Index of Titles Filed Under 'Commons'

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PublisherDiaphanes2020
What do a feminist server, an art space located in a public park in North London, a ‘pirate’ library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projects—drawn from what can loosely be called the (post)digital—that ...
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PublisherYujia Bian2019
As a bar of soap, ARCHITECTURE is a communal resource for the Triennale visitors to clean themselves. It also stands in as a symbol for architecture; a coming together of materials in concrete form that facilitates social processes. As it is used, ARCHITECTURE loses its rigid form. Its fixed appearance erodes through use and it is molded by the hands that touch it; a record of the material sociability inherent in its structure and function. ARCHITECTURE pays attention to the material flows that sustain a collective hygiene, while thinking through architecture as a social entity that evolves beyond its original form.
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PublisherEECLECTIC2018
Commons is not something that just exists out there, nor is it something that is objectively present in certain resources or things. It is a relation of people with the conditions they describe as essential for their existence, collectively,” writes Stavros Stavrides, architect, activist, and author of Common Space: The City as Commons. Stavrides understands the creation, development, and maintenance of commons as a social practice that radically challenges capitalist values and hierarchical forms of social organization. Constructed in this way, urban spaces differ both from private enclosures and from public space as we know it: common spaces are permanently inviting ...
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Publishere-flux2014
How do we invent bad criteria for rotten infrastructure, the sliding of norms to the always incomplete and the already broken? The hack, the stupid fix, the patch—these are songs sung out of holes and faults and leaks. We are only now discovering that the limits to our endurance are actually far more constitutive than our daydream fantasies of a wholeness based in currency that already functions perfectly well as toilet paper. This is past the Romantic tradition of inspired cataclysmic becoming and inside of its ruin only because it’s just not how things work out for most people who ...
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Publishere-flux2015
Shine and shininess are characteristic of surface effects, of glamour and spectacle, of bling-bling contingency, of ephemeral novelty, value added, and disposable fascination. Shine is what seizes upon affect as its primary carrier to mobilize attention. Shine could be the paradoxically material base of an optical economy typically (mis)understood as being purely cognitive or immaterial. Even at an art fair or Hollywood gala, surface effects are widely deployed while being categorically condemned to the domain of inconsequential superficiality, for shine is also persistently unwilling to compromise speed for substance, surface for depth, attractiveness for soul, effect for content, projection for ...
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Publishere-flux2015
Increasingly it seems like no large exhibition opens without an artist boycott. And the reasons to withdraw are legitimate—a gulf museum employs migrant labor under terms approaching slavery, a biennial sponsor corporation operates an offshore detention center, works are censored for petty moral reasons, a municipality passes a homophobic law, or funding is traced to an occupying state with a staggering record of ongoing human rights abuses… Editorial Julieta Aranda, Brian Kuan Wood, Anton Vidokle The Detweeting of Academia Luis Camnitzer Circulation and Withdrawal, Part I: Circulation Simon Sheikh CCC: Currency of Collective Consciousness Ahmet Öğüt Déjà Vu and the End of History Paolo Virno Media Archaeology Out of Nature: ...
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An ecotone is a hybrid zone between two ecosystems, such as a forest and grassland, or a lake and a field, where specific species and natural phenomena flourish. Ecotones of Making considers the ecotone as a way of producing hybridised ways of living, blending urban experiences with the practical knowledge of the rural. This collection of artefacts and tools is sourced and produced in the village of Gerswalde, east Germany. Here, new spaces for rural commoning and small-scale cultural production have emerged, from a communal housing project to a permaculture farm and risograph printing workshop, and are creating a replicable model for ...
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Almost overnight, we have moved from a culture of ownership to a culture of rent. We subscribe for access to unlimited amounts of online shared content and have access to people’s homes, cars and even their time all at the click of a button. Where will the shared economy end? What is the limit to a subscription based lifestyle? We believe that the concept of sharing requires re-interrogation. The need to own something has long been driven by economic and consumerist incentives, a desire which is potentially becoming obsolete. Yet the sharing economy is equally at risk of being exploited and ...
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In response to two strong global vectors: the rise of pervasive information technologies and the privatization of the public sphere, Marc Böhlen and Hans Frei propose hybrid architectural programs called Micro Public Places (MMPs). MPPs combine insights from ambient intelligence, human computing, architecture, social engineering and urbanism to initiate ways to re- animate public life in contemporary societies. They offer access to things that are or should be available to all: air, water, medicine, books, etc. and combine machine learning procedures with subjective human intuition to make the public realm a contested space again.
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PublisherTriple Canopy2020
“We’re unable to pay and, at a certain point, we’re going to need to say: we’re not going to pay!” Debtors assemble to share accounts of predatory lenders and machinic collectors, then ask how to make themselves heard above the speech bought by creditors. A documentary video and a conversation with the organizers.
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PublisherAsia Art Archive2015
Artist Marysia Lewandowska, 2014/15 AAA resident contributed Property, Protest, Commons, and the Alternative Economies of Art, a series of public workshops co-organized with curator Esther Lu, and co-presented with Taipei Contemporary Art Center (TCAC). Leading towards Made in Public, a collectively generated project and publication, participants interrogated the relationship between art, property, protest, and the commons in the context of recent cultural and political events in Asia. A third workshop took place at TCAC from 18–20 September 2015.
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PublisherTalk is Cheap2019
Sally is a designer, illustrator and design professor with an interest in bootlegs and open source intellectual property. Here we talk about the fine art of restoration. This ones gonna be good!

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