Metahaven describe their new film The Sprawl as “propaganda about propaganda”–a mutable work that examines the effect of new networked communication technologies on the state’s public persuasion and diplomacy. The project is a continuation of their ongoing research addressing the negotiations and pitfalls of modern democracy given the rise of mass surveillance, big data, and cloud-based computing. Speculative in nature, their larger body of work occupies a recognizable present and a near future, where traditional understandings of the nation state become complicated by the multiple identities, allegiances, and lines of communication ushered in by new technologies. Facestate (2010–12), for instance, ...