Index of Titles Filed Under 'Design'

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PublisherThe Serving Library2010
An expansive statement of intent, broadly concerned with Libraries, Media, and Time (though not necessarily in that order) Angie Keefer: AN OCTOPUS IN PLAN VIEW I. The etymology of the word “octopus” Octopus. Noun. A mollusk with eight sucker-bearing arms, a soft sac-like body, strong beak-like jaws, and no internal shell. A taxonomic genus within the family octopodidae. Origin: Greek, from OKTO-, meaning “eight,” plus -POUS, meaning “foot.” Plural: debatable. Rob Giampietro, David Reinfurt: FROM 1 TO 0 0: May I speak now? 1: Of course. I didn’t mean to get carried away, but— Dexter Sinister: A NOTE ON THE TIME The time right now is 2011 Feb ...

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PublisherThe Serving Library2016
This issue is both *in* and *about* COLOR. Starting with ISSUE #10, we have reduced our format and we are printing in all of the available inks. The issue was published in time to inaugurate (finally!) our first physical space for The Serving Library in a storefront on the north side of the majestic India Buildings block in the heart of Liverpool’s once-colorful mercantile district. Bulletins around the edges of color come courtesy Lucas Benjamin on a green screen, Stuart Bertolotti-Bailey on ephemera, Umberto Eco on conditioning, Emily Gephart on a poetry hoax, James Langdon on kitchen cabinetry, Tamara Shopsin on swimming ...

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PublisherThe Serving Library2012
  This issue doubles as a catalog-of-sorts to Ecstatic Alphabets/Heaps of Language, a group exhibition curated by Laura Hoptman at The Museum of Modern Art, New York, from May 6 to August 27, 2012. It is a *pseudo*-catalog in the sense that, other than a section of images at the back, it bears no direct relation to the works in the exhibition. Instead, the bulletins extend in different directions from the same title, and could be collectively summarized as preoccupied with the more social aspects of Typography. In this way we hope to throw some *glancing* light on the exhibition. For ...

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PublisherStrelka Press2012
We live in an age of sticky problems, whether it’s climate change or the decline of the welfare state. With conventional solutions failing, a new culture of decision-making is called for. Strategic design is about applying the principles of traditional design to “big picture” systemic challenges such as healthcare, education and the environment. It redefines how problems are approached and aims to deliver more resilient solutions. In this short book, Dan Hill outlines a new vocabulary of design, one that needs to be smuggled into the upper echelons of power. He asserts that, increasingly, effective design means engaging with the ...

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Publisher2012
CIVIL WAR| HOLOCAUST|PHOTOGRAPHS BLOODY, SEVERED LIMBS PILED UP. BEAUTIFUL FOREST VIEWS, LIGHT CASCADING THROUGH THE FOLIAGE, BATHING THE SKULLS AND BONES HAPHAZARDLY SCATTERED ON THE GROUND. THE WHIPPED AND SCARRED BACK OF A BLACK SLAVE, SITTING DOWN LIKE RODIN’S THINKER. WOUNDED SOLDIERS, THEIR EXPOSED BONES MUSHROOMING WITH INFECTED, PROLIFERATING FLESH. LEVELED MAIN STREETS IN DESTROYED CITIES. POST-BATTLE LANDSCAPES WITH UNDEFINED HORSEMEN IN THE BACKGROUND, RIDING AMONG WASTED NATURE AND DEAD BODIES. THE CORPSES LAY WITH THEIR FEET BOOTLESS, THEIR ARMS AKIMBO, THEIR MOUTHS OPEN. WALT WHITMAN DESCRIBED PRISONERS OF THE CIVIL WAR: “CAN THOSE BE MEN—THOSE LITTLE LIVID BROWN, ASH ...

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Publisherdos-dos.org2017
dos focuses on conversations in, about, and with exhibitions. dos commissions and edits conversations between two visitors to an exhibition to emphasize subjective experience and meaning-making at large. dos conversations can be streamed, followed as an RSS feed, or accessed as a podcast. dos conjures their listeners as eavesdroppers and vicarious visitors who experience exhibitions on their own time, partaking in a continuum of physical experience and shared interpersonal thinking.

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PublisherDesignFile2014
The Imaginary Brazil in contemporary Film, Fashion, and Design In Favelization, Kertzer sets out to understand the ways in which specific producers of contemporary Brazilian culture capitalized on misappropriations of the favela (informal squatter settlements that grow along the hillsides and lowlands of many Brazilian cities) in order to brand luxury items as “Brazilian.” Kertzer analyzes the the works of artists and designers citing instances of engagement with primitivism and stereotype to make their goods more desirable to a non-Brazilian audience. The author further argues that the processes of interpretation, aestheticization, transcendence, and domination are part of the favelization phenomenon. Originally ...

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PublisherGlass Bead2017
The first issue of the journal was dedicated to repositioning art in the landscape of reason. This issue is focused on the fabric of reason itself, and to the ways in which it is currently altered by the emergence of artificial intelligence. While the capacities of thought are being externalized in machines that increasingly mirror human intelligence, the question of the technical artifactuality of mind and its political ramifications becomes particularly pressing. For us, far from being limited to the computational instantiation of intelligence, understanding the politics of these developments in artificialintelligence requires acknowledging that mind has always been artifactual. Site 1: Logic Gate, the Politics ...

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How does change happen? Who authors design? How does architecture participate in modernization? How does architecture govern? Governing by design, this book suggests, is not simply a matter of monu­mental symbolism and space, state power and authority, imposed control and surveillance. This book instead sets architecture in relation to mundane mat­ters: food, bodies, housing, markets, cities, and culture. How do we regulate basic aspects of our lives through design, such as the consumption of food and shelter? How do we manage the risks of modernization to our bodies and environments? How is culture produced by politics, planning, and architecture? How ...

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PublisherO-R-G2015
Multi is a (very) simple application for making and sending faces. Working from a limited stock of punctuation glyphs, Multi tirelessly assembles various configurations. Launch Multi. Tap the screen anywhere to stop. Tap again to start. Tap and drag on the right side to adjust the speed (a line appears under your finger — up for faster, down for slower). Save a particular face by pressing and holding your finger on the screen until you see a flash (like a screenshot). Continue holding down to text it to a friend. * Italian designer Enzo Mari spent the year 1957 drawing an apple. The result, ...

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The symposium “Neurologics: Architecture Starting with the Brain” took place in the Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto on March 7–8, 2014. According to the brief, the event was organized to “consolidate the gains” of the “decade of the brain” and to raise the question, “what relevance do the discoveries of neuroscience have for architecture, a culture and discipline with its own matters of concern?” Many—although by no means all—papers presented at the conference were optimistic about the “gains” that such a neuroscientific perspective would provide. The text published here is a revised version ...

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Adrian Shaughnessy is a designer, writer, and publisher. Along with Tony Brook, he co-founded Unit Editions, an independent publishing company that specializes in design books and monographs for people like Paula Scher and Herb Lubalin. He’s written for publications like Eye and Design Observer and his collected essays were published as a book, also called Scratching the Surface, in 2013. In this episode, Adrian and I talk about his transition from designing to writing, how the design discourse has changed over the course of his career, and the value of a strong design criticism.

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Alice Twemlow is a design writer, critic, and educator. She was the co-founder and chair of SVA’s Design Criticism program in New York City and is now the Head of the Design Curating and Writing Program at the Design Academy Eindhoven. She also recently published the book, Sifting the Trash, which is a fascinating history of design criticism. In this episode, Alice and I talk about her interest in design and writing, the history of design criticism and how its evolved, and the collapsing borders between the various design disciplines.

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Anne Burdick is a graphic designer, writer, researcher, and educator. She’s the chair of the Art Center College of Design’s Media Design Program and has written for publications like Emigre and Eye. In this episode, Anne and I talk about her own background and journey through design — which we discovered had many parallels to my own design career. We also talk about new modes of practice, the relationships between writing and designing, and asking the big questions of design’s role in society and culture.

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Elizabeth Glickfeld is a design writer and lecturer currently based in London. She’s the co-founder, along with Anna Bates, of Dirty Furniture, a new kind of design magazine that looks at “when design leaves the showroom” by focusing each issue on a specific piece of furniture. She’s also written for various publications including Eye, Design Issues, Domus, and Frieze. Previously, she was a student in The Royal College of Art’s Critical Writing in Art and Design program and was a lecturer in design theory and history at Swinburne University in Melbourne, Australia. In this episode, Elizabeth and I talk about ...

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Geoff Manaugh’s blog BLDGBLOG, which he started in 2004 to talk about architecture and landscapes, has been one of my favorite blogs for years. He’s also the author of the book, A Burglar’s Guide to the City, which was optioned for television by CBS, and has contributed to publications like The New York Times, The Atlantic, Cabinet Magazine, The New Yorker, and Domus. In this episode, Geoff and I talk about how architecture became the center of a venn diagram of his various interests, the changing state of architecture discourse, working with editors, and how to look at design through ...

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Hannah Ellis is a designer, writer, and lecturer in London, England where her work explores the intersection between graphic design and education, through publication and editorial design, writing, lectures, workshops and gallery-based pieces. She’s a lecturer in the design department of Sheffield Hallam University and writes frequently for the Creative Review. In this episode, Hannah and I talk about her dissatisfaction in working as a designer and her transition to writing and teaching, as well as her recent piece on Monographs for Creative Review, and what’s missing from the contemporary design discourse.

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James Goggin is a designer, educator, and writer. He runs his own design studio with his partner, Shan James, under the name Practise and recently joined the faculty of RISD’s graphic design department. He previously worked as Director of Design, Publishing and New Media at the Museum of Contemporary Art Chicago and has taught at Werkplaats Typografie in Arnhem, The Netherlands, and at ECAL in Switzerland. His writing on design has appeared in numerous publications and he currently serves as art director and is on the editorial board of the architecture publication, Flat Out. In this episode, James and I ...

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In my second conversation with Jessica Helfand — recorded earlier this month when Jessica was in Baltimore — we talk about Winterhouse (the studio she co-founded with William Drenttel), publishing, the role of design (and design criticism) in Trump’s America, and what she’s learned in her first semester teaching design at the Yale School of Management.

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Karrie Jacobs writes about cities, buildings, and design. She’s written for publications like Metropolis, Travel and Leisure, The New York Times, ID, and Fortune. She was also the founding editor-in-chief of Dwell and the founding executive editor of Colors. In this episode, Karrie and I talk about working at her college paper with Matt Groening and Lynda Barry, how she started writing about design, working at Dwell and Colors, and how design writing has changed over the course of her career.

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Manuel Lima is a designer, author, and speaker specializing in information visualization as well as a design lead at Google New York. He’s taught data visualization at Parsons School of Design and is the author of the books, The Books of Trees, The Book of Circles, and Visual Complexity. In this episode, Manuel and I talk about his journey into design and interest in interaction design and information graphics as well as his career as both an author and practicing designer, writing outside academic discourses, and how to bring in other areas of study in design scholarship.

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Michael Bierut needs no introduction. As a partner at Pentagram since 1990, he’s worked on projects ranging from logos and environmental signage systems, books and packaging for clients including Verizon, The New York Times, MIT Media Lab, and Hillary Clinton. But Michael is also a prolific writer, having co-founded Design Observer in 2003 and co-editing the Looking Closer series, and in this episode, I talk with Michael about that writing. We talk about the origins of Design Observer, how he started writing, and how the public’s growing awareness of graphic design has changed the discourse.

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In a special one-year anniversary episode, Michael Bierut returns to the show and turn the tables to interview me. One year after I started the podcast and fifty interviews later, Michael and I talk about my own background and why I started the podcast, my graduate school experience, video essays, how the podcast has changed, and what I’ve learned about design writing over the last year.

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On this week’s episode, I talk with the designer and writer Michael Rock. Michael is the co-founder and creative director at 2×4, teaches at Yale and Columbia, and writes for The New York Times T Magazine. This summer, I visited Michael at 2×4’s New York headquarters to talk about his own history, how he thinks about his roles as a designer and writer, the importance of theory in design practice, and writing about design for a general audience.

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