Index of Titles Filed Under 'Curating'

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Episode 15: Attention The two days Symposium “Women in Space” at the Art Institute HGK FHNW in Basel thematized the roles of scale, space and power in envisioning women in the art system: space is an issue for everyone, yet, it has specific resonance for those who make exhibitions and run institutions, and for women in general. How we move through space, how we claim it, how we narrate and thematize it, how we fund it, how we labor in it, how we construct and deconstruct it. In this episode Chus Martinez & Quinn Latimer are in conversation with Mareike Dittmer, ...
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Episode 19: Big Bang (Disputaziuns Susch, The Magicians of the Mountains) The first episode in a series of chapters from Disputaziuns Susch, an annual conference scheme hosted by Art Stations Foundation CH and Grazyna Kulczyk, has Aleksandra Mir imagining an artist and a scientist sitting on a train where a conversation ensues about objective realities, space exploration, negative space and belief. Disputaziuns Susch, from the beginning in 2017, has been a multi-disciplinary annual endeavor, bringing together scholars and artists, philosophers and authors, neuroscientists and historians – thinkers who will be asking questions and counter questions – in its 2019’s editions circling around ...
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Part 1: Anthony Elms (with introductions by Ellen Alderman and Gordon Hall) Part 2: Andy Roche Part 3: Edie Fake Press Release Download Poster (11″ x 17″, 300 dpi) Introductory reading “Radical Coherency” by David Antin (.pdf)
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PublisherOnCurating.org2019
Artistic and curatorial practices can be seen as the prime testimonies of transformative movements—on the one hand situated in a specific site and region, and on the other, transgressing disciplines, classes, norms—proposing new forms and relations of living and establishing these practices (building centres along the way) but at the same time always changing their positions, never staying at the centre, but instead unfolding on the periphery of social life. In this OnCurating Issue, we searched for and researched projects and institutions that hold at their core something between the lines of centres–peripheries with their transversal practices and modus operandi. For ...
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PublisherOnCurating.org2020
Biennials are each in their own way a complex constellation of different economical and geopolitical, and representational cultural aspects within its own power relations. With all their underlying deficiencies (canonical, hegemonic, colonialist, hot money-funded, politically influenced, hierarchical), biennials tend to establish international discourse, at best, rooted in local cultural specificities and contexts. With this edition of the journal, we wanted to include a variety of cases and research areas, not ordered along a historical trajectory, but rather, ordered by theme. With a mix of over sixty new contributions and reprints of important articles for the biennale discourse this issue is ...
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PublisherOnCurating.org2020
This issue compiles a series of perspectives on art-making and curating that consider forms of production through contemporary digital networks as well as increased reliance on digital technologies. We consider the issue as a much-needed start to discuss curating under digital conditions on our platform. Each interview, artwork, and article thinks through contemporary practices that rework or examine what the relationship of place, automation, labour, and archives have in relation to technological effects in production under neoliberalism. Four interviews focus on art practice and digital art-making and also how the digital is an asset in the making and production of ...
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PublisherSALT2018
A curatorial archive is much more than a curator’s archive; it is also an instrument and working place for the curator and/or the institution that hosts the archive. This publication aims to promote the idea that curatorial archives should be considered not only as resources for objective research, but also as systems or operational structures where curatorial visions are set out. In other words, a place where practice is expressed and takes shape; a salon where it is possible to enter into discussion with individual and collective methodologies…
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PublisherAutonomedia2006
The site of curatorial production has been expanded to include the space of the Internet and the focus of curatorial attention has been extended from the object to processes to dynamic network systems. As a result, curatorial work has become more widely distributed between multiple agents, including technological networks and software. This upgraded ‘operating system’ of art presents new possibilities of online curating that is collective and distributed – even to the extreme of a self-organising system that curates itself. The curator is part of this entire system but not central to it. The subtitle of the book makes reference ...
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PublisherOnCurating.org2017
This issue compiles the outcome of the symposium at the Kunstmuseum Basel and a summer academy at the Zurich University of the Arts. The symposium “De-colonizing Art Institutions” took place at Kunstmuseum Basel, June 21 and 22, 2017, with the speakers Sabih Ahmed (Asia Art Archive), Jeebesh Bagchi (Raqs Media Collective), Binna Choi (Casco), Eyal Danon (Holon Digital Art Archive), Kadiatou Diallo (SPARCK), Same Sizakele Mdluli (Lecturer, Wits University), Rohit Jain (ISEK, Uni Zürich), Shwetal A. Patel (Kochi-Muziris Biennale), Dorothee Richter (Postgraduate Programme in Curating, ZHdK), Roma Jam Session art Kollektiv (RJSaK), and Søren Grammel. You will find contributions by ...
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PublisherOnCurating.org2017
For the Oncurating Issue 34, we asked artists, theorists, and researches to send us their proposals for a decolonized art practice, or how to deal with institutions in that regard. The 34 invited artists were given a carte blanche to contribute to the topic of decolonising art institutions. The aim: to provide a platform for a multiplicity of voices from the arts. These voices would propose an image of a decolonised art practice, all the while raising questions with regard to how one can engage with pre-existing institutions in a congruent manner. The material was then displayed as printouts by ...
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PublisherOnCurating.org2021
The two events (ArtSearch, March 2017 and Third Space Symposium, August 2017) from which these contributions are drawn took place at an exceptionally volatile moment in South African higher education. The Fees Must Fall movement which started in October 2015 while, on the one hand challenging tuition and tuition increases, highlighted on the other hand, the structural inaccessibility to higher education. Moreover, it brought into stark relief the legacies of racial privilege sedimented in institutional structures that had not been responsive to the growing urgency for transformation in art institutions and universities: its hiring practices, student recruitment, the curriculum, the ...
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PublisherOnCurating.org2017
On the occasion of documenta’s 14th edition, this special issue scrutinizes the ways in which the Kassel-based periodic exhibition has been contributing to curating the history of the present since its inception in 1955. From diverse perspectives, the authors engage with questions of how documenta’s iterations played a significant role not only in the making of a history of contemporary art but also in the canon of the relatively young field of curatorial and exhibition studies. Focusing on documenta’s engagement with artistic and broader cultural developments, as well as its implication in shifting socioeconomic and geopolitical contexts, the texts assembled ...

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