Index of Titles Filed Under 'Contemporary Art'

PublisherMACBA2006
Contemporary aesthetic practices operate with the fabric of reality as interferences that open up interstices of problematization and place the world in work. The singularity of a proposal lies in the part of reality in which it is inscribed and in the procedures of its inscription: the more subtle and precise these are, the greater its critical power and the greater the impact of its effects. This is the perspective in which Lygia Clark’s final and most radical work, Estruturação do self (Structuring of the Self), is focused. An experimental practice that is inscribed in the spectator’s subjectivity and, more ...
PublisherMACBA2010
Ina Blom is a Professor at the Institute of Philosophy, Classics, History of Art and Ideas at the University of Oslo, where she also got her Ph.D (The Cut Through Time. A Version of the Dada/Neo-Dada Repetition. UiO, 1999). Her fields of research and teaching are modernism/avant-garde studies and contemporary art and aesthetics, with a particular focus on media art practices and media aesthetics. A former music critic, she has also worked extensively as an art critic and curator, contributing to Artforum, Parkett, Afterall, Frieze and Texte zur Kunst. Recent books include On the Style Site. Art, Sociality and Television ...
PublisherMACBA2011
John Roberts is Professor of Art and Aesthetics at the University of Wolverhampton. He is the author of a number of books including The Art of Interruption: Realism, Photography and the Everyday (Manchester University Press, 1998), The Intangibilities of Form: Skill and Deskilling in Art After the Readymade (Verso, 2008) and The Necessity of Errors (Verso, 2011). He has also contributed to various journals including Radical Philosophy, New Left Review, Oxford Art Journal, Historical Materialism, New Literary History, Third Text and Manifesta. In 2008 John Roberts was invited to give a lecture at MACBA in the context of the seminar The ...
PublisherMACBA2008
Stephen Melville is Professor of History of Art at the Ohio State University and has published widely on contemporary art as well as on issues in contemporary theory and historiography. With Philip Armstrong and Laura Lisbon he curated the major exhibition of contemporary painting As Painting: Division and Displacement (Wexner Center for the Arts, Columbus, Ohio, 2001). His publications include As Painting: Division And Displacement (exhibition catalogue, MIT Press 2001), and Seams: Art As A Philosophical Context (New York: Gordon and Breach, 1996). He is currently completing a book on Hegel and contemporary art. In 2007, Stephen Melville was invited to ...
2015
6PM YOUR LOCAL TIME (#6pmylt) is a networked, distributed, one night contemporary art event taking place simultaneously in different locations, coordinated from one central venue and documented online via a web application. The project, conceived by Fabio Paris for the Link Art Center and developed in collaboration with Abandon Normal Devices (AND) and Gummy Industries, is an OPEN FORMAT and can be used by other organizations and individual curators to set up other #6pmylt events. The Link Art Center itself organized the first two events: 6PM Your Local Time UK, curated in collaboration with AND and coordinated from Furtherfield Commons, London, involving ...
PublisherThe Funambulist2014
This podcast is the first one to have two guests, Miami-based artists, writers and editors Gean Moreno and Ernesto Oroza, for an account of their collaborative work manifested in several texts and exhibitions. This conversation focuses on their analysis of “Generic Objects” that allows the optimal function of globalized capitalism (containers, cranes, ships, highways, palettes, buckets, etc.) through a universal metric system, as well as a more local tinkering of these objects in Miami’s Little Haiti for a more local economic form. It concludes the short series of podcasts in Miami. Gean Moreno is an artist and writer based in Miami. His ...
PublisherAsia Art Archive2017
AAA Public Programmes Curator Ingrid Chu explored the international phenomenon of the ‘art book bag’ in a short history of the art book bag (and the things that go in them). Using the last 15 years as a guide, the exhibition featured ‘the things that go in them’—art publications, magazines, and related ephemera—alongside a vast array of these popular totes in the AAA Library. Chu invited artists, curators, art book fair organisers, and print and online publishers to provide insight into the changing modes of knowledge production and circulation, and their influence on recent art of Asia. An associated public talk, ...
PublisherLink Editions2013
“After Brad Troemel” (ABT) is an artist book conceived for the JstChillin exhibition “Read/Write” at 319 Scholes in Brooklyn in 2011. The book—originally published in a limited edition of 20—took as its conceptual core the characterization of artist Brad Troemel as a genius and a mastermind analyzed through the lens of conspiracy theory and amateur internet sleuthing. According to artist and writer Artie Vierkant, who wrote the introduction to this edition, ABT is not “about Brad Troemel, nor any of the myriad names or identities that are mentioned in its pages. ABT is about the construction of identity in a mediated ...
PublisherMACBA2007
Andreas Huyssen is the Villard Professor of German and Comparative Literature at Columbia University, where he served as founding director of the Center for Comparative Literature and Society (1998-2003). He chaired the Department of Germanic Languages from 1986-92 and again as of 2005. He is one of the founding editors of New German Critique, the leading journal of German Studies in the United States (1974-) and he serves on the editorial boards of October, Constellations, Germanic Review, Transit, Key Words(UK), and Critical Space (Tokyo). In 2005, he won Columbia’s coveted Mark van Doren teaching award. His research and teaching focus ...
PublisherMACBA2008
Rosalyn Deutsche is a professor of Modern and Contemporary Art, Feminist Theory, and Urban Theory at Barnard College (New York). Her analytical materia prima are the concept of the public sphere, discrepancies in development, and models of public art (public art criticism), such as that done by Krzysztof Wodiczko. One of her most important works is Evictions: Art and Spatial Politics (The MIT Press, Cambridge, Massachusets, 1996). This volume includes the essay Agoraphoobia, which we publish here in a new, revised version of the Spanish translation done by in a new, revised version of the Spanish translation by Jesús Carillo ...
PublisherLink Editions2018
Digital technology has interfered in all the spheres, private, public and professional, of our society and shaped them. Artists have always used the techniques or technologies of their time to express themselves. To each appropriated innovation thus corresponds a range of works. Yet, it takes time for the art world to integrate new practices and new media. Impatient, the most fervent advocates of digital art have structured themselves into international communities by organizing dedicated events. Their practices have now matured and the public is culturally ready to welcome their creations as it already does in festivals. At the same time, ...
PublisherMACBA2013
This text by Wolfgang Ernst is the keynote lecture of the conference The Anarchival Impulse in the Uses of the Image in Contemporary Art, organised by the University of Barcelona. In «Aura and Temporality: The Insistence of the Archive», the author analyses how the archive in the traditional sense, based on rigorous classification and secrecy, must be redefined in the light of the enormous potential for dissemination and organisation that arises from the digital media: archives are now ephemeral, adapted to various supports and, for the first time, more than a specific space, they occupy time. Wolfgang Ernst is Professor of ...
PublisherInduction Burners2016
Interviews with Becky Howland and Gwenn Thomas
PublisherLink Editions2013
“Best of Rhizome 2012” is a selection of texts published on the editorial platform of Rhizome along 2012. Edited by Joanne McNeil, the book is, in the words of Rhizome’s Executive Director Heather Corcoran, “not just a best of Rhizome’s work, but a portrait of the year that we hope will gain significance over time for its contextualization and articulation of artists’ practices. Artists are predictors and barometers of change, and sensitive to their cultural surroundings. From texts on production in the digital age, to the influence of the Occupy Movement, from drones and surveillance, to online vernacular – these ...
PublisherA.R.T. Press2014
Between December 2006 and January 2007, Sillman and Bordowitz recorded approximately 10 hours of conversation on topics ranging from art and philosophy to their personal histories and friendship. The resulting publication follows the chronology of their discussions from beginning to end. The transcript starts where they consider the beliefs underlying their respective endeavors, what art can and cannot accomplish. This e-book contains a new postscript created by Sillman and Bordowitz in the summer of 2014.
PublisherA.R.T. Press2008
Over the course of several recorded conversations, Andrea Bowers and Catherine Opie reveal the many similarities in their backgrounds and discuss ideas concerning documentary methodologies and community based work. The conversation spans many of the topics they regard central to their practices and responsibilities as artists, from memories and community, to activism, documentary, feminism, war, and environmentalism.
PublisherA.R.T. Press2013
Harrell Fletcher and Michael Rakowitz share a lively conversation largely composed of anecdotes and first person narratives that addresses central and shared concerns in both artists’ practice. Discussions about the pedagogy of art, social practice, story-telling, sincerity, community-oriented projects, and documentary strategies are interwoven with analysis of some of the artists’ key works.
PublisherA.R.T. Press2015
A witty and elegant visual exchange around the uses and functions of chairs doubles as an excuse to address a number of the artists’ interests and working methodologies. A conversation that has developed through years of friendship, deep admiration and understanding of each other’s work, this book presents Baldessari and Bloom at the peak of their form.
PublisherA.R.T. Press2006
In this highly informative and thought provoking conversation Gillick and Weiner address some of the most contested topics in contemporary critical debate: the role of art in the community, art institutions and artists’ egos, class antagonism as a visual style, audience participation and responsibilities, collaboration, curatorial practices, and art education.
PublisherA.R.T. Press2008
In this conversation Maria Eichhorn and John Miller set out to closely read some of their own recent production. Reviewing several bodies of work the two artists expose their working strategies, interests and inspirations. The conversation ranges from, among other topics, climate changes to personal ads, from Seth Siegelaub’s “Artist’s Contract” to Duchamp’s “Monte Carlo Bond,” and from the machinations of capital to American game shows.
PublisherA.R.T. Press2011
The work of Nicolás Guagnini and John Kelsey manifests itself in distinctly different forms, yet the two share an affinity for playing with the roles and structures of the art world. The conversation includes discussions of some of their recurring topics and themes: gossip, the jeune-fille, institutional critique, the abject, humor and their participation in collaborative ventures (Orchard and Union Gaucha Productions for Guagnini and Reena Spaulings and Bernadette Corporation for Kelsey).
PublisherA.R.T. Press2006
A feisty conversation between Paul Chan and Martha Rosler on different strategies and positions of art making in relation to social and political engagement, as well as discussions on boredom, bodily suffering, Bertolt Brecht, Chris Marker, and The Passion of The Christ.
PublisherA.R.T. Press2013
In this frank and provocative conversation, Thom Andersen and William E. Jones explore an expansive number of topics in relation to their respective film and art practices, among them: the advent of HD technology, experimental filmmakers and their strategies, Los Angeles, “militant nostalgia,” Jesus as revolutionary, the limitations of the art world, art criticism, gay culture, William Morris, and “the Reagans at church.”
PublisherLink Editions2014
Born Digital is a benefit auction and an online exhibition made to support the activities of the Link Art Center on the online auction platform Paddle8. The event—the first with this focus taking place in Europe on this scale—includes more than 50 works kindly provided by 33 artists. For two weeks long, from April 15 to April 30, 2014, people and collectors are invited to visit the works and eventually to bid to support the artists and the organizers. The Link Art Center is the first Italian organization to collaborate with Paddle8, an online auction house that partners with non-profit organizations ...
PublisherMACBA2007
Néstor García Canclini (Argentina, 1939) has been a professor and researcher at the Mexico’s Autonomous Metropolitan University, Iztapalapa Unit, where he directs the Cultural Studies Program. He has traveled to many Universities as a visiting professor, among them Naples, Austin, Stanford, Barcelona, Buenos Aires and São Paulo, and has published more than 20 books on Cultural Studies, globalization and Urban Imagination, many of which has been translated to other languages. Among those, important titles are Hybrid Cultures(1995), which won the Latin American Studies Association’s award for best book about Latin America, and Las culturas populares en el capitalismo (1981), which ...

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