Index of Titles Filed Under 'Community'

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PublisherChen's2020
A conversation with Maia Ruth Lee and Guadalupe Rosales about making reparative and discursive space for others and the importance (and tensions) of cultural representation. Maia Ruth Lee Maia Ruth Lee is a New York based artist and educator born in Busan, South Korea. Lee’s first solo exhibition in New York was at Eli Ping Frances Perkins in 2016, followed by her solo exhibition at Jack Hanley Gallery two years later. She has participated in numerous group exhibitions including at CANADA gallery (New York), Salon 94 (New York), Roberts & Tilton Gallery (Los Angeles), and Parisian Laundry Gallery (Montreal). Lee participated ...
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PublishersP!WkshpsHome Cooking2020
Organized by designer and improvisor Emily Smith, this participatory presentation, conversation, and group improvisation explored the architecture of online communications, movement, digital space, and dissonance. Featuring special guests Christa Cocciole, Christoph Knoth, Jeremiah Day, Josepha Conrad, Keyna Eleison, and others. ——
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PublisherSocial Discipline2020
This week Miguel Prado and Mattin talk with Mat Dryhurst: interdependent polymath from the Solarpunk intelligentsia. We discuss the pandemic effects of music streaming platforms, the difficult balance between pragmatic and normative approaches, and the Russian doll-hell that is twitter.
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The fifth episode is based on a conversation with interdisciplinary artist Melanie Jame Wolf, whose work critically circulates within the flow of immaterial capital by using the performative condition and potential of our identities. The conversation between Sonia Fernández Pan and Melanie Jame Wolf incorporated some of the many elephants in the (art) room, such as social class, age, or “undisciplined” bodies in the field of performance, dance, and choreography. It was also an opportunity to talk about social networks and the inevitable perverse functioning of symbolic capital in and through them. As Melanie Jame Wolf points out, contemporary social ...
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This episode is based on a conversation with Ana Garzón Sabogal, who lives and works in Colombia. In her practice she is operating with the close encounter between art, collaborative learning, activism, and free culture, and is member of Más Arte Más Acción, together with Alejandra Rojas Giraldo. Their practice includes a feminism which stems from the critical conscience and from the understanding of feminist practices as depending on the material conditions of each context, of each community and of each person. The same applies to the political question of language, because of the enormous need to learn, to know, ...
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The inaugural issue of the Foreign Language Index (FLI) stems from discussions with art historians, curators, critics, artists, and students about the state of contemporary art history. Many lamented the increasing hegemony of anglophone scholarship, which can be traced to the rise of online content and the concentrated attention economy, along with the de- mise of both regional print publishing and foreign language acquisition. The dominance of English pervades the entirety of art history, but it is particularly pronounced in the contemporary field insofar as contemporary art is often meant to address a global audience, using English as a means ...
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PublisherMomus2020
For this episode, Sky Goodden spoke with art writer and musician Johanna Fateman, a regular contributor to The New Yorker, a contributing editor at Artforum, and a frequent critic for 4Columns.org. Fateman co-owns the historic Seagull Salon in New York City, and is, as Lauren notes, “riot grrrl queer royalty” for her involvement in bands like Le Tigre. As Fateman spoke from New York, the epicenter of the pandemic, there were ambulances blazing in the background; her son was home from school, her partner was recovering from the COVID virus, her salon was holding on by a thread, and through ...
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PublisherMomus2020
For this episode, still circling the question “what’s changed, and what should?”, Lauren Wetmore spoke with Brussels-based curator Daniel Blanga Gubbay, the artistic co-director of the historic Kunstenfestivaldesarts. Gubbay has worked as an educator and an independent curator for public programs including Manifesta, Palermo (2018); and was head of the Department of Arts and Choreography (ISAC) of the Royal Academy of Fine Arts of Brussels. He holds a PhD in Cultural Studies from Palermo and Berlin. Reflecting on the material consequences of halting a massive festival like his, and fighting to keep artists paid and visa applications underway, Gubbay warns ...
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PublisherMomus2020
For episode 21, Sky Goodden spoke with Coco Fusco, the legendary Cuban-American critic, artist, educator, and art historian. Speaking from the center of a pandemic, and on the brink of a significant wave of civil unrest and anti-racist protest, Fusco circled themes relevant to each crisis, looping them through the lens of Cuban history and the seismic shifts it is currently undergoing, in relation to protest, artistic freedom, and criticism against the government.
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ASHLEY DAWSON talks about extreme cities, or urban densities like New York City, where social inequalities and uneven effects of colonial violence and capitalist development are increasingly exacerbated by extreme weather and environmental degradation. He calls on the power of storytelling and the need to collectively imagine different futures. Dawson works across the fields of postcolonial studies, environmental humanities, and climate justice. He is professor of English at CUNY Graduate Center and College of Staten Island, and leads a Climate Action Lab.
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PublisherSternberg Press2011
Welcome to Harmonistan! Over the last decade, the term “participation” has become increasingly overused. When everyone has been turned into a participant, the often uncritical, innocent, and romantic use of the term has become frightening. Supported by a repeatedly nostalgic veneer of worthiness, phony solidarity, and political correctness, participation has become the default of politicians withdrawing from responsibility. Similar to the notion of an independent politician dissociated from a specific party, this third part of Miessen’s “Participation” trilogy encourages the role of what he calls the “crossbench practitioner,” an “uninterested outsider” and “uncalled participator” who is not limited by existing ...
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PublisherTriple Canopy2020
“Today, if you wanted to pioneer a New World, where would you go?” An artist and entrepreneur envisions a world after the pandemic in which citizenship is untethered from borders, and networks replace nations. A fairy tale and a series of video polemics.

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