Index of Titles Filed Under 'Digital Activism'

Cover art
At the end of the 20th century, hacking was bleeding edge. When the ideas, practices and pranks of this experimental niche of technophiles attracted the attention of a handful of activists in Italy, they understood that information and communication were what would give shape and voice to social, political, and cultural processes in the near future. +KAOS is a cut and paste of interviews, like a documentary film transposed on paper. It describes the peculiar relationship between hacktivism and activism, in Italy and beyond, highlighting the importance of maintaining digital infrastructures. While this may not sound as glamorous as sneaking into ...
Cover art
PublisherPrinted Matter2008
Thesis: The field of sound is the site and the means of the Militant Sound Investigation. Regardless whether analogue or digital, the record gives object form to an undifferentiated field of sound. Through both magnetic particles and binary code, experience enters into the record and becomes available to be repeated and analyzed. What initially sounded like undifferentiated registers acquires through repetition and analysis a different texture of audibility. It is as if need, demand, desire have been rendered concrete. Militant Sound Investigation, simply put, derives from a practice of listening that intervenes upon the presumed fidelity of the audio recording. ...
Cover art
PublisherDiaphanes2020
What do a feminist server, an art space located in a public park in North London, a ‘pirate’ library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projects—drawn from what can loosely be called the (post)digital—that ...
Cover art
As the revolutions across the Arab world that came to a head in 2011 devolved into civil war and military coup, representation and history acquired a renewed and contested urgency. The capacities of the internet have enabled sharing and archiving in an unprecedented fashion. Yet, at the same time, these facilities institute a globally dispersed reinforcement and recalibration of power, turning memory and knowledge into commodified and copyrighted goods. In The Arab Archive: Mediated Memories and Digital Flows, activists, artists, filmmakers, producers, and scholars examine which images of struggle have been created, bought, sold, repurposed, denounced, and expunged. As a ...
Cover art
As part of our publishing program engaged with social activism, Printed Matter published the Artists & Activists Pamphlet Series between 2008 and 2012. Inspired by the legacy of the political pamphlet, these modest format publications offered artists and collectives a space to address some of the social and political concerns of our time and critically examine the concept of art and activism. Twenty pamphlets were created in total, and they were distributed for free at the Printed Matter storefront and included in mail-order packages. Printed Matter is now making the entire series available for free download through our website.
Cover art
PublisherMeatspace Press2020
In early 2020, as the COVID-19 pandemic swept the world and states of emergency were declared by one country after another, the global technology sector—already equipped with unprecedented wealth, power, and influence—mobilised to seize the opportunity. This collection is an account of what happened next and captures the emergent conflicts and responses around the world. The essays provide a global perspective on the implications of these developments for justice: they make it possible to compare how the intersection of state and corporate power—and the way that power is targeted and exercised—confronts, and invites resistance from, civil society in countries worldwide. This ...
Cover art
PublisherData Arbitrage2015
DataArbitrage was a program that generated money by selling personal data and using that money to purchase fake social media accounts. DataArbitrage then sold the data from the fake social media accounts, bought new social media accounts and commenced a process of data arbitrage whose result was the dilution of useful data due to the overabundance of fake personal information. … Through DataArbitrage, we can undermine the value of data, until it becomes too uncertain and too costly for companies to collect and understand. When the cost to collect a terabyte of data surpasses its value, then the data economy will stop running. Our analysts have ...
Cover art
Deep Lab is a collaborative group of researchers, artists, writers, engineers, and cultural producers interested in privacy, surveillance, code, art, social hacking, and anonymity. Members of Deep Lab are engaged in ongoing critical assessments of contemporary digital culture and exploit the hidden potential for creative inquiry lying dormant within the deep web. Deep Lab supports its members’ ability to output anonymously via proxy tools; in this way, our research can remain fluid via multi-pseodonymous identity. Deep Lab promotes creative research and development that challenges traditional forms of representation and distribution, evaluating these practices alongside typical traffic analysis identification. This process ...
Cover art
Publishere-flux2015
Edited together with Nikolaus Hirsch, this first part of a special double issue of e-flux journal focusing on architecture invites a number of the field’s most audacious and adventurous thinkers to consider how these invisible and intangible forces are rebuilding cities and reformatting space over and above the role that architecture once served. They are not only reducible to data streams and technocratic information pathways, but also convert ethical questions of whose hands do the actual work of building into material expressions of labor markets, economic flows, and colonial memory. They include the passage from the formal domain of building ...
Cover art
Publishere-flux2016
The word “data” comes from the Latin dare, which means “give.” This evolves into datum, which signifies something given. Data is what is given; Big Data, many given somethings. Gifts are given, too, but it’s hard to think of data as a gift—and nearly impossible to think of Big Data as a Big Gift, though it certainly appears that way to some… Editorial Editors A Sea of Data: Apophenia and Pattern (Mis-)Recognition Hito Steyerl Drone Form: Word and Image at the End of Empire Nathan K. Hensley Method without Methodology: Data and the Digital Humanities Lindsay Caplan Connoisseurship and Critique Ben Davis Enantiomorphs in Hyperspace: Living and Dying on the ...
Cover art
Moving away from the strong body of critique of pervasive ‘bad data’ practices by both governments and private actors in the globalized digital economy, this book aims to paint an alternative, more optimistic but still pragmatic picture of the datafied future. The authors examine and propose ‘good data’ practices, values and principles from an interdisciplinary, international perspective. From ideas of data sovereignty and justice, to manifestos for change and calls for activism, this collection opens a multifaceted conversation on the kinds of futures we want to see, and presents concrete steps on how we can start realizing good data in ...
Cover art
2005
We generate money by serving Google text advertisments on a network of hidden Websites. With this money we automatically buy Google shares. We buy Google via their own advertisment! Google eats itself – but in the end “we” own it! By establishing this autocannibalistic model we deconstruct the new global advertisment mechanisms by rendering them into a surreal click-based economic model. After this process we hand over the common ownership of “our” Google Shares to the GTTP Ltd. [Google To The People Public Company] which distributes them back to the users (clickers) / public.

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List