Index of Titles Filed Under 'Critical Media'

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At the end of the 20th century, hacking was bleeding edge. When the ideas, practices and pranks of this experimental niche of technophiles attracted the attention of a handful of activists in Italy, they understood that information and communication were what would give shape and voice to social, political, and cultural processes in the near future. +KAOS is a cut and paste of interviews, like a documentary film transposed on paper. It describes the peculiar relationship between hacktivism and activism, in Italy and beyond, highlighting the importance of maintaining digital infrastructures. While this may not sound as glamorous as sneaking into ...
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PublisherAsia Art Archive2017
Hong Kong–based artist Samson Young moved through various locations in and around AAA by way of a roving sound station— doubling as a bookmobile and deejay booth—to generate a series of public broadcasts. His project AAAFM99.3 invoked classic radio programmes with news announcements, interview segments, and commercials incorporating ambient noise sourced from AAA’s audio collection.
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Beyond ICT4D: New Media Research in Uganda is a collection of ethnographic reports from diverse perspectives of those living at the other end of the African ICT pyramid. Crucially, these texts refocus on the so-called “ICT4D” debate away from the standard western lens, which depicts users in the developing world as passive receivers of Western technological development, towards Ugandans whose use and production of technologies entail innovations from the ground up. It is this ‘other’ everyday point of view that is too often missing in the ICT4D debate: valuable voices that put technologies, projects and organizations into their proper context. Conducted ...
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This call for submissions was drafted the day after the 2016 U.S. election, partially as a response to the concept of “post-truth”: ‘relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief’. While facts obviously still matter, the larger issue is that persuasion and creative communication is important. In some ways, progressive dialogue has stagnated in its own Facebook filter bubble and needs to refocus with its roots in direct action. Industrial design — and the creation of experimental electronic objects — is a useful tool to communicate ...
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PublisherThe Funambulist2015
This second conversation with Alex Shams is entirely dedicated to the context in which it was recorded, Palestine. Through five significant fragments, we attempt to describe a non-exhaustive account of the Apartheid landscape created by the Israeli occupation of the West Bank and East Jerusalem. The first fragment consists in the segregated roads, in particular the viaduct and tunnel of the Israeli settlement of Gilo, nearby the place of this conversation. The second and third fragments are the Palestinian villages of Nabi Samuel and Al Walaja that both became enclaves, surrounded by the apartheid wall built by the State of ...
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PublisherIll Will Editions2019
An unknown but familiar territory has begun to take on a political existence. The yellow vests have situated themselves in a peripheral space made up of non-places: roundabouts, motorway tolls, shopping center parking lots – the same circulatory axes along which the atomized functions to which neo-urbanites are consigned are organized and distributed. This daily environment of millions of people stuck in early morning and late afternoon traffic jams seemed to have neutralized any possibility of an event. Statistics suggest that half of the French population lives in this periphery. All of these people had been desperately invisible…in order to ...
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The Incommunicado Reader brings together papers written for the June 2005 event, and includes a CD-ROM of interviews with speakers. The reader features: Jan Nederveen Pieterse on Digital Capitalism and Development; Roy Pullens on Migration Management (INC commissioned research); Alexandre Freire on Brasil and the FLOSS process; Solomon Benjamin on the E-Politics of Urban Land; and Maja van der Velden on Cognitive Justice.
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PublisherTriple Canopy2018
In “International Art English,” Alix Rule and David Levine describe the language of contemporary art by analyzing a corpus of press releases sent by e-flux, which is paid to do so by museums, biennials, publishers, and art fairs in order to reach a subscriber base of more than ninety thousand art professionals. The essay appeared in 2012 and soon surpassed the popularity of every other Triple Canopy publication. “International Art English” generated innumerable conversations about the relationship between language, legibility, and power in the art world: columns in the Guardian, polemics in e-flux’s online journal, debates at conferences for art ...
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@LILINTERNET, Caroline Busta, Daniel Keller
NEW MODELS is a pro-complexity media node for the critical analysis of art, tech, politics, and pop culture. We exist across platforms with all channels running through our aggregator, newmodels.io.
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PublisherNew Models2019
New Models speaks with Z, founder of Black Socialists of America (BSA) about the organization’s recently launched DUAL POWER MAP: a critical tool for building a new economic order in America within the existing capitalist structure, starting with black worker-owned businesses and co-ops
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The Sarai programme at CSDS has arguably been South Asia’s most prominent and productive platform for research and reflection on the transformation of urban space and contemporary realities, especially with regard to the interface between cities, information, society, technology, and culture. The Sarai Reader book series has been widely recognized as a site for critical and creative thinking.
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PublisherSarai, CSDS2001
A Sarai is an enclosed space in a city, or, beside a highway, where travellers and caravans can find shelter, sustenance and companionship; a tavern, a public house, a meeting place; a destination and a point of departure; a place to rest in the middle of a journey… The Sarai Reader (which is the first of what we hope will be more such collections) can be seen both as a navigation log of actual voyages and a map for possible journeys into a real and imagined territory that we have provisionally called the “Public Domain”. This republic without territory is a ...

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