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Index of Titles Filed Under 'Feminism'
This conversation with Stéphanie Dadour evolves around her doctoral dissertation that studies architectural theory and practice in the end of 20th-century North America. We explore a particular chapter of this dissertation to continue a series started with Olivia Ahn and Karen Tongson, about the gendered spatial paradigm constituted by the American suburbia. Citing the works of Mary McLeod, Beatriz Colomina, Joel Sanders and other feminist/queer thinkers and architects, we address architectural elements proper to this paradigm, such as the lawn, the curtain, or the window as instances of gendered apparatuses. We conclude the conversation by examining anthropometric studies, as well ...
In ten seconds, how many synonyms can you think of for the word “power”?
And then, just when you thought that you finally got the hang of how the power structures around you function, they seem to be coming undone. But are they really coming undone, or is the current that’s pushing and pulling at them not much more than a massage, a way to keep them up to date that stays only on the surface and is not able to touch the center.
What is feminism, precisely? What are feminisms today?
To answer these questions and myriad others, the next two issues ...
This conversation with Sara Farris was recorded on August 7, 2017 to be featured as a transcript in the 13th issue of The Funambulist Magazine (Sept-Oct. 2017), Queers, Feminists & Interiors. It attempts to link the work she presents in her book, In the Name of Women’s Rights: The Rise of Femonationalism (Duke University Press, 2017) with the violence against women that femonationalist discourses deliberately ignore (as these violences are exercised through what we could call “a universalist patriarchy”): domestic violence. The conversation first presents the political concept of femonationalism in the context of Europe, and then proceeds to describe the several dimensions ...
Feminism, Participation, and Crises in Architecture: For More than a Politics of Simulacra
The Funambulist Podcast
In this conversation, Mimi Zeiger and I examine a problem internal to the architectural world, yet that can be found in various forms in other disciplines. The “politics of simulacra” consists in a discursive use of consensual notions to describe practices that do not fully engage with the problems that they claim to address. In this regard, curating exhibitions or publications celebrating “women in architecture” often falls short of making a deep feminist argument. Similarly, the recent sum of energy spent around questions of “participation,” “openness,” “horizontality,” are interesting in what they suggest but too often do not make the ...
The importance of women’s rights have sprung up in movements across the globe in the past few years, exacerbated by increasing social, environmental, technological and political polarities. Feminisms is the sixth in a series of online publications published by L’Internationale Online.
This publication examines how women, or those who identify as female have been addressing not only inequalities – in reproductive rights, sexual rights, and in the right to equal pay – but also how plural feminisms have been and are being consistently re-thought, and how art museums can work with and respond to issues surrounding women’s rights.
Feminisms play a crucial ...
Feminist Pedagogies Working Group
The work group was triggered by the desire to articulate and create space for a queer and feminist perspective on learning and teaching inside and outside of the art academy. It builds on and responds to the Critical Practices: Education from Arts and Artists Conference at Valand Academy (October 2015) and the Meaning Making Meaning exhibition at A-venue (March 2016) in Gothenburg.
All students and staff at Valand Academy were invited to join this open work group. Over the past year we held lunchtime meetings, dinners at homes, met in bars or over skype, in our studios and ...
Anicka discusses with gallerist Stefania Bortolami, collector Cristina Delgado, curator Ruba Katrib, critic Andrew Russeth, and artist Amy Sillman the viability of female networks and bottom-line economics for women in the contemporary-art world. First of a three-part series.
A new episode on the viabilities of female networks with a discussion between Juliana Huxtable, Park McArthur, Keren
Cytter, Rebecca Quaytman and Rachel Harrison. We discuss gendered formalism, entitlement and much more…
Qaleh – The Women’s Quarter” (1966) shows the life of prostitutes in Tehran’s city brothels, an area known as Shahre Now. The film closely follows a number of women and communicates how the burden of social constraints led them to surrender in the face of their common fate. By including photos in the lm, a very unique and artistic approach that brings to mind Chris Marker’s classic La Jeteé, Shirdel not only tempers the subject’s emotional heaviness but also respects the individual’s privacy, two pitfalls that often afflict films that deal with themes of this nature. The film does explore the ...
The latest Download commission, by Sheida Soleimani, laments the death of Reyhaneh Jabbari, who was convicted and hanged in Iran on October 25, 2014 for the alleged murder of her rapist. to oblivion.zip, a dirge-like work that eulogizes Jabbari’s untimely death, consists almost entirely of Jabbari’s own written and spoken words. Once expanded, the ZIP file presents a multi-layered work of nested folders that contain execution records, letters, photographs, and voice recordings. Soleimani has been creating photographic and sculptural works focused on human rights violations in Iran since 2015. This is the first time that she has used a digital ...
Kate Millett parle de la prostitution avec des féministes, 1975
by Syn Guérin & Catherine Lahourcade (France, 20mins) TBC
Saute ma ville, 1968
by Chantal Akerman (Belgium, 13mins)
Jeanne Dielman, 23 Quai du Commerce, 1080, Bruxelles, 1975
by Chantal Akerman (Belgium, 201mins)
http://unemployedcinema.blogspot.com/
The end is not an apocalypse, but a simple split. Subject and object have set off on different trajectories hoping that they won’t see each other ever again. While the object declares its independence, the subject looks for a new body, for new meanings, but then she chokes on her old self-image, her usual words: self, other, other than oneself, self-care. Although she has been dreaming of autonomy and self-detachment, she finds it hard to digest the fact that she has been left to herself. She longs for a new relationship with the object. She feels a deep connection with ...
Ours is a world in vertigo. It is a world that swarms with technological mediation, interlacing our daily lives with abstraction, virtuality, and complexity. XF constructs a feminism adapted to these realities: a feminism of unprecedented cunning, scale, and vision; a future in which the realization of gender justice and feminist emancipation contribute to a universalist politics assembled from the needs of every human, cutting across race, ability, economic standing, and geographical position. No more futureless repetition on the treadmill of capital, no more submission to the drudgery of labour, productive and reproductive alike, no more reification of the given ...
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