Index of Titles Filed Under 'Finance'

A Euro Is A Euro Is A Euro: Fieldwork In European Realism appears in issue 2 of Fictional Journal (online only), and is reproduced in the PROPAGANDA pdf document. As a singular embodiment of matter and representation, the Euro-skulptur is as abstract as money, as tangible as cash. An essay and animations analyse the sculpture as a material symbol of the European Union. Euro cash is European Realism, it is a representation of things as they actually are, it is the sincere, un-idealised rendition of con- temporary life in the EU. we normally look at architecture, or more broadly at the built environment, ...
PublisherARPA Journal2018
“Conflicts of interest” are said to compromise the impartiality of research, but what would it mean to be disinterested? Ethical codes warn us that researchers’ objectivity can be corrupted by a clashing set of interests—those of funding agencies, clients and publics, as well as researchers’ self-interest in professional advancement or personal gain. If the resolution of such conflicts might typically call for avoidance, recusal or disclosure, what would such strategies mean for the design disciplines and research on the built environment? What varied interests, expressed in the form of money or other manifestations of influence, do designers contend with? Who ...
PublisherZero Books2015
The main affirmation of artistic practice must today happen through thinking about the conditions and the status of the artist’s work. Only then can it be revealed that what is a part of the speculations of capital is not art itself, but mostly artistic life. Artist at Work examines the recent changes in the labour of an artist and addresses them from the perspective of performance.
PublisherGuggenheim2015
Åzone Futures Market is a Guggenheim online exhibition that enables you to take a position on the future of a world increasingly shaped by emerging technologies. New technologies are challenging our social foundations and destabilizing the ethics, practices, institutions, and worldviews that have structured our collective experience for centuries. The accelerating rate of this flood of transformations exceeds the limits of our capacity to understand the consequences and to create the lives we want to live. We need new cultural forms to help make sense of the situation. The Guggenheim is testing a new exhibition architecture in the form of an online ...
PublisherO'Reilly Media2015
Bitcoin is starting to come into its own as a digital currency, but the blockchain technology behind it could prove to be much more significant. This book takes you beyond the currency (“Blockchain 1.0”) and smart contracts (“Blockchain 2.0”) to demonstrate how the blockchain is in position to become the fifth disruptive computing paradigm after mainframes, PCs, the Internet, and mobile/social networking. Author Melanie Swan, Founder of the Institute for Blockchain Studies, explains that the blockchain is essentially a public ledger with potential as a worldwide, decentralized record for the registration, inventory, and transfer of all assets—not just finances, but property ...
Artists have continually questioned their status and place in society. The widespread vision of the artist as an outsider from the peripheries of social life, a utopia seeker, a celebrity selling works for millions or an erudite nonconformist who voices his or her opinions in the public debate, has spawned many myths concerning their privileges and obligations in the contemporary world. The exhibition formulates a question about the way artists define their status and position in the realm of an ever-widening economic gap: that of the possibility to reconcile dreams of social justice with the needmof artistic freedom and autonomy. At the same time, the show highlights the tension between artists’ rather ambivalent ...
PublisherA.WKSHP2019
This book is an accumulation of images of adobe and its ecosystem taken in The Autonomous Region of Castile and Leon, Spain. The images are chosen as representations of the material viewed at different scales in context. The images are ordered by scale. At each end of the spectrum are the microscopically magnified granular composition, and the satellite image of the region, respectively. Only a portion of the images are within the range of a human’s visual perception. In 2008, the global financial crisis made visible the forces and flaws of a society based on an infinite growth economy, as evidenced by ...
PublisherAm Nuden Da2017
Resonator with assumed responsibility of Tyler Coburn & Byron Peters Da is published by Am Nuden Da. It takes its name after the magazine Da founded by Isidore Isou and Serge Moscovici in 1944.
PublisherKein & Aber2014
Das Kapital bin ich: Schluss mit der Digitalen Leibeigenschaft. Das Manifest für alle Internet-Zweifler und Gegner der virtuellen Manipulation. Für alle, deren Fingerspitzen nur noch Touchscreens berühren, die in YouTube verloren gehen und sich Facebook ausgenommen fühlen. Für alle, die sich den AGBs von Google & Co nicht mehr fügen wollen. Es ist Zeit, sich aus der selbstverschuldeten “Digitalen Leibeigenschaft” zu befreien! Der Ökonom Hannes Grassegger zeigt auf, wie wir zu einem neuen Selbstbewusstsein im Umgang mit unseren Daten finden und auch noch Geld daran verdienen. “Holen wir uns, was uns gehört. Wir sind das Internet.”
PublisherAutonomedia2013
The book explores some of the interconnections between art, activism and the business concept of disruptive innovation. With a backdrop of the crisis of financial capitalism, austerity cuts in the cultural sphere, the idea is to focus on potential art strategies in relation to a broken economy. In a perverse way, we ask whether this presents new opportunities for cultural producers to achieve more autonomy over their production process? If it is indeed possible or desirable, what alternative business models emerge? The book is concerned broadly with business as (artistic) material for reinvention, including critical writing and examples of art/activist ...
PublisherThe Funambulist2014
For this podcast, I asked questions to Pamela Brown about the role of debt in American society and the way its very function has been historically affecting, and continues to affect the African-American community in particular. Debt should normally be understood as a mutually beneficial contract but has been transformed into yet another capitalist apparatus of profit making. It functions through an ideology of promise that ensures the conformity of life paths and the perpetuation in the future of the roles in the present society. Once the mechanisms that intertwines debt and race have been exposed, Pamela describes the work ...
PublisherArtFCity2017
The inaugural episode of Explain Me, an art podcast with critic Paddy Johnson and artist William Powhida! A round of woos and hoos please! Explain Me looks at politics, money and the moral of responsibility of artists working in the art world. In this episode, we discuss Documenta’s massive overspending and near bankrupcy, the closure of Bruce High Quality Foundation University, and a new development along the 7 line describing itself as New York’s best installation. We also talk about a few shows we’ve seen recently in Chelsea, Kara Walker at Sikkema Jenkins, Christian Marclay at Paula Cooper, Tom Friedman at Lurhing ...
PublisherArtFCity2017
This week on Explain Me William Powhida and Paddy Johnson chat with Los Angeles Times staff writer Carolina Miranda about David Geffen’s $150 million donation to LACMA and the questions surrounding the gift. Will he bequeath his collection to the museum? Later, we discuss the recent gentrification wars in Boyle Heights, a rather strange description of the non-profit 365 Mission and solicit Miranda’s advice on must-see LA shows!
Real estate history often centers on not just facts and figures but also personalities and professional networks filled with self-made characters that seem to come from fables. But what happens when real estate history’s narrative threads are pulled loose from the warp and weft of the mythologies of the cultivated professional personality? By exploring how the technical operations of financial markets function in an environment colored by personalities and social practices, we can see architecture from a perspective that accounts for the fictions of finance. This article will use three narratives about real estate developers to explain how these stories ...
PublisherMeson Press2019
Markets abound in media. This volume explores the neoliberal histories of the faith in computation prevalent in markets today, confronts the asymmetries and abstractions that characterize money as a medium of markets, and gathers elements for a politically and historically informed media theory of markets, attuned to contemporary phenomena such as cryptocurrencies and high-frequency trading.
MoneyLab is a network of artists, activists, and geeks experimenting with forms of financial democratization. Entering the 10th year of the global financial crisis, it still remains a difficult yet crucial task to distinguish old wine from its fancy new bottles. The MoneyLab network questions persistent beliefs, from Calvinist austerity, growth, and up-scaling, to trustless, automated decision making and (anarcho-)capitalist dreams of cybercurrencies and blockchained solutionism. We consider experiments with digital coops, internet-based payment and network-based revenue models as spaces of political imagination, with an equally important aesthetic program. In this second MoneyLab Reader the network delves into topics like the financialization ...
MoneyLab is part of a global movement that demands the democratization of the design of our financial futures. Audacity is essential in times of crisis. And so we must engage constructively with hackers, entrepreneurs, and other creators who take up the call for economic alternatives. One first step is a map of the present: What works and what doesn’t? What is worth pursuing and what must be left aside? Which histories bear on the present moment? And what are the limits of our economic imagination? The MoneyLab Reader brings developments in crowdfunding, currency design, technologies of payment, and other economic ...
A zine published by The Creative Independent, compiling quotes, excerpts, and recommendations from working artists, all gathered from our archive. Topics covered include making money through your art, financial planning, day jobs, and starting a creative business. Yumna Al-Arashi’s real talk on earning money through your art, Philip Glass on getting paid for what you make, and Ally-Jane Grossan on how to approach financial planning.
PublisherFall Semester2016
Disclaimer: What follows is an attempt to think through a praxis that is directed towards transformative impact on the basis of existing potentialities. The choice of fields that are woven into this strategy brief — finance, human rights and contemporary art — is a product of this author’s direct or tangential involvement in these spheres as a practitioner and researcher. The aim of this strategy brief is to use the mechanics of DIY-theory to engineer an actionable framework…
It is a regrettable honor to introduce this essay by Herman Daly. The honor comes from the importance of Daly’s thought, which is fundamental. The overused word is apt here: Daly has supplied a new foundation for economic thought and practice. In a civilization describable as global capitalism, few intellectual contributions are—or, rather, ought to be—of more consequence. As Karl Polanyi pointed out long ago, capitalism represents a new kind society in the span 0f human history; for us, the economy a k a the market hosts the society, rather than the other way around. Daly’s work in ecological economics ...
PublisherSpike Art Quarterly2015
Real Flow is an ongoing collaboration between Diann Bauer, Victoria Ivanova, Christopher Kulendran-Thomas and Suhail Malik. We do R&D of finance and art. Real Flow offers tailor-made financial solutions for contemporary art by crossing the now wholly permeable and artificially-maintained barriers between art’s markets, markets in general, and art’s flexible and porous semantics. Re-engineering the artwork’s commodity form, this venture tactically integrates art into its diverse channels of exhibition, circulation, and marketization. Financialization’s futurity is operationalized by Real Flow to reconstitute art’s future present and open up new vistas through and beyond capital. The first iteration of it as a project is the inaugural exhibition at K. (formerly P!) at 334 Broome st ...
PublisherMute2016
Progress in autonomy cannot be – nor historically has it ever been – measured in quantitative units. Rather, the need for autonomy is repositioned in relation to society’s political, economic, and cultural developments on an ongoing basis. What do we mean when we speak of ‘autonomy’ and ‘reproduction’ in the field of contemporary art? What kind of objects do these terms encompass, what are their histories, and what internal logical relations can we identify between these concepts? How do they operate in a philosophical discourse about art and in political theory and practice? In this book, Marina Vishmidt and Kerstin Stakemeier ...
‘Carlota Perez’s insightful analysis of the rapid growth and diffusion of new technologies in general, and Information and Communications Technologies (ICT) in particular, is a welcome antidote to the bullish and ahistorical hyperbole of the datacom era. . . Do read the book. It is important. It is accessible. It is well presented. It is also fun.’ – Raphie Kaplinsky, Technovation ‘It was Carlota Perez in the early 1980s, who designated the major changes in technology systems, such as mechanization, electrification or computerization, as ”changes of techno-economic paradigm” a designation which has since been widely adopted. In this book she offers many ...
Succinct, accessible, and authoritative, Thomas Piketty’s The Economics of Inequality is the ideal place to start for those who want to understand the fundamental issues at the heart of one the most pressing concerns in contemporary economics and politics. This work now appears in English for the first time.
PublisherTulips and Roses2012
Published: November 2012 Design: Joseph Miceli, Lina Ozerkina & Friends Published by: Tulips & Roses, Brussels Format: 16 x 24 cm, 32 pages, soft cover, stapled, Color offset printing Number of copies: 300 Price: 5€ Editors: Aurime Aleksandraviciute, Gintaras Didžiapetris and Jonas Žakaitis publications@tulipsandroses.lt

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