to_oblivion.zip laments the death of Reyhaneh Jabbari, who was convicted and hanged in Iran on October 25, 2014 for the alleged murder of her rapist.

Aboroginal Women’s Presence Amy McQuire is a Darumbal and South Sea Islander journalist and writer with 12 years experience in Aboriginal and independent media. She is currently a PhD candidate at the University of Queensland looking at media représentations of violence against Aboriginal women.

Feminism today often feels bipolar. Focusing only on recent actions and reactions in the United States, it seems clear that, on the one hand, activist feminist movements such as MeToo and Time’s Up have helped spark a revolution in awareness about sexual harassment, sexual assault, and the larger forces of misogyny that have been long central to the consolidation of white patriarchal power. During Brett Kavanaugh’s Supreme Court confirmation hearings, Christine Blasey Ford’s testimony about his alleged sexual assault of her in high school did not cancel his confirmation, but her testimony, broadcast live and in full, helped ignite more ...

Newborn was made multiple times. The Romanian-born French modernist sculptor Constantin Brancusi made the first iconic version, Le Nouveau Né, early in the early twentieth century. He carved the eggshaped form from marble in 1915, then made another version in bronze in 1920. The title’s allusion to originality— a key tenet of avant-garde art at the time—also embraced the peculiarities of artistic creation by comparing it to birth; the ovoid sculpture abstractly resembles a crying baby through an indentation on its surface. By shaping an evocative object out of physical material, Brancusi brought a thing into existence. His paternity was ...

Cecilia Vicuña: Seehearing the Enlightened Failure was published on occasion of the exhibition Cecilia Vicuña. Seehearing the Enlightened Failure (February 8 to August 2, 2020) muac, Museo Universitario Arte Contemporáneo. unam, Universidad Nacional Autónoma de México, Mexico City; (May 26 to November 24, 2019) Witte de With Center for Contemporary Art, Rotterdam. This retrospective exhibition brings together over a hundred works by the poet, visual artist, and activist Cecilia Vicuña. Since the 1960s, the artist has constituted a radical perspective on the relationship between art and politics through her writing and art making. She has done so in different parts ...

In this episode, I speak with black feminist disability activists and scholars Dr. Moya Bailey and Vilissa Thompson, LMSW about “hashtag activism” as a strategy in black feminist and black feminist disabled communities.

Design Struggles critically assesses the ways in which the design field is involved in creating, perpetuating, promoting and reinforcing injustice and inequality in social, political, economic, cultural and ecological systems. This book shows how this entanglement arose from Eurocentric and neoliberal thinking. The voices and practices represented here propose to question and disrupt the discipline of design from within, by problematizing the very notions of design. They aim to do so by generating new, anti-racist, post-capitalist, queer-feminist, environmentally conscious and community-based ideas on how to transform design. In this way, Design Struggles strives to forge sustainable, new practices within the ...

Previously in e-flux journal, we asked: In ten seconds, how many synonyms can you think of for the word “power”? And then, just when you thought that you finally got the hang of how the power structures around you function, they seem to be coming undone … What is feminism, precisely? What are feminisms today? To examine these questions and myriad others, the previous and present issues of e-flux journal have been dedicated to feminism(s). It has been a particular pleasure to embark on an exploration and an unfolding of the many complex realities and iterations that feminisms can accommodate. Not one feminism, ...

Episode 4: Fear Selina Grüter & Michèle Graf, Miriam Laura Leonardi, Hannah Weinberger in conversation with Chus Martínez and Quinn Latimer. Promise No Promises is a podcasts series produced by the Women’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation CH. The Women’s Center for Excellence is conceived as a think tank tasked to assess, develop, and propose new social languages and methods to understand the role of women in the arts, culture, science, and technology, as well as in all knowledge areas that are interconnected with the field ...

A reading event with artist A.L. Steiner and collaborator/translator Noura Wedell with a discussion on the legacy of Françoise d’Eaubonne’s activist work and original ecofeminist writing as part of an inquiry into its current-day viability as a call to action, and a recourse to mutation. During the development of French second-wave Eurocentric feminism arose the writings of Françoise d’Eaubonne, who coined the term ‘ecofeminism’ in 1974 as part of her 274-page tract Le Féminisme ou la mort. (Feminism or death.). Unsurprisingly, although regretfully, this critical text – along with the breadth of her prolific writings – has yet to receive English ...

The first episode of Promise No Promises! Feminism Under Corona is a continuation of a conversation with artist Ran Zhang about the effects and consequences of Covid-19 in a reality that is also mutating despite the confinement of our bodies being locked at home. “The first conversation I had about Covid-19 with the artist Ran Zhang took place in Paris at the end of January 2020, on the occasion of her exhibition Resolution of Traits at the independent art space L’ahah. The virus that had caused a new disease, first in Wuhan and China, was now appearing in France and by ...

The fifth episode is based on a conversation with interdisciplinary artist Melanie Jame Wolf, whose work critically circulates within the flow of immaterial capital by using the performative condition and potential of our identities. The conversation between Sonia Fernández Pan and Melanie Jame Wolf incorporated some of the many elephants in the (art) room, such as social class, age, or “undisciplined” bodies in the field of performance, dance, and choreography. It was also an opportunity to talk about social networks and the inevitable perverse functioning of symbolic capital in and through them. As Melanie Jame Wolf points out, contemporary social ...