Index of Titles Filed Under 'Finance'

A Euro Is A Euro Is A Euro: Fieldwork In European Realism appears in issue 2 of Fictional Journal (online only), and is reproduced in the PROPAGANDA pdf document. As a singular embodiment of matter and representation, the Euro-skulptur is as abstract as money, as tangible as cash. An essay and animations analyse the sculpture as a material symbol of the European Union. Euro cash is European Realism, it is a representation of things as they actually are, it is the sincere, un-idealised rendition of con- temporary life in the EU. we normally look at architecture, or more broadly at the built environment, ...

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Publishersrybn.orgJeu de Paume2015
ADM XI is an independent research platform for experimental algorithmic trading engineering. The novelty and the singularity of its approach lays on the exploitation of the artist legendary vision and know-how, to create innovative and counter-intuitive strategies of investment and speculation. These uncanny strategies challenge the neoclassical economics dogma. The platform gave birth to a collection of heretic, irrational and experimental operating trading algorithms. These algorithms are released to compete with each other on a marketplace hosted and organized by RYBN.ORG. Within this contest, benefits are no longer driven by the prices and other economic instruments, but rather, by living organisms ...

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PublisherZero Books2015
The main affirmation of artistic practice must today happen through thinking about the conditions and the status of the artist’s work. Only then can it be revealed that what is a part of the speculations of capital is not art itself, but mostly artistic life. Artist at Work examines the recent changes in the labour of an artist and addresses them from the perspective of performance.

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PublisherGuggenheim2015
Åzone Futures Market is a Guggenheim online exhibition that enables you to take a position on the future of a world increasingly shaped by emerging technologies. New technologies are challenging our social foundations and destabilizing the ethics, practices, institutions, and worldviews that have structured our collective experience for centuries. The accelerating rate of this flood of transformations exceeds the limits of our capacity to understand the consequences and to create the lives we want to live. We need new cultural forms to help make sense of the situation. The Guggenheim is testing a new exhibition architecture in the form of an online ...

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PublisherO'Reilly Media2015
Bitcoin is starting to come into its own as a digital currency, but the blockchain technology behind it could prove to be much more significant. This book takes you beyond the currency (“Blockchain 1.0”) and smart contracts (“Blockchain 2.0”) to demonstrate how the blockchain is in position to become the fifth disruptive computing paradigm after mainframes, PCs, the Internet, and mobile/social networking. Author Melanie Swan, Founder of the Institute for Blockchain Studies, explains that the blockchain is essentially a public ledger with potential as a worldwide, decentralized record for the registration, inventory, and transfer of all assets—not just finances, but property ...

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Artists have continually questioned their status and place in society. The widespread vision of the artist as an outsider from the peripheries of social life, a utopia seeker, a celebrity selling works for millions or an erudite nonconformist who voices his or her opinions in the public debate, has spawned many myths concerning their privileges and obligations in the contemporary world. The exhibition formulates a question about the way artists define their status and position in the realm of an ever-widening economic gap: that of the possibility to reconcile dreams of social justice with the needmof artistic freedom and autonomy. At the same time, the show highlights the tension between artists’ rather ambivalent ...

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PublisherZero Books2015
Can capital be seen? Cartographies of the Absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artifacts that wrestle with the vastness, invisibility and complexity of the abstractions that rule our lives.

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PublisherAm Nuden Da2017
Resonator with assumed responsibility of Tyler Coburn & Byron Peters Da is published by Am Nuden Da. It takes its name after the magazine Da founded by Isidore Isou and Serge Moscovici in 1944.

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PublisherKein & Aber2014
Das Kapital bin ich: Schluss mit der Digitalen Leibeigenschaft. Das Manifest für alle Internet-Zweifler und Gegner der virtuellen Manipulation. Für alle, deren Fingerspitzen nur noch Touchscreens berühren, die in YouTube verloren gehen und sich Facebook ausgenommen fühlen. Für alle, die sich den AGBs von Google & Co nicht mehr fügen wollen. Es ist Zeit, sich aus der selbstverschuldeten “Digitalen Leibeigenschaft” zu befreien! Der Ökonom Hannes Grassegger zeigt auf, wie wir zu einem neuen Selbstbewusstsein im Umgang mit unseren Daten finden und auch noch Geld daran verdienen. “Holen wir uns, was uns gehört. Wir sind das Internet.”

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PublisherFall Semester2016
Disclaimer: What follows is an attempt to think through a praxis that is directed towards transformative impact on the basis of existing potentialities. The choice of fields that are woven into this strategy brief — finance, human rights and contemporary art — is a product of this author’s direct or tangential involvement in these spheres as a practitioner and researcher. The aim of this strategy brief is to use the mechanics of DIY-theory to engineer an actionable framework…

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PublisherPARSE2015
How might contemporary art’s value be understood and analysed? What are the conditions that produce its value? What is the difference between the price of art and its value? These and other similar questions presuppose that art is, indeed, valuable — a sine qua non of art as such. But art’s value is a conglomeration of economic and historically-shaped symbolic factors, and these factors promote and prolong the global circulation of artefacts and at the same time profoundly shape the lives and working methods of those who participate in art – dealers, auction houses, galleries, museums, educators, curators and their ...

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PublisherSpike Art Quarterly2015
Real Flow is an ongoing collaboration between Diann Bauer, Victoria Ivanova, Christopher Kulendran-Thomas and Suhail Malik. We do R&D of finance and art. Real Flow offers tailor-made financial solutions for contemporary art by crossing the now wholly permeable and artificially-maintained barriers between art’s markets, markets in general, and art’s flexible and porous semantics. Re-engineering the artwork’s commodity form, this venture tactically integrates art into its diverse channels of exhibition, circulation, and marketization. Financialization’s futurity is operationalized by Real Flow to reconstitute art’s future present and open up new vistas through and beyond capital. The first iteration of it as a project is the inaugural exhibition at K. (formerly P!) at 334 Broome st ...

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PublisherMute2016
Progress in autonomy cannot be – nor historically has it ever been – measured in quantitative units. Rather, the need for autonomy is repositioned in relation to society’s political, economic, and cultural developments on an ongoing basis. What do we mean when we speak of ‘autonomy’ and ‘reproduction’ in the field of contemporary art? What kind of objects do these terms encompass, what are their histories, and what internal logical relations can we identify between these concepts? How do they operate in a philosophical discourse about art and in political theory and practice? In this book, Marina Vishmidt and Kerstin Stakemeier ...

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‘Carlota Perez’s insightful analysis of the rapid growth and diffusion of new technologies in general, and Information and Communications Technologies (ICT) in particular, is a welcome antidote to the bullish and ahistorical hyperbole of the datacom era. . . Do read the book. It is important. It is accessible. It is well presented. It is also fun.’ – Raphie Kaplinsky, Technovation ‘It was Carlota Perez in the early 1980s, who designated the major changes in technology systems, such as mechanization, electrification or computerization, as ”changes of techno-economic paradigm” a designation which has since been widely adopted. In this book she offers many ...

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Succinct, accessible, and authoritative, Thomas Piketty’s The Economics of Inequality is the ideal place to start for those who want to understand the fundamental issues at the heart of one the most pressing concerns in contemporary economics and politics. This work now appears in English for the first time.

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PublisherTulips and Roses2012
Published: November 2012 Design: Joseph Miceli, Lina Ozerkina & Friends Published by: Tulips & Roses, Brussels Format: 16 x 24 cm, 32 pages, soft cover, stapled, Color offset printing Number of copies: 300 Price: 5€ Editors: Aurime Aleksandraviciute, Gintaras Didžiapetris and Jonas Žakaitis publications@tulipsandroses.lt

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Talk and book launch event of ‘The Medium of Contingency’ at the Sursock Museum in Beirut. The author, Elie Ayache, in conversation with Philippe Henrotte and Gerald Nestler. Where contingent books, necessary books and impossible books are discussed, as well as their relation to the market of contingent claims. Published on March 25, 2016. This entry was included in Library Stack as part of a collection by Howie Chen.

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PublisherBadlands Unlimited2016
This artist book began at the equity derivatives desk of Lehman Brothers before the collapse of the company in 2008, where curator and artist Howie Chen worked as an analyst before entering the art field. “Transformers” is in essence a record of boredom during the ‘irrational exuberance’ of the late ‘90s, before the ‘new normal’ of crisis capitalism, and the Great Recession of 2008 which led to Lehman’s downfall. While at work between tasks, Chen photocopied a dollar bill everyday on the office copier, taking the previous day’s copy and feeding it back into the machine. Over months, the image ...

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PublisherThe Volume Project2016
Dear Kris, first I would like to thank you for participating to Unfold as our third guest curator with The Economy is Spinning, a multi-faceted curatorial project on the language of finance and its irrationality. Your Unfold#3 is in fact connected to the exhibition of the same name you have just curated for Onomatopee in Eindhoven and which, as is the case with all Onomatopee’s projects, will also produce a publication. With Unfold the process of translation and transmigration between the exhibition and the publication expands and takes over the space of the digital folder. Could you describe this three-folded relation between the exhibition, the folder and ...

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PublisherWhere2016
Where 6: “Prediction,” with Sarah Meyohas Bitch Coin Release Party: Sunday, February 15th, 2015 8pm Trinity Place, 115 Broadway, New York, NY We rarely have an opportunity to invite our colleagues to as well-appointed an affair as will transpire on the evening of Sunday, Feb. 15 at Trinity Place in Lower Manhattan. This turn-of-the-century bank can easily be navigated by the landmark of Zucotti Park across the street. Our splendid event celebrates the launch of “BitchCoin,” a digital currency developed with Sarah Meyohas, a young artist who, fresh out of Wharton Business School, headed straight into Yale’s MFA program. BitchCoins can be bought online with ...

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PublisherThe New Inquiry2017
Sitting somewhere between Minority Report and the OurRevolution PAC, White Collar Crime Risk Zones is a website and app that use “machine learning to predict where financial crimes will happen across the U.S.” The app’s system was trained on financial malfeasance reports going back to 1964, and by referencing events with geotagged cartography it can predict financial crimes at the city-block-level with an accuracy of 90.12%. Typically, the logic of predictive policing is applied to ‘street’ level crime (drugs, assault, etc), and has rarely (if ever) been applied to the financial crimes of white collar criminals. Turning the technology on the ...

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