Index of Titles Filed Under 'Film Studies'

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German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. A Second Life performs a kind of archaeology on a period largely overlooked: the first two decades of German cinema. This collection of essays by established authors refocuses the terms of a debate that will develop in the years to come concerning the historical and cultural significance of popular cinema in Wilhelmine Germany.
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after.video realizes the world through moving images and reassembles theory after video. Extending the formats of ‘theory’, it reflects a new situation in which world and video have grown together. This is an edited collection of assembled and annotated video essays living in two instantiations: an online version – located on the web at http://after.video/assemblages, and an offline version – stored on a server inside a VHS (Video Home System) case. This is both a digital and analog object: manifested, in a scholarly gesture, as a ‘video book’.
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Gustave de Kervern, Benoît Delépine, Erkko Kivikoski, et alHippolyte-Prosper-Olivier Lissagaray, Jeanne Neton, Peter Åström, Full Unemployment Cinema
CONTENTS: 1/ About on the lms 2/ How One Can Still Put Forward Demands When No Demands Can Be Satis ed by Jeanne Neton and Peter Åström 3/ Lissagaray: History of the Paris Commune of 1871 Chapter XVII, Women of the Commune and the opposing armies 4/(in between) excerpts from: http://libcom.org/news/french-workers-continue-bossnapping-26072009, http://www.guardian.co.uk and http://hrlori.com/bossnapping/
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PublisherMikrotext2017
In a playful conversation with the artist Jonas Mekas, John Lennon and Yoko Ono give insights into their artistic practices, such as singing, influencing each other, and collaborating in films such as Legs which shows the naked legs of the New York artistic community. ——— December 1970, Regency Hotel, New York City: After a spontaneous film festival in the Elgin theatre for which Yoko Ono and John Lennon had produced two new films in only two weeks, the organiser Jonas Mekas and the two artists sat together, exhausted and probably also very happy. They talk about how the audience received the films ...
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Publishere-flux2014
Organized in collaboration with Antje Ehmann and Doreen Mende, this issue of e-flux journal pays tribute to Harun Farocki (January 9, 1944–July 30, 2014) with a series of essays and reflections on his work and life by friends, collaborators, film scholars, and admirers. Those who knew Harun personally remember not only the epic influence of his work, but also his generosity as a friend and collaborator. As for us, we have never before dedicated a full issue of e-flux journal to a single artist… Editorial—Harun Farocki Julieta Aranda, Brian Kuan Wood, Anton Vidokle A Question They Never Stop Asking Kodwo Eshun Also of Things: Notes for a Film Remembering ...
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This definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures – the house, the tableau and the letter – structure a critical ...
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Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers’ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema ...
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This first book-length study shows how Germany tried to reconcile the horrendous experiences of the FirstWorld War through the films made in 1919-1933. Drawing on the analysis of twenty-five such films, and covering a wide range of documentaries as well as feature films on the reasons for the outbreak of the war, life at the front,war at sea and the home front, the author sketches out the historical and cultural context, including reviews and censors’ reports, in which these films were made and viewed.
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The first book-length account of the symbolic chains that link remakes and explain their disguises, Film Remakes as Rituals and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joan of Arc, Carmen, and Psycho-to reveal what she calls the remake’s “rituals of disguise.” Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien III film and the God-ridden Bess in Lars Von Trier’s Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own ...
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PublisherEven Magazine2017
Hosts Rebecca Siegel and Abby Sandler discuss this week’s Go See: Modigliani Unmasked, on view at the Jewish Museum. In Critical Conversations, editor-in-chief Jason Farago is joined by Palme d’Or-winning director Ruben Östlund to discuss his new film The Square. For the Even 8, Rebecca and Abby are joined by Swiss Institute director Simon Castets.
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I am a rather elderly man. The nature of my avocations for the last thirty years has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom as yet nothing that I know of has ever been written:—I mean the law-copyists or scriveners. I have known very many of them, professionally and privately, and if I pleased, could relate diverse histories, at which good-natured gentlemen might smile, and sentimental souls might weep. But I waive the biographies of all other scriveners for a few passages in the life of ...
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This reader is a collection of essays written by Turkish graduate students between 2003 and 2010 for Andreas Treske’s seminar ‘Image, Time and Motion’ at Bilkent University in Ankara, revised and actualized in 2010. Coming from a wide range of disciplines they had studied before, very rarely media or cultural studies, these students brought in their various viewpoints and methods, and tried to integrate their observations and understandings in a seminar related to cinema and new media to discuss and sometimes just to describe the influences of digital media technologies for themselves and their colleagues. Starting from the premise that ...
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Since 1957 the Film Museum in Amsterdam has been in possession of the Desmet Collection which contains the estate of the Dutch cinema owner and film distributor Jean Desmet (1875-1956). The collection comprises almost nine hundred European and American films in all genres, a collection of publicity material and a dauntingly large business archive. These three sources form the basis of this first comprehensive reconstruction of Desmet’s career: from his nomadic beginnings as a traveling showman, working the seasonal fairgrounds of the Netherlands and Belgium, to his successful switch to permanent cinema operation and film distribution. The history of Desmet’s ...
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(Originally performed live as part of the exhibition ‘Last Year at Marienbad Redux’, curated by James Voorhies/Bureau for Open Culture at EFA Project Space, New York City, 2013.) Musician James Brown would fine any member of his band if they could not provide him with a new and entirely comprehensive interpretation of ‘Last Year at Marienbad’ before going on stage. Thus, it is a little known fact that most of the major scholarship surrounding the film was pioneered by Bootsy Collins. (140 springs, 8-10 degrees Celsius, carbonated, used in the treatment of renal, urological, respiratory, rhinitic, asthmatic, digestive, endocrinal and metabolic problems ...
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Call me Ishmael. Some years ago — never mind how long ago precisely — having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; …
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A screening and discussion of films on recent struggles in the logistics sector. BBC, Panaroma: Amazon’s Truth Behind the Click, 2013 Maria Elena Scandaliato, Sciopero Generale Logistica, 2013 Cinema Action, Dock Strike 1972 Films and clips from Oakland, Bologna, Ellwood and more… Guest speakers from Angry Workers of the World [http://angryworkersworld.wordpress.com/] Pamphlet Contents: Brian Ashton The Factory Without Walls (short version) Wildcat Umschlagspunkt Angry Workers of the World (Wealmoor Leaflet) Angry Workers of the World (Jack Wills Leaflet) UniNomade Circuits of Recomposition: Towards and Beyond the #22M Logistics Workers’ Strike Society of Enemies Blockading the Port Is Only The First of Many Last Resorts Further Resources: Brian Ashton, ‘Logistics and The Factory Without Walls’ (long version) http://www.metamute.org/editorial/articles/logistics-and-factory-without-walls Jasper Bernes, ‘Logistics, Counterlogistics ...
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Ulrike Franke, Michael Loeken, Karl-Heinz Roth, et alFull Unemployment Cinema
Losers and Winners A documentary by Ulrike Franke and Michael Loeken Germany 2006, 96 mins For one and a half years, filmmakers Ulrike Franke and Michael Loeken watch as a gigantic industrial site is dismantled, documenting the stories accompanying its disappearance: how the coke workers in the industrial Ruhr Region experience the arrival and working methods of the Chinese, their feelings upon seeing their pride in their work vanish along with what was the most modern coke factory in the world, but also the strain and conflicts the Chinese workers face during their 60-hour work week far away from home and family, ...
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PublisherMeson Press2019
In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.
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PublisherChen's2020
Screening of “Never Rest/Unrest”, a new film by artist Tiffany Sia, followed by a discussion on the imaging the real material surround of political protest in Hong Kong, followed by a discussion on the temporal, counter-spectacular, and embodied experiences of our current global uprisings. “Never Rest/Unrest” is a hand-held short film by Tiffany Sia about the relentless political actions in Hong Kong, spanning early summer to late 2019. The experimental short is an adaptation of the artist’s practice of scaling oral history, of showing political crisis in Hong Kong as ephemeral stories on Instagram for the past year. “Never Rest/Unrest” takes ...
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It’s settled: we’re going to lm Capital on Marx’s scenario – the only logical solution. – Sergei Eisenstein, Oct 12, 1927. Alexander Kluge’s Nachrichten aus der ideologischen Antike: Marx – Eisenstein – Das Kapital or News From Ideological Antiquity: Marx – Eisenstein – Capital, originally made for broadcast or DVD was nished in 2008 and ran 570 minutes long. This 84 minute cut prepared by Kluge for exhibition condenses this mammoth project into something like a digestible greatest hits or highlight reel. Alexander Kluge’sf film is a discursive essay about and around Eisenstein’s notes on a film of Marx’s Capital ...
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Nocturnal Fabulations is an essay in intercessing. This is not a book that is simply ‘about’ Apichatpong Weerasethakul, though it does engage his work in detail. It is a book that deeply questions what else might be at stake in setting up the conditions for collaboration across two genres: cinema and writing. This collective project is animated by a shared curiosity in the pragmatics of fabulation and its speculative gesture of bringing forth a people to come. In an encounter with Apichatpong’s cinematic dreamscape, the concepts of ecology, vitality and opacity emerge to articulate an ethos of fabulation that deframes experience, recomposes ...
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PublisherFlugschriften2019
Fifteen one-minute songs and an identity defined by its own scattering. Steven Shaviro delves into Tierra Whack’s Whack World to show how it “overwhelms us with a kaleidoscopic variety of ever-shifting feelings,” making sure our senses traverse the contrast, richness and contradiction of a Web 2.0. self.
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Dogma95 has been heralded as the European alternative to the Hollywood Blockbuster. For many critics and film lovers, Dogma95 and Von Trier’s films have become synonymous with the notions usually associated with independent film making: low budgets and realism. Von Trier’s approach to film making, however, takes cinema beyond the traditional confines of film aesthetics and radically transposes the practice of film making and film itself right into what has become the paramount genre of new media: games and gaming. Dogma 95, this book argues, is not an exceptional phase in Von Trier’s carreer – as it was for his ...

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