Index of Titles Filed Under 'Design Research'

Oslo Architecture Triennale 2019
For the last two centuries, the engine of architectural production and the basis of societies around the world has been the pursuit of economic growth. The desire for infinite growth has forced aside common and ecological goals measuring acts of culture and community as mere bumps in GDP. Yet the limits to this paradigm have become abundantly clear. As equity, wellbeing and non-monetary measures of prosperity falter, rising sea temperatures, extreme weather and other indicators of climate breakdown converge on the conclusion that the days of growth’s predominance are running out. Architecture is no exception.
PublisherThe Funambulist2014
This discussion with Momoyo Homma about the work of artists/poets/philosophers/architects Arakawa (1936-2010) and Madeline Gins (1941-2014) took place in the Reversible Destiny Lofts Mitaka where the Tokyo part of the Arakawa/Gins office is situated. We begin by introducing their work through a biographic approach, then through our interpretations of the manifesto “We Have Decided Not to Die,” which fuels the creative process of the five architectural projects built in Japan and in the United States, as well as the multitude of non-built ones. We conclude the conversation by describing the space around us, one of the Reversible Destiny Lofts: its bumpy floor, its sphere ...
Designing the Computational Image, Imagining Computational Design is an exhibition showcasing rare photographs, film, high-quality reproductions, and interactive software reconstructions examining the formative period of numerical control and Computer-Aided Design technologies, along with a selection of experimental work by computational designers working today.
Digital Materiality in the Age of Design Systems Parsons Communication Design Symposium In an increasingly homogenized interaction design landscape, how can we continue to craft unique digital experiences? As designers, how do we retain agency and ownership over a process which has become progressively atomized? The past several years have seen the rise of design systems and frameworks along with toolchains and build processes which have dramatically expanded the complexities of designing and developing for screen. Design and engineering roles have splintered and specialized, with large teams becoming the norm for producing digital artifacts at any scale. The net result has been a profusion ...
How does change happen? Who authors design? How does architecture participate in modernization? How does architecture govern? Governing by design, this book suggests, is not simply a matter of monu­mental symbolism and space, state power and authority, imposed control and surveillance. This book instead sets architecture in relation to mundane mat­ters: food, bodies, housing, markets, cities, and culture. How do we regulate basic aspects of our lives through design, such as the consumption of food and shelter? How do we manage the risks of modernization to our bodies and environments? How is culture produced by politics, planning, and architecture? How ...
PublisherThe Funambulist2015
This conversation with Ahmad Barclay turns around the work done by Visualizing Impact / Visualizing Palestine of which he is a partner. For the last few years, this Beirut-based office have produced a few dozens of visuals (see below for instances) mostly representing didactically various aspects of life in the apartheid policies undertaken throughout the years by the Israeli government. We talk about the various statuses of citizenship and what they allow, the infrastuctural aspects of the apartheid (roads, public transportation, water, etc.), the destruction of Palestinian homes and olive trees, before concluding the conversation by evoking the broader work ...
PublisherThe Funambulist2014
This conversation introduces the three first issues of the ARPA (Applied Research Practices in Architecture) Journal with its editor in chief (Janette Kim) and the guest editor of its second issue (Troy Conrad Therrien). We begin by looking at the editorial line of the journal itself, then examine the second forthcoming issue dedicated to “The Search Engine,” embodied by Google, whose algorithm influences the way any research is conducted nowadays. In the second part of the conversation, Janette and I examines the problems raised by the first issue, “Test Subjects,” and the relation/contrast between experiment and democratic processes in architecture. We ...
PublisherThe Funambulist2014
In this short conversation, Ethel Baraona Pohl and I discuss about the ever growing militarization of the polices of the world based on a lecture she gave the same day in Rotterdam for a seminar organized by Malkit Shoshan. We particularly insist on the American police example, which has manifested it clears belligerency against the African American population in the recent months in Ferguson, MO.  We attempt to understand what are the founding logics of such a militarization, both at a philosophical, economic and legal level. We conclude the conversation by conversing about the picture of Ukrainian protesters aiming mirrors at ...
Model and Countermodel is a reader of collected texts about practitioners who have proposed risky yet rigorous alternatives to conventional wisdom across art, design and architecture including exemplary attitudes, frameworks, methodologies and methods. In November 2016, a printed and comb-bound edition was featured in Practices of Enquiry, an exhibition of experimental enquiry-based learning by students, graduates and staff of University of the Arts London.
PublisherNew Models2019
Berlin-based designer Cade, a specialist in weaponized design, discusses the collateral (human) damage platforms cause as they scale; questions big tech’s G-rated ideation of the average subject; considers the functionality of personal mobile devices within precarious communities, and remarks on the actual inefficiency of the cloud.
Publisherantipodes café2019
RESHOW is an empirical comment on a very specific topic: Waste from exhibitions.
Alexander Tochilovsky is a designer, curator, and educator. He’s currently the curator at the Herb Lubalin Study Center and an instructor at Cooper Union. He studied graphic design at Cooper Union and went to graduate school at Cranbrook. In this episode, Alexander and I talk about his background and how he got interested in design, the role of design history in his practice, and how we can do a better job of learning from and teaching history today.
Anab Jain is a designer, futurist, filmmaker and educator. As Co-founder and Director of Superflux, she hopes to realise the vision of the Studio as a new kind of design practice, responsive to the challenges and opportunities of the twenty-first century. She also teaches at the University Applied Arts in Vienna and gave a TED Talk last year on design’s role in imagining new futures. In this episode, Anab and I talk about Superflux’s blend of client and speculative work, her background in filmmaking, and pushing up against disciplinary boundaries.
Andrew Blauvelt has been a designer, writer, curator, and educator. He’s currently the director of the Cranbrook Art Museum, a position he’s held since 2015. Before that, he worked at the Walker Art Center in a variety of roles including Senior Curator of Design, Research, and Publishing; Chief of Communications; and Design Director. He also served as Director of Graduate Studies and Chair of the Graphic Design Department at North Carolina State University and has written for a variety of publications on design. In this episode, Jarrett and Andrew walk through his career and talk about how he moved between ...
Andrew Lister and Matthew Stuart are designers, editors, educators, and publishers. Together, they edit and design Bricks from the Kiln, a new journal that ‘centers in and around graphic design.’ In this episode, Matthew, Andrew, and I talk about Bricks from the Kiln and how they started it and what their goals are, how publishing and editing has influenced their design practice, and the overlap between editing, teaching, and writing.
Andy Chen and Waqas Jawaid are the founders of Isometric Studio, a New York design studio that promotes inclusion, equality & progress. Andy and Waqas were thesis critics at MICA in December and I sat down with them while they were in Baltimore to talk about their backgrounds in sociology and architecture influence their design practice, the value of design criticism in the contemporary design profession, and what type of design writing they’d like to see more of.
Anne Quito is a designer and writer currently working as a design reporter at Quartz. Anne is the founder of the design studio Design Lab 360 and a recent graduate of SVA’s Design Criticism program. In this episode, I talk with Anne about her design background and her journey into writing, how to write about design for a general audience, and how she wrote her own job description when she joined the Quartz team as a “design reporter.”
Brian LaRossa is a designer, illustrator, writer, and reader. He’s a design director at Scholastic, writer for Design Observer, and on the adjunct faculty at CUNY. In this episode, Brian and Jarrett talk about his early resistance to the design world and how discovering its history and culture opened up a new love for the discipline. They also talk about how he started writing, his love of reading, and the similarities between his writing process and design process.
Bryan Boyer is a partner at Dash Marshall, an architecture and strategic design studio based in New York and Detroit, where he leads their Civic Futures practice. Bryan studied architecture and interior renovation before heading to Finland to help start the Helsinki Design Lab, where he worked on a team that helped improve public institutions through design. In this episode, Bryan and I talk about the value of an architecture degree, the ideas behind strategic design, and the limits of design thinking.
Chappell Ellison is currently a content strategist at Huge. She previously worked as a designer and was part of the inaugural class of SVA’s MFA in Design Criticism Program. In this episode, Chappell and I talk about her move from design to writing, the role of the critic, and how a dreamlike memory from Disneyworld made her realize she wanted to be a designer.
Dan Hill is a designer, educator, and writer. He’s currently a director at Arup, a visiting professor at The Bartlett School, and Adjunct professor at RMIT. He’s also the author of Dark Matter and Trojan Horses: A Strategic Design Vocabulary, and the long-running blog City of Sound. He previously worked at the Helsinki Design Lab and as director of Fabrica. In this episode, Dan and I talk about the evolution of his career, his vision for a new type of design education, and the role of writing in his work.
Daniel Eatock is a designer and artist based in London. He studied design at Ravensbourne College and earned his MA from the Royal College of Art. In this episode, Daniel talks to Jarrett about studying design and discovering conceptual art, his resistance to labeling his practice, the role of teaching in his work, and how he’s working towards being more present.

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