Index of Titles Filed Under 'Dark Ecology'

Cover art
PublisherInhabitants2015
Climatologists have confirmed it is now too late to avoid certain global warming and that a shift to a low or zero carbon economy is thus vital. This implies an urgent transition to renewable energy sources as well as radical adaptive measures, which collide against established industrial monopolies. This episode gathers several geoengineering patent applications, and through these documents presents the history of these emerging technologies and the private interests, actors, think tanks, and corporations behind them. Within the debate of climate change mitigation, geoengineering—the technological management of weather patterns and carbon capture processes—occupies an especially politicized place. It has slowly ...
Cover art
With the third symposium Women on Earth we were seeking to understand the relations between feminism and species coexistence. The issue of nature—and of all that is naturalized or deemed unnatural by hegemonic discourses and policy—is of particular importance to gender issues, as is science. But a scientific and technical approach to the climate emergency cannot be accurate without taking into consideration how gender, racial, and economic violence foster our emergent ecocides, nor by how women—often poor and Indigenous women—are overwhelmingly at the forefront of this violence as the very first recipients of. What kind of political and cultural transformation ...
Cover art
PublisherBarbara T. Smith2000
When first launched the Biosphere 2 was sold by the media to an eager public as crucial scientific research that would save us when the earth became uninhabitable.  This was easier then explaining the complicated fact that many of its central ideas had come from an avant-garde theater troupe. But these performative roots were mirrored by Barbara T. Smiths “21st Century Odyssey.”  When Smith’s boyfriend, Dr. Roy Walford, went into the Biosphere for two years she traveled around the world doing performances and communicating with him through then cutting-edge tech like faxes and video chat. While he and the other ...
Cover art
Contemporary art almost invariably presents ideas and aesthetics on a symbolic, referential level, particularly when it concerns itself with ecological issues. What this means is that it tells a story that does not include its material realities in that story. The effect this has is that the artwork hides its own material use, social impact, energy use, and other conditions necessary for its production and reception. We need to understand what is at stake when an artwork’s primary form and mode of communication replicates the very problems of a society it reflects on.
Cover art
The third BKDN BKDN workbook is for facilitating Deep Listening sonic meditations with others to individually and collectively experience immersive ecological entanglement. The publication is a tool for sinking in to relationships you have with the world around you, helping to bypass the ways you have been taught to limit or ignore the subtleties of the more-than-human world you are immersed in. This workbook has been developed over the past decade through many experiments in Deep Listening sessions that I have facilitated. Since first being exposed to Deep Listening, I was interested in how it could create empathies with the ...
Cover art
Science has to generate output. Art has to cater to an audience. Could art and science join forces to free science from definite outputs and art from definite audiences? Or would art then also be measured by its outcome and science by its audience? Listen to Chus Martínez in conversation with artists Julieta Aranda, Marco Roso, and Elena Mazzi.
Cover art
“The first episode Oceanizing History, emerged from a conversation with professor and curator Greg Dvorak. Author of the book Coral and Concrete: Remembering Kwajalein Atoll Between Japan, America, and the Marshall Islands (2018), Greg teaches at Waseda University in Tokyo and researches the postcolonial histories of Japan and the USA in Oceania. His work is related to his personal biography, spending part of his childhood on a US military base in Kwajalein Atoll in the Marshall Islands. The meeting with Greg took place in mid-April 2020, when the global lockdown was already becoming a new normal. He was in Tokyo ...
Cover art
The third episode of the Corona Under the Ocean chapter, featuring anthropology professor Cynthia Chou, is dedicated to the Orang Suku Laut, a nomadic community from the Malay world sea in Southeast Asia. Thanks to more than three decades of research, Cynthia Chou’s work brings us closer to the worldview and life practices of the Orang Suku Laut, for whom humans are just another element among the many creatures that inhabit oceans and land. Continually moved by the tides, their ancestral relationship with the environment not only puts many aspects of modern societies into question, but shows that another kind ...
Cover art
This episode, featuring marine biologist Marah J. Hardt, is dedicated to the vitalism and resilience of the ocean. Outlining her personal journey as a researcher, Marah J. Hardt provides a propositional critique of our relationship with the maritime environment, present but not always visible on a global scale. Understanding ocean research as a necessarily interdisciplinary practice, her scientific practice highlights the importance of storytelling as a tool for dissemination of ideas. In We are Ocean Life, she not only reminds us that all forms of life, including human life, come from the ocean, but also brings us closer to the ...
Cover art
With the third Symposium Women on Earth we were seeking to understand the relations between feminism and species coexistence. The issue of nature— and of all that is naturalized or deemed unnatural by hegemonic discourses and policy — is of particular importance to gender issues, as is science. But a scientific and technical approach to the climate emergency cannot be accurate without taking into consideration how gender, racial, and economic violence foster our emergent ecocides, nor by how women — often poor and Indigenous women — are overwhelmingly at the forefront of this violence as the very first recipients of. ...
Cover art
This book develops and encourages you to inhabit — through narratives or spatialized experiences — Deep Maps of places you want to understand in a robust, inclusive, and expansive ways, which is not possible with traditional mapping. Maps tell you more about yourself, the narratives you construct, and the values you explicitly or implicitly hold, than they do about an actual place. To get an understanding of an actual place, one must inhabit its multiple overlapping contradictory stories simultaneously. To this end, we began to construct Deep Maps. We were inspired by the American author, William Least Heat-Moon’s book PrairyEarth, ...
Cover art
Following the e-publication Austerity and Utopia, L’Internationale Online presents a second collection of interventions to think through two apparently distant concepts. Artists, thinkers and researchers were invited to reflect on a dissimilar pair of themes as fertile ground for thought and proposition. With this new issue of Degrowth and Progress, we would like to pursue a path of reflection to interrogate the ambivalence of a possible progression of degrowth, and attempt to stage a bastard/hybrid scenario of speculative thought and action. This collection draws upon the complexity of ethical, ecological and political frameworks and reveals other perspectives on the current ...
Cover art
PublisherFlugschriften2019
The word “geography” literally means “writing the Earth,” and the short pieces collected in this volume represent a wide variety of ways in which this can be accomplished. Each one, in its own way, is a testament to the miraculous coherence which can crystallize within incoherence.
Cover art
Publisherdos-dos.org2018
Curator Juana Berrío and artist Delcy Morelos visit the Gold Museum in Bogotá, which houses the world’s largest collection of pre-conquest gold artifacts. They talk about the cultural differences of valuing gold objects, highlighting intrinsic, economic, ceremonial or environmental aspects; the uses of plants with power; the poporo; human-animal bodies; and how to overcome the muteness of those distant objects made by eradicated ethnicities.
Cover art
PublisherDroste Effect2018
Robotics and soft AI are bringing everyday changes both to the work field and to our free time. How does this condition reflect itself on the artistic practice? Can we humans liberate ourselves from our anthropocentric viewpoint and accept the intellective superiority of machines? Will we be able to overcome our fear of automation? In the utopian view of a fully automated production, not only work ethics should be re-thought, but also our certainties about aesthetics.
Cover art
Publishere-flux2020
Hannah Arendt coined a beautiful concept that describes the current situation we dwell in: worldlessness. If the word “world” is used to name the space of sociopolitical life, then to lose the world would mean to lose all the gains that have been made in the sociopolitical sphere, setting off all the dangers that this loss entails. Therefore, it seems mandatory, in this lack-of-world, to attempt to maintain the bonds between people, to preserve the decades of efforts dedicated to extending the social bond to nature. It is in this lack-of-world that we must try to reinvent the most important ...
Cover art
Publishere-flux2020
On the occasion of the Taipei Biennial 2020 and together with the Taipei Fine Arts Museum (TFAM), this special issue of e-flux journal will also be available to read in Chinese in 2021. Titled “You and I Don’t Live on the Same Planet,” the issue deals with an increasingly pressing situation: people “around” the world no longer agree on what it means to live “on” earth—to such a radical extent that the foundational material and existential categories of “earth” and “world” are profoundly destabilized. It was often said at the beginning of Trump’s time in office that he had no ...
Cover art
Our nature inclines us to listen to stories, not to lists, charts, and equations. To change our mind, we need a compelling narrative that turns obstacles into challenges and chances into hopes. The role of art is to foster that transformation, but also to spoil it wherever it’s lame. Listen to Chus Martínez in conversation with artists Lena Maria Thüring and Teresa Solar.
Cover art
PublisherChen's2020
A reading event with artist A.L. Steiner and collaborator/translator Noura Wedell with a discussion on the legacy of Françoise d’Eaubonne’s activist work and original ecofeminist writing as part of an inquiry into its current-day viability as a call to action, and a recourse to mutation. During the development of French second-wave Eurocentric feminism arose the writings of Françoise d’Eaubonne, who coined the term ‘ecofeminism’ in 1974 as part of her 274-page tract Le Féminisme ou la mort. (Feminism or death.). Unsurprisingly, although regretfully, this critical text – along with the breadth of her prolific writings – has yet to receive English ...
Cover art
Publishercontinent2017
What would a conversation with a piece of asbestos, or a piece of plastic stranded on the shore of the Schuylkill River be like? And how could a conversation transpire, between things and researchers and other things, if they landed in the same place and found for themselves a common language? Imprinted by Philadelphia’s singular industrial and technological history, the soils, water systems, and infrastructures of the Delaware Valley tell a story of the Anthropocene, the contentious and debated terminology for this “new” and anthropocentric geological era in which human activities have forever altered Earth’s ecosystems. For the Anthropocene Campus Philadelphia ...
Cover art
PublisherInhabitants2016-2017
For An Oil Free Future is a mini-series of protest videos against fossil fuel prospection and extraction (oil and natural gas) off the Portuguese coast (offshore) and in land (onshore) through fracking. Synopsis: In a dystopian future in which oil extraction has become a catastrophic reality in Portugal, a citizen-journalist looks back and questions how it was possible to go ahead with such plans. Over the last few years, and particularly in 2015 under the former PSD/CDS-PP right-wing government, several contracts were signed between the Portuguese State and major oil companies (Galp, Partex, Repsol, Eni, Australis, Cosmos and the controversial Portfuel). The matter ...
Cover art
Cover art
A book of theory, essays, stories, and poems released in association with the exhibition Hyperobjects at Ballroom Marfa, which explores the overwhelming scale of today’s ecological crisis.
Cover art
PublisherThinkbelt2019
If water is a human right, what does that mean for a capitalist society? Anthropologist Andrea Ballestero considers change within systems that are supposed to be stuck.
Cover art
PublisherThinkbelt2020
At a time when resources are under great pressure, waste is one of the few resources that is growing rather than shrinking. Kate O’Neill inventories the different forms and surprising itineraries of waste, and explains how this challenges our understanding of global governance.

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List