Index of Titles Filed Under 'Critical Theory'

Publishercontinent.2019
These past few years, the fairly ancient concept we call “truth” has been bandied about the place quite a bit. Our social trust barometers, for a long time calibrated with “politician” on one side and “scientist” at the other, have been thrust into stormy weather. People like Donald Trump and Richard Dawkins have buried the needle into extremes of rhetorical squall, political uproar and techno-scientific demand, operationalising belief and fact in excessive ways — destructive of both self and others. The rest of us, muddling through this other ancient concept we call “modern life”, try and poise ourselves somewhere in ...
PublisherThe Funambulist2015
This conversation with Fabiola López-Durán is primarily structured around her work exploring Le Corbusier’s eugenic ideology from 1925 Paris to 1941 Vichy. At a moment when many events and debates are organized around his paradigmatic work, the main critiques seem to focus on his personal political engagement and ideology without fully engaging with the work and its consequences. What Fabiola proposes in her work is to take his claims for the orthopedic power of architecture seriously, and look at the vision of society it is therefore promoting. Although Le Corbusier’s example might be canonical, her argument is that the entire modernist ...
PublishersSternberg Presse-flux2011
Let’s be clear about something: it is infuriating that most interesting artists are perfectly capable of functioning in at least two or three professions that are, unlike art, respected by society in terms of compensation and general usefulness. When the flexibility, certainty, and freedom promised by being part of a critical outside are revealed as extensions of recent advances in economic exploitation, does the field of art become the uncritical, complicit inside of something far more interesting?
PublisherThe Funambulist2016
The Funambulist Podcast · MABEL O. WILSON /// Design & Racism 2: “Can the Master’s Tools Dismantle the Master’s House?” This second conversation of the series complementing the latest issue of The Funambulist Magazine dedicated to Design & Racism borrows its title from Audre Lorde’s words cited by Mabel O. Wilson at the beginning of the “Critical Dialogues on Race and Modern Architecture” that she organized at Columbia University in February 2016. Throughout this discussion, we talk about architecture’s historical and contemporary contribution to the American structural racism against Black bodies. Professor Mabel O. Wilson teaches architectural design and history/theory courses at Columbia University’s ...
Publishercontinent.2018
What is without a doubt, however, is that this “Letter from the Editors” is the place to express wholehearted gratitude to the artists and writers who worked on making the Palais des Beaux Arts Wien a real thing over the past four years, and just as much, to those whose contributions expanded the scope of this volume – each part of a magic circle beneath the institutional surface, an experiment in institutional forms and collaborative practices located at an unmarked street corner in Wien...
For millions of internet users around the globe, the search for new knowledge begins with Wikipedia. The encyclopedia’s rapid rise, novel organization, and freely offered content have been marveled at and denounced by a host of commentators. Critical Point of View moves beyond unflagging praise, well-worn facts, and questions about its reliability and accuracy, to unveil the complex, messy, and controversial realities of a distributed knowledge platform. The essays, interviews and artworks brought together in this reader form part of the overarching Critical Point of View research initiative, which began with a conference in Bangalore (January 2010), followed by events in Amsterdam (March ...
PublisherAutonomedia2013
The book explores some of the interconnections between art, activism and the business concept of disruptive innovation. With a backdrop of the crisis of financial capitalism, austerity cuts in the cultural sphere, the idea is to focus on potential art strategies in relation to a broken economy. In a perverse way, we ask whether this presents new opportunities for cultural producers to achieve more autonomy over their production process? If it is indeed possible or desirable, what alternative business models emerge? The book is concerned broadly with business as (artistic) material for reinvention, including critical writing and examples of art/activist ...
PublisherCritical Inquiry2018
Executive Editor Patrick Jagoda interviews Alexander Galloway.
PublisherCritical Inquiry2018
Looking Back to “The Climate of History: Four Theses.”
Publishere-flux2018
In Ursula Le Guin’s 1971 novel The Lathe of Heaven, a seemingly unassuming young white male begins effective dreaming. Desperate to stop altering realities by night, George Orr borrows other people’s pharmacy cards (the world is overpopulated, resources heavily rationed) to obtain more than his share of dexedrine and barbiturates. Landing himself in the hands of an oneirologist, he becomes a tool—a proxy to make the doctor’s megalomaniacal utilitarian fantasies real. The doctor suggests, and George dreams. “This was the way he had to go; he had no choice. He had never had any choice. He was only a dreamer.” Whose ...
PublisherResident Advisor2017
Episode 343 of Resident Advisor magazine’s podcast series The Hour, featuring a discussion on the late writer and theorist Mark Fisher. We begin the latest edition of The Hour by asking Youngstar to tell us the story behind “Pulse X,” which is widely understood to be the first-ever grime track and is still massively influential, 15 years after its release. Next, Angus Finlayson speaks with some of the many people who were influenced by Mark Fisher, the greatly respected writer and theorist who we sadly lost back in January. For this moving tribute, Simon Reynolds, Holly Herndon, Kode9, Tamar Shlaim, Logos, Tim ...
PublisherCritical Inquiry2018
Coeditor Lauren Berlant talks to participants of “The Soup Is On.”
PublisherArtFCity2018
Back in January, William Powhida and I recorded an episode of Explain Me on the Metropolitan Museum of Art’s new admission policy. Earlier that month, the museum known for housing some of the world’s greatest treasures announced its admission price would no longer remain “pay-as-you-wish”. As of March 1st, their suggested admission, $25 will become mandatory for anyone living outside of New York State. Children under 12 get in for free. Given that there’s less than two weeks until this policy change goes into affect, we thought it might be a good time to release our discussion and revisit the debate. Because what came out of the ...
Historians divide geological eras into different “ages”, and we can say that ours is the Plastic Age. This human-generated organic material is now part of the natural world, as the Great Pacific Plastic Patch shows. For Daniela Silvestrin, a cultural manager and curator specialized in bioart, this is where the artistic speculation of artist Pinar Yolas starts. What if life started today in these plastic wreck-filled oceans? What kinds of life forms would emerge out of this contemporary primordial ooze? Yoldas’ Ecosystem of Excess is the answer to these questions. She makes us face the issue of climate change, imagining the post-human world ...
From the fast-food industry to the sharing economy, precarious work has become the norm in contemporary capitalism, like the anti-globalization movement predicted it would. This book describes how the precariat came into being under neoliberalism and how it has radicalized in response to crisis and austerity. It investigates the political economy of precarity and the historical sociology of the precariat, and discusses movements of precarious youth against oligopoly and oligarchy in Europe, America, and East Asia. Foti covers the three fundamental dates of recent history: the financial crisis of 2008, the political revolutions of 2011, and the national-populist backlash of ...
PublishersSternberg Presse-flux2010
If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his recent books Art Power and The Communist Postscript, in Going Public Boris Groys looks to escape entrenched aesthetic and sociological understandings of art—which always assume the position of the spectator, of the consumer. Let us instead consider art from the position of the producer, who does not ask what it looks like ...
PublisherRadio Web Macba2015
This podcast is about objects, but more importantly, it is about some of the recent theories that offer new conceptualisations of objects in contemporary philosophy and art. This third installment of the series delves into those ideas, under a completely different light, as anthropologist Martin Holbraad and artist and curator Quim Pujol discuss monsters, otherness, hybrids, agency and fetish.
On Discipline is the sixth issue of a neW series Of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment to the show ‘On Discipline’. from 19 march to 23 april 2011 at Wilfried Lentz gallery. This publication is signed and numbered in an edition of 250 by Josef Dabernig.
PublisherMute2014
Rejecting the dichotomy of centralism and horizontalism that has deeply marked millennial politics, Rodrigo Nunes’ close analysis of network systems demonstrates how organising within contemporary social and political movements exists somewhere between – or beyond – the two. Rather than the party or chaos, the one or the multitude, he discovers a ‘bestiary’ of hybrid organisational forms and practices that render such disjunctives false. The resulting picture shows how social and technical networks can and do facilitate strategic action and fluid distributions of power at the same time. It is by developing the strategic potentials that are already immanent to ...
PublisherBuchs'n'Books2011
This book, to a certain extent, aims to open up a field of discussion about whether or not art in the twenty-first century can be relevant for society outside the art world, and if so, how and where. We are now only at the beginning of this endeavor, but the direction, in my opinion, is already set: it is clear that criticality, resistance to economic instrumentalization, and a productive maintenance of autonomy as well as versatility will play a crucial role as parameters for artistic practices. Yet not only artists and cultural producers who act according to these criteria are ...

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