Index of Titles Filed Under 'Constructed Identity'

Cover art
PublisherLink Editions2013
“After Brad Troemel” (ABT) is an artist book conceived for the JstChillin exhibition “Read/Write” at 319 Scholes in Brooklyn in 2011. The book—originally published in a limited edition of 20—took as its conceptual core the characterization of artist Brad Troemel as a genius and a mastermind analyzed through the lens of conspiracy theory and amateur internet sleuthing. According to artist and writer Artie Vierkant, who wrote the introduction to this edition, ABT is not “about Brad Troemel, nor any of the myriad names or identities that are mentioned in its pages. ABT is about the construction of identity in a mediated ...
Cover art
Publisheronestar press2004
What would it be like if one day everyone you encountered said that they were you. Would you let them assume your identification, knowing that ultimately they can only be themselves. These questions are what Carroll provokes us with in All the men that think they can be me.
Cover art
PublisherSculpture Center2017
Opening with a monologue that guides us through its entirety, Charlotte Prodger’s BRIDGIT, 2016, is a visual essay, a meandering of sorts. Shot entirely on Prodger’s iPhone, the work turns inside out the highly subjective and increasingly ubiquitous form of the personal narrative created through handheld devices and social media. The immediacy and intimacy of iPhone footage makes it an expressive extension of the artist’s movement through space. Her spoken narrative—in which her voice periodically switches with that of another female—takes us through specific moments related and unrelated to the more-or-less static images her gaze rests on. By sharing reflections ...
Cover art
Culture of the Selfie is an in-depth art-historical overview of self-portraiture, using a set of theories from visual studies, narratology, media studies, psychotherapy, and political principles. Collecting information from various fields, juxtaposing them on the historical time-line of artworks, the book focuses on space in self-portraits, shared between the person self-portraying and the viewer. What is the missing information of the transparent relationship to the self and what kind of world appears behind each selfie? As the ‘world behind one’s back’ is gradually taking larger place in the visual field, the book dwells on a capacity of selfies to master ...
Cover art
Publishere-flux2013
We are in the middle of a time in which classical notions of flexibility and freedom actually work to alienate our relations to one another. But in fact the ability to shift, to deviate, to morph should constitute the strongest claim that we are much more than what traditional categories tell us we must only be. It is precisely when elaborate techniques of labor extraction become indistinguishable from sensations of pleasure and self-realization that queerness returns to insist on the freedom to move and the freedom to be what one is and what one wants to be—not as a matter ...
Cover art
PublisherKent Fine Art2014
FLEX was an exhibition organized in 2014 by Orlando Tirado that placed a new sculpture and performance of mine with contemporaries Math Bass, Dan Finsel, and Molly Lowe, alongside works by historical figures Richard Artschwager, James Lee Byars, Guy de Cointet, Marcel Duchamp, Robert Morris, and Myron Stout. This folio/catalog, released in conjunction with the exhibition and printed on folded newsprint, served as a checklist for the exhibition, provided historical context, and expanded on the exhibition’s aim to provide an “alternative to presupposed identity politics, one that re-defines the body against the grain of a representational impulse.” In an in-depth ...
Cover art
PublisherLink Editions2011
Originally published in 2008, this book documents the life and work of Gazira Babeli, the avatar artist active in Second Life between 2006 and 2010. In about 4 years, Gazira Babeli has created a vast body of works which address the world she lives in, and which have lent her such a solid, recognizable image that she has become a household name in Second Life. She acts like a virus, unleashing earthquakes, tornados and storms of images, deforming the bodies of other residents and constructing metaphorical machines; a capricious deity, she herself is a work of art, a “constructed identity” ...
Cover art
PublisherThe Funambulist2014
This conversation is the first one I recorded for Archipelago (hence the not-so-great quality of the sound, sorry!). In the first part of the discussion, Sarah and I attempt to introduce the philosophy of Gilbert Simondon through his concepts of individuation, allagmatic, milieu, the body as “always more than one.” His work is important to us as Sarah explains because it went from a metaphysics of “being” to one of “becoming,” allowing things not to have an essence, but rather to be involved in the process of their individuation. In the second part of the conversation, I ask questions to Sarah ...
Cover art
PublisherBenjamin Grosser2017
In the words of its designer, artist Benjamin Grosser, Go Rando “is a browser extension that obfuscates your feelings on Facebook. Every time you click ‘Like’, Go Rando randomly chooses one of the six ‘reactions’ for you. Over time, you appear to Facebook’s algorithms as someone whose feelings are emotionally ‘balanced’ “ — that is, your profile becomes obscured by false emotional noise, rendered less useful to Facebook’s algorithms. Grosser notes that Facebook’s “reactions” capacity enables and abets its expanding role in surveillance, government profiling, micro-targeting of advertisements, and emotional manipulation across the platform. Short of leaving the service entirely, ...
Cover art
PublisherThe Funambulist2015
This second November conversation in London about disobedience takes a conceptual approach to this legal notion with Elena Loizidou. Through her personal research, as well as the work she curated around this notion in a 2010 symposium and a 2013 book, we attempt to consider disobedience for the political subjectivity it involves vis-a-vis the law. We do so not solely through the canonical figure of the civil objection (Rosa Parks), but also through more complex examples involving notions of selfishness, privacy and apolitics in the work of Hannah Arendt, William Burroughs, Emma Goldman and Walter Benjamin. We also look at how ...
Cover art
PublisherNew Models2018
Trump Lies, XXXTentacion dies, and truth seems always just out of reach. Lil Internet, Caroline Busta, and Daniel Keller on lying, trust, and tribalism today, from blockchain to grifting, rap fan outrage to art.
Cover art
PublisherFall Semester2016
“Magick is a culture.” So writes Alan Chapman in his Advanced Magick for Beginners. What follows is an effort to take such a claim seriously, and to imagine what the political affordances of magick might be, and what kinds of things those magicians already among us might be doing. The contemporary practice of magick (of the Western esoteric tradition) may be, we will argue, a creative technology of the self. It can work to counter the mandates of the reigning biopolitical regime, of capital’s investment in identity and identity politics, even as some of magick’s instantiations mirror certain instrumental tendencies of capital. ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List