally!) our first physical space for The Serving Library in a storefront on the north side of the majestic India Buildings block in the heart of Liverpool’s once-colorful mercantile district. Bulletins around the edges of color come courtesy Lucas Benjamin on a green screen, Stuart Bertolotti-Bailey on ephemera, Umberto Eco on conditioning, Emily Gephart on a poetry hoax, James Langdon on kitchen cabinetry, Tamara Shopsin on swimming ...
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From the first human artistic expression in cave paintings until now, black has been constantly reinvented by art. Like other 20th-century artists (Rothko, Malevic, Klein) before him have done, Belgian Frederik De Wilde explores the nature of colors and produces monochromatic works, but focusing on black in a radical and scientific manner. In Hostage, as art historian Elise Aspord explains, he has created a material made up of a vertical alignment of nanotubes of carbon that can absorb almost all rays of light, thus giving a new universal reference for black. This work is the result of a close collaboration between ...
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PublisherUrbanomic2016
Pamela Rosenkranz peers into the evolutionary depths of the colour blue.
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PublisherUrbanomic2016
In this text written for the 2016 UNdocumenta film festival in Gwangju, Anne-Françoise Schmid investigates the relation between film and philosophy, and presents a series of mini film-scripts to explore the method of ‘without.’ Accompanied by images from Benoît Maire’s series Cloud Painting.
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Recess Presents Christine Sun Kim in conjunction with the Center for Experimental Lectures Feedback: (4-6 of 6) Seeing Voice The Seven-Tone Color Spectrum Recess in Soho 41 Grand Street, New York, NY 10013 March 15th: 7-9 pm March 16: 3-8 pm On March 15 & 16, Christine Sun Kim, in collaboration with the Center for Experimental Lectures, will initiate a conversation led by seven presenters, all of whom will give a lecture without using audible voice. This is the final event in Feedback, Sun Kim’s six-part Session at Recess. Throughout Feedback, Sun Kim, deaf since birth, has performed auditory investigations that initiate a slippage of audio into visual. Using non-vocal methods of ...
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From 1969 to 2004, the Whitney’s Seminars with Artists program offered notable American artists the opportunity to discuss their practices informally with an intimate and diverse audience. This spring, the Whitney Education Department is pleased to collaborate with the Center for Experimental Lectures to re-launch and re-imagine this historic series by inviting Biennial artists to present public lectures that creatively explore the research and concepts underpinning their work. Wednesday, March 19, 2014 6:30 pm This evening, Biennial artist Zoe Leonard invites visitors to take part in a viewing in her installation on the fourth floor. This lecture will engage Leonard’s interest in the ...
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THRILLOCHROMES is the eighth issue of a series of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment to the show ‘THRILLOCHROMES’ from 2 November to 7 December 2013 at Wilfried Lentz Rotterdam. This artist publication is signed and numbered in an edition of 250 by Michael Portnoy.
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PublisherLink Editions2015
Everyday we stare at computer screens as we type out emails, write code, upload photos, watch videos, and push around pixels. Billions of pages of information splashed with text and images are accessed daily, composed of colored dots emanating from a screen connected to a computer connected to the Internet. Together, these clusters of colors visually display information that we consume and that we create, colors that make up the viewers’ virtual worlds. What Color Is My Internet? is a self-portrait of the artist as an internet surfer. The book tells, in visual form, the story of 90 days of Greg ...

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