Index of Titles Filed Under 'Critical Media'

PublisherAsia Art Archive2017
Hong Kong–based artist Samson Young moved through various locations in and around AAA by way of a roving sound station— doubling as a bookmobile and deejay booth—to generate a series of public broadcasts. His project AAAFM99.3 invoked classic radio programmes with news announcements, interview segments, and commercials incorporating ambient noise sourced from AAA’s audio collection.

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This call for submissions was drafted the day after the 2016 U.S. election, partially as a response to the concept of “post-truth”: ‘relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief’. While facts obviously still matter, the larger issue is that persuasion and creative communication is important. In some ways, progressive dialogue has stagnated in its own Facebook filter bubble and needs to refocus with its roots in direct action. Industrial design — and the creation of experimental electronic objects — is a useful tool to communicate ...

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PublisherThe Funambulist2015
This second conversation with Alex Shams is entirely dedicated to the context in which it was recorded, Palestine. Through five significant fragments, we attempt to describe a non-exhaustive account of the Apartheid landscape created by the Israeli occupation of the West Bank and East Jerusalem. The first fragment consists in the segregated roads, in particular the viaduct and tunnel of the Israeli settlement of Gilo, nearby the place of this conversation. The second and third fragments are the Palestinian villages of Nabi Samuel and Al Walaja that both became enclaves, surrounded by the apartheid wall built by the State of ...

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PublisherSarai, CSDS2001
A Sarai is an enclosed space in a city, or, beside a highway, where travellers and caravans can find shelter, sustenance and companionship; a tavern, a public house, a meeting place; a destination and a point of departure; a place to rest in the middle of a journey… The Sarai Reader (which is the first of what we hope will be more such collections) can be seen both as a navigation log of actual voyages and a map for possible journeys into a real and imagined territory that we have provisionally called the “Public Domain”. This republic without territory is a ...

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Sara M. Watson is a technology critic and currently the writer in residence at Digital Asia Hub, a Research Fellow at the Tow Center for Digital Journalism at Columbia University, and an affiliate with the Berkman Klein Center for Internet and Society at Harvard University. Last month, she published Toward a Constructive Technology Criticism, a meta-critique of technology criticism that’s very similar to what I’m thinking about with design criticism. In this episode, I talk to Sara about her piece and her thoughts on criticism, the similarities between writing about technology and design, and the role of criticism under a Trump ...

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PublisherPunctum Books2014
The Funambulist Pamphlets is published as part of the Documents Initiative imprint of the Center for Transformative Media, Parsons The New School for Design, a transdisciplinary media research initiative bridging design and the social sciences, and dedicated to the exploration of the transformative potential of emerging technologies upon the foundational practices of everyday life across a range of settings. Volume 8 is dedicated to The Reversible Destiny Foundation created by Arakawa and Madeline Gins. The Foundation is much more than an architectural practice. It articulates art, philosophy, poetry, architecture and, to some extent, science in a dialogue that benefits each of ...

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PublisherTidal2012
When you’re sitting in jail, the topic of justice can’t help but come up. You work backward from sitting in your cell, to your ride in the police car with handcuffs, to when the police threw you face-first on the ground and applied said handcuffs. You ask how and why this all happened. And in your pain in your cage, someone tells you, incredibly, that it’s because you asked for it. It’s all in your social contract. As with any profound concept, this may take a while to digest. Connoisseurs of the brazen should at least admire the answer’s audacity. It’s ...

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PublisherTidal2013
Civilizations at their peak present curious spectacles. They ooze wealth and pride, produce fantastic art and technologies, all while shredding the foundations of their prosperity. Their citizens seem to believe they eclipse mundane restrictions of time and space. The monuments their predecessors have left in Rome, on Easter Island, in Egypt, in Venice, littered like warning beacons elsewhere throughout the world, demonstrate such faith may not match reality. A rock thrown skyward must believe, at the top of its arc, fleetingly, that it is flying…

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