Index of Titles Filed Under 'Documentary'

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Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book – the first of its kind in English – comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those interested ...
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2013
This entry was included in Library Stack as part of a collection by Howie Chen
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Publishere-flux2014
Organized in collaboration with Antje Ehmann and Doreen Mende, this issue of e-flux journal pays tribute to Harun Farocki (January 9, 1944–July 30, 2014) with a series of essays and reflections on his work and life by friends, collaborators, film scholars, and admirers. Those who knew Harun personally remember not only the epic influence of his work, but also his generosity as a friend and collaborator. As for us, we have never before dedicated a full issue of e-flux journal to a single artist… Editorial—Harun Farocki Julieta Aranda, Brian Kuan Wood, Anton Vidokle A Question They Never Stop Asking Kodwo Eshun Also of Things: Notes for a Film Remembering ...
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PublisherMagnum Photos2016
Europa is a book created by a group of Magnum photographers and journalists who have been covering both the refugee crisis in Europe and the many contexts across the Middle East, Asia, and Africa that gave rise to these migrations. This book is launched in partnership with the Arab Fund for Arts and Culture (AFAC) as the first project under its special program, the Arab European Creative Platform. The book harnesses the collective energy, skills and resources of its contributors to create Europa, a collaborative and independent book, the first of its kind intended for practical use by migrants and ...
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There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by combining shots, thus creating a visual form of thinking. This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything ...
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Ulus Baker (1960 – 2007) was a Turkish-Cypriot sociologist, philosopher, and public intellectual. He was born in Ankara, Turkey in 1960. He studied Sociology at Middle East Technical University in Ankara, where he taught as a lecturer until 2004. Baker wrote prolifically in influential Turkish journals and made some of the first Turkish translations of various works of Gilles Deleuze, Antonio Negri, and other contemporary political philosophers. His profuse and accessible work and the novelty of the issues he enthusiastically introduced to Turkish-speaking intellectual circles, earned him a widely spread positive reputation in early age. He died in 2007 in ...
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For more than thirty years Farocki has been a filmmaker, documentarist, film-essayist and installation artist. What preoccupies him above all is not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema, history books, user manuals, posters, CCTV footage and advertising. His vast oeuvre of some sixty films includes three feature films (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar: Vietnam/In Your Eyes: Vietnam, Wie Man sieht/As You See), essay films (e.g. Images of the World-Inscription of War), critical media-pieces, experimental work, children’s features for television, historical film essays (e.g. ...
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PublisherWomen on Airplanes2017
The multi-layered research and exhibition project Women on Aeroplanes seeks to change the parameters of how we see and listen to the achievements and practices of women in a multitude of moments, being part of a transatlantic and transnational history, with a focus on the struggles for independence and their after effects. The transition from mobilizing all possible forces to win a battle and its hangover, the disenchantment of not being part of any negotiation concerning the future, seems to crystalise a history lesson about power politics. The disappearance of women in politics after their strong visibility during the times ...
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PublisherWomen on Airplanes2018
Lagos: Search, Research Research always makes life complicated. We might end up knowing too much, getting lost in accumulated information, stories, details, in between perspectives that all fall apart. How do we begin such a process and how do we navigate it, how do we move within? How do we set the premises? What do we do next? What to do with a discovery we don’t want to make? Which form, format should it take? All these questions will stay with us and transform through issue 2 of the Women on Aeroplanes Inflight Magazine. And yes, as many an- swers turn ...
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PublisherWomen on Airplanes2018
My life is a collage, with time cutting and ar- ranging the materials and laying them down, overlapping and contrasting, sometimes with the fresh shock of a surrealist painting, wrote Eileen Agar, photographer and painter, associated with the Surrealist movement who, like Colette Omogbai, attended the Slade School of Fine Art—almost exactly 40 years earlier, be- tween 1925 and 1926. The repetition of a certain phrasing in connection with Colette Omogbai, a pioneering Nigerian painter, “who identified as a Surrealist,” sent us looking into histories of surrealisms. The plural here is important, be- cause there are indeed many invocations and ...
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PublisherWomen on Airplanes2017
The idea of making use of spaces, transforming existing ones, creating new ones, making a living and a change, very much carries through the following pages. The importance to have, maintain, and organise places, frameworks, and opportunities that allow a continuity to negotiate and fight over common grounds. Making spaces vibratory. To imagine a restaurant or a nightclub in Manchester or London in the 1930s as a business proposition but at the same time as a safe space in which to conspire to liberate Africa; to imagine a restaurant as an art gallery—while working as a waitress—and proceeding to turn ...
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PublisherWomen on Airplanes2020
The figure of the woman on aeroplanes summons the idea of the itinerary of stopovers—in London, Bombay, Calcutta, Accra, Colombo, Paris, Port-au-Prince and Washington DC—that not only speaks of the insufficiency of historiography but requires thinking through the relations between the international, the intra-national and the transnational. Women on Aeroplanes confronts us with the intermittent transmission of interrupted networks that sustain the negotiation between inter, intra- and trans-nationalisms. To turn towards magazines and publications is to think through the implications of world form entailed by periodicals that seek to thematize the work of collectivisation. We turn to magazines so as ...
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PublisherLink Editions2013
Damiano Nava likes to use the camera as a diary. After moving to Berlin, in November 2009, he found it hard to spontaneously meet people of his generation who might be interested in being photographed. He didn’t speak German, and it was hard for him to establish the kind of intimate relationship required for the project. “I was like someone having problems finding a soulmate, so it seemed like a natural step to turn to the internet”, he writes in his introduction. He wrote an ad and posted it on Craigslist and Exberliner. For about two years, the ad generated ...
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Call me Ishmael. Some years ago — never mind how long ago precisely — having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; …
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The essays collected here are based on two decades of engagement with the residents of the slums of Govindpuri in India’s capital, Delhi. The book presents stories of many kinds, from speculative treatises, via the recollection of a thousand everyday conversations, to an account of the making of a radio documentary. Zig-zagging through the lanes of Govindpuri, Listening into Others explores the vibrant sounds emanating from slum culture. Redefining ethnography as listening in passing, Chandola excels at narrating the stories of the everyday. The ubiquity of smartphones, sonic selfies, wailing, the ethics of wearing jeans, the crossroad rituals of elections, the ...
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Ulrike Franke, Michael Loeken, Karl-Heinz Roth, et alFull Unemployment Cinema
Losers and Winners A documentary by Ulrike Franke and Michael Loeken Germany 2006, 96 mins For one and a half years, filmmakers Ulrike Franke and Michael Loeken watch as a gigantic industrial site is dismantled, documenting the stories accompanying its disappearance: how the coke workers in the industrial Ruhr Region experience the arrival and working methods of the Chinese, their feelings upon seeing their pride in their work vanish along with what was the most modern coke factory in the world, but also the strain and conflicts the Chinese workers face during their 60-hour work week far away from home and family, ...
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PublisherMagnum Photos2018
A Brief Visual History in the Time of ISIS is curated by Magnum photographer Peter van Agtmael and includes an essay and timeline by Peter Harling, an expert on the Middle East, formerly of the International Crisis Group, and founder of Synaps. The work of nineteen photographers is included in this first newspaper, and the images range from those taken in the final years of the French mandate in Syria in 1941 to the fall of Mosul in 2017.
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PublisherChen's2020
Screening of “Never Rest/Unrest”, a new film by artist Tiffany Sia, followed by a discussion on the imaging the real material surround of political protest in Hong Kong, followed by a discussion on the temporal, counter-spectacular, and embodied experiences of our current global uprisings. “Never Rest/Unrest” is a hand-held short film by Tiffany Sia about the relentless political actions in Hong Kong, spanning early summer to late 2019. The experimental short is an adaptation of the artist’s practice of scaling oral history, of showing political crisis in Hong Kong as ephemeral stories on Instagram for the past year. “Never Rest/Unrest” takes ...
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PublisherNew Models2020
We speak with ARTHUR JONES & GIORGIO ANGELINI, filmmakers of “FEELS GOOD MAN,” which tells the story of comic artist Matt Furie and the wild journey of his character Pepe the Frog. Yet this set up is also a lens for telling an even broader and deeper story of the past two decades: one that spans intergenerational communication, magic and media, anti-authoritarian rebellion, and the volatility of signs. The documentary comes out August 28 to select audiences (and Sept. 4 everywhere). We nominate it Political Film of the Year.
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This book is an adapted version of my PhD dissertation titled ‘Hospitality and Its Other: Migration, Media and the Divided City’ defended in the summer of 2015 at the Division of Media and Communication (now renamed Division of Philosophy, Art and critical Thought (PACT)) of the European Graduate School (EGS), in Saas-Fee, Switzerland. The thesis is renamed to better reflect the notion of satellites in two ways. First, the notion of divided city in the original title can be implicated in the term satellite city which I explore in a variety of ways in this book, and to refer to ...
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PublisherChen's2020
Screening of “Distancing” (2019) and “DROGA!” (2014), by artist Miko Revereza, followed by a discussion on the entanglement of cinema, migration, and the fugitive agency of ‘stateless’ cinema in the ruins of psychological and geographical chasms. Distancing (16mm, 10min, Color, 2019) Shot on 16mm colour film, Distancing documents the logistics and poetics of Miko Revereza’s decision to leave the United States and return to the Philippines. ‘My ticket is one way’, the filmmaker explains to his grandmother as she suddenly realizes he isn’t coming back. Distancing is a film about this personal realization; to leave and thus become exiled from the country ...
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Publisheronestar press2014
Rodrigo Valenzuela’s onestar press edition takes from the artist’s practice of mixing various traditions of documentary and fiction through video. Here the artist unabashedly titles his onestar press edition We are in the myth making business, extracting images and sounds from his video piece Diamond Box (2012) wherein Valenzuela attempts to connect with migrant Latino day laborers through an interview format to find a way of interlacing the artist’s personal history through others.

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