Index of Titles Filed Under 'Criticism'

2013
This entry was included in Library Stack as part of a collection by Howie Chen

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PublisherThe Serving Library2016
This issue is both *in* and *about* COLOR. Starting with ISSUE #10, we have reduced our format and we are printing in all of the available inks. The issue was published in time to inaugurate (finally!) our first physical space for The Serving Library in a storefront on the north side of the majestic India Buildings block in the heart of Liverpool’s once-colorful mercantile district. Bulletins around the edges of color come courtesy Lucas Benjamin on a green screen, Stuart Bertolotti-Bailey on ephemera, Umberto Eco on conditioning, Emily Gephart on a poetry hoax, James Langdon on kitchen cabinetry, Tamara Shopsin on swimming ...

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PublisherCCIndex
Contemporary Culture Index is divided into two sections. CCIndex infoweb provides an introduction to ccindex’s operations. Please access to find accretive information about the contents and periodicals indexed in ccindex’s database. CCIndex database is an online, open-access bibliographical database indexing international journals and periodicals. Areas covered are architecture, art, cinema, cultural studies, design, literature, music, philosophy, social sciences and photography.   This entry was included in Library Stack as part of a collection by Howie Chen.

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Publishere-flux2018
In Ursula Le Guin’s 1971 novel The Lathe of Heaven, a seemingly unassuming young white male begins effective dreaming. Desperate to stop altering realities by night, George Orr borrows other people’s pharmacy cards (the world is overpopulated, resources heavily rationed) to obtain more than his share of dexedrine and barbiturates. Landing himself in the hands of an oneirologist, he becomes a tool—a proxy to make the doctor’s megalomaniacal utilitarian fantasies real. The doctor suggests, and George dreams. “This was the way he had to go; he had no choice. He had never had any choice. He was only a dreamer.” Whose ...

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PublisherArtFCity2018
In this episode of Explain Me William Powhida and Paddy Johnson discuss the horrific business practices of Peter Brant and Interview Magazine, a fundraising campaign at University of North Carolina so misguided that firing is in order, and the latest headscratching Creative Time project. To help us discuss all of this, and how the new tax code will affect artists accountant and painter Hannah Cole joins us.

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UBERMORGEN.COM, Second Front, Jon Ippolito, et alOron Catts, Tale of Tales, Joan Leandre, Oliver Laric, Domenico Quaranta
PublisherLink Editions2011
In Your Computer, by Domenico Quaranta, is a collection of texts written by Domenico Quaranta between 2005 and 2010 for exhibition catalogues, printed magazines and online reviews: a pocket version of what the author would save from the universal flood, in a world without computers. It documents most of the fields of research he has focused on critically: from Net Art to Software Art and videogames, from biotechnologies to the debate around curating and the positioning of New Media Art in the contemporary landscape, and back to Net Art again.   This itinerary is traced through a selection of essays, ...

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PublisherMomus2018
In the first episode of Momus’s new “Criticism in Conversation” podcast series, an art critic and an art journalist parse the differing responsibilities and approaches of their craft. Catherine G. Wagley (a Momus contributing editor, and a critic for ARTNews and The Los Angeles Review of Books, among others) and Julia Halperin (Executive Editor of artnet News, and former Museums Editor for The Art Newspaper) compare notes and find common ground as they consider, in particular, the example of a potent piece of journalism published by Halperin concerning the influence of five commercial galleries on worldwide institutional programming. Wagley wonders if ...

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PublisherLink Editions2011
Post Internet is a blog developed between December 2009 and September 2010 by the New York based art critic Gene McHugh, thanks to a grant of the Creative Capital | Andy Warhol Foundation Arts Writers Grant Program. For almost a year, Gene McHugh kept filling this folder with his personal notes on contemporary art. Writing and posting became a daily, regular activity, that sometimes produced many posts a day, sometimes long (or very long) texts posted at a slower pace. However, Post Internet is not just a piece of beautiful criticism, as reading this book proves. It’s also, in itself, ...

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PublisherCoffee House Press2016
Pretentiousness is for anyone who has braved being different, whether that’s making a stand against artistic consensus or running the gauntlet of the last bus home dressed differently from everyone else. It’s an essential ingredient in pop music and high art. Why do we choose accusations of elitism over open-mindedness? What do our anxieties about “pretending” say about us? Co-editor of frieze, Europe’s foremost magazine of contemporary art and culture, Dan Fox has authored over two hundred essays, interviews, and reviews and contributed to numerous catalogues and publications produced by major international art galleries and institutions.

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PublisherSpike Art Quarterly2015
Real Flow is an ongoing collaboration between Diann Bauer, Victoria Ivanova, Christopher Kulendran-Thomas and Suhail Malik. We do R&D of finance and art. Real Flow offers tailor-made financial solutions for contemporary art by crossing the now wholly permeable and artificially-maintained barriers between art’s markets, markets in general, and art’s flexible and porous semantics. Re-engineering the artwork’s commodity form, this venture tactically integrates art into its diverse channels of exhibition, circulation, and marketization. Financialization’s futurity is operationalized by Real Flow to reconstitute art’s future present and open up new vistas through and beyond capital. The first iteration of it as a project is the inaugural exhibition at K. (formerly P!) at 334 Broome st ...

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Abbott Miller is a designer, writer, and a partner at Pentagram where he leads a team designing identities, exhibitions, and books. Before Pentagram, Abbott ran a studio, Design Writing Research, with Ellen Lupton and wrote for publications like Eye, Print, and I.D. A monograph of his design and writing, called Design and Content, was published in 2014. In this conversation, Abbott and I talk about where his interest in critical theory came from and how he’s worked to incorporate it into his design work, using writing to find new ways into design, and how his various interests have come together ...

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Adrian Shaughnessy is a designer, writer, and publisher. Along with Tony Brook, he co-founded Unit Editions, an independent publishing company that specializes in design books and monographs for people like Paula Scher and Herb Lubalin. He’s written for publications like Eye and Design Observer and his collected essays were published as a book, also called Scratching the Surface, in 2013. In this episode, Adrian and I talk about his transition from designing to writing, how the design discourse has changed over the course of his career, and the value of a strong design criticism.

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In this week’s episode of Scratching the Surface, Jarrett talks with architecture critic Alexandra Lange. Alexandra is currently writing for Curbed and has previously written for publications like The New York Times, The New Yorker, and Dwell. In this conversation, we meet in a Brooklyn coffee shop to talk about how one becomes a critic, the role of criticism within the architecture profession, writing for an audience, and Alexandra’s own writing process.

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Alice Twemlow is a design writer, critic, and educator. She was the co-founder and chair of SVA’s Design Criticism program in New York City and is now the Head of the Design Curating and Writing Program at the Design Academy Eindhoven. She also recently published the book, Sifting the Trash, which is a fascinating history of design criticism. In this episode, Alice and I talk about her interest in design and writing, the history of design criticism and how its evolved, and the collapsing borders between the various design disciplines.

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Christopher Hawthorne is the Chief Design Officer for the city of Los Angeles, a brand new position appointed by Mayor Eric Garcetti. Before that, he was architecture critic for the Los Angeles Times from 2004 to early 2018. He is Professor of the Practice at Occidental College and has taught at U.C Berkeley, Columbia University, and Southern California Institute of Architecture. In this episode, Jarrett and Christopher talk about this new job and how he’s approaching it, reading Paul Goldberger in high school, and the changing role of the architecture critic.

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Francisco Laranjo is a graphic designer based in Portugal and publisher of Modes of Criticism, a journal and research platform interested in critical graphic design. His writing has also been published on Design Observer, Eye, Creative Review, Grafik. In this episode, Francisco and I talk about Modes of Criticism and his goals for the project, parsing terms like critical and speculative graphic design, and how to use graphic design to critique politics, colonialization, and culture.

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To continue my series interviewing the professors from MICA who have helped shape this podcast, this week I talk to my critical theory professor Ian Bourland. In addition to teaching at MICA, Ian is an art historian and critic whose work focuses on the diaspora, photography, and the global contemporary. In this conversation, Ian and I talk about his background and interest in art, the role of the critic in the art world, what a new type of design criticism could look like, and how designers can think about their work critically within a larger cultural context.

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Jessica Helfand is a designer, writer, podcaster, and publisher. She cofounded Design Observer in 2002 with Rick Poynor, Michael Bierut, and William Drenttel and most recently wrote the book, Design: The Invention of Desire. In this episode, the first part of a two-part conversation, Jessica and I talk about the origins of Design Observer, how she started writing, writing about design in relationship to culture, and how emerging mediums like video and podcasts can provide a new platform for design criticism.

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Kenneth FitzGerald is a designer, writer, and educator. His writing has appeared in Emigre, Speak Up, Design Observer, and was collected in the 2010 book of essays, Volume. He’s also on the founding board of AIGA’s new academic journal, Dialectic, and steering committee member of the AIGA Design Educators Community. In this episode, Kenneth and I talk about his early writing for Emigre and how the design discourse has changed over the course of his career, the role of design criticism, and how he gets his students interested in writing and thinking critically about their work.

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Khoi Vinh is currently Principle Designer at Adobe, Design Chair at Wildcard and co-founder of Kidpost and previously co-founded Mixel and was the design director of The New York Times online. Khoi’s site, Subtraction.com, was one of the first blogs I started reading when I started designing over a decade ago and in this episode, I talk to him about how he started blogging, how writing has influenced his design career, and the the need for a more rigorous criticism around digital product design.

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On this week’s episode, I talk with the designer and writer Michael Rock. Michael is the co-founder and creative director at 2×4, teaches at Yale and Columbia, and writes for The New York Times T Magazine. This summer, I visited Michael at 2×4’s New York headquarters to talk about his own history, how he thinks about his roles as a designer and writer, the importance of theory in design practice, and writing about design for a general audience.

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Mimi Zeiger is a writer, critic, curator and editor. She’s written for a variety of publications including The New York Times, Dwell, Domus, and The Architectural Review and is the founder of Loud Paper, a zine and digital publication that sought to increase the output of architectural discourse. She was also the co-curator for the US Pavilion at the 2018 Venice Architecture Biennalle, which had the theme “Dimensions of Citizenship”. In this episode, Mimi and I talk about how she started writing after beginning a career as an architect, the role of the critic, and why we need architecture and ...

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Molly Heintz is the chair of SVA’s MA Design Research program and co-founder of the editorial consultancy Superscript. Prior to this, she studied classics and archeology and has worked at the architecture firms Gensler and Rockwell Group. In this episode, Molly and I talk about her journey from archeology to design, how to get more designers interested in criticism, writing for a general audience, and the goals of SVA’s design criticism program.

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Penelope Dean is an architectural theorist and critic whose research focuses on contemporary architectural culture with an emphasis on the exchanges between architecture and the allied design fields. She is currently an Assistant Professor at the University of Illinois at Chicago’s College of Architecture, Design, and the Arts and is the founding editor of Flat Out, a fascinating new independent magazine of architecture and design criticism. In this episode, Penelope and I talk about the concept behind Flat Out as well as her own background moving from practice to academia, audiences for design criticism, and how to inject more humor ...

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Randy Nakamura is a designer, researcher, and one of my favorite writers from Emigre. His writing has appeared in Design Observer, Emigre, Task, Modes of Criticism, and Idea Magazine and he’s worked as a designer at Jon Sueda’s studio, Stripe, and served as design director at The Grateful Palate. He’s currently at PhD candidate in the Critical Studies program at UCLA Architecture and Urban Design. In this rare interview, I talk with Randy about his journey from biology to design, how he started writing for Emigre, the similarities between architecture and design criticism, and how the design discourse has changed ...

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