Index of Titles Filed Under 'Financial Speculation'

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A Euro Is A Euro Is A Euro: Fieldwork In European Realism appears in issue 2 of Fictional Journal (online only), and is reproduced in the PROPAGANDA pdf document. As a singular embodiment of matter and representation, the Euro-skulptur is as abstract as money, as tangible as cash. An essay and animations analyse the sculpture as a material symbol of the European Union. Euro cash is European Realism, it is a representation of things as they actually are, it is the sincere, un-idealised rendition of con- temporary life in the EU. we normally look at architecture, or more broadly at the built environment, ...
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PublisherZer0 Books2015
The main affirmation of artistic practice must today happen through thinking about the conditions and the status of the artist’s work. Only then can it be revealed that what is a part of the speculations of capital is not art itself, but mostly artistic life. Artist at Work examines the recent changes in the labour of an artist and addresses them from the perspective of performance.
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Artists have continually questioned their status and place in society. The widespread vision of the artist as an outsider from the peripheries of social life, a utopia seeker, a celebrity selling works for millions or an erudite nonconformist who voices his or her opinions in the public debate, has spawned many myths concerning their privileges and obligations in the contemporary world. The exhibition formulates a question about the way artists define their status and position in the realm of an ever-widening economic gap: that of the possibility to reconcile dreams of social justice with the needmof artistic freedom and autonomy. At the same time, the show highlights the tension between artists’ rather ...
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PublisherKein & Aber2014
Das Kapital bin ich: Schluss mit der Digitalen Leibeigenschaft. Das Manifest für alle Internet-Zweifler und Gegner der virtuellen Manipulation. Für alle, deren Fingerspitzen nur noch Touchscreens berühren, die in YouTube verloren gehen und sich Facebook ausgenommen fühlen. Für alle, die sich den AGBs von Google & Co nicht mehr fügen wollen. Es ist Zeit, sich aus der selbstverschuldeten “Digitalen Leibeigenschaft” zu befreien! Der Ökonom Hannes Grassegger zeigt auf, wie wir zu einem neuen Selbstbewusstsein im Umgang mit unseren Daten finden und auch noch Geld daran verdienen. “Holen wir uns, was uns gehört. Wir sind das Internet.”
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PublisherAutonomedia2013
The book explores some of the interconnections between art, activism and the business concept of disruptive innovation. With a backdrop of the crisis of financial capitalism, austerity cuts in the cultural sphere, the idea is to focus on potential art strategies in relation to a broken economy. In a perverse way, we ask whether this presents new opportunities for cultural producers to achieve more autonomy over their production process? If it is indeed possible or desirable, what alternative business models emerge? The book is concerned broadly with business as (artistic) material for reinvention, including critical writing and examples of art/activist ...
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PublisherData Arbitrage2015
DataArbitrage was a program that generated money by selling personal data and using that money to purchase fake social media accounts. DataArbitrage then sold the data from the fake social media accounts, bought new social media accounts and commenced a process of data arbitrage whose result was the dilution of useful data due to the overabundance of fake personal information. … Through DataArbitrage, we can undermine the value of data, until it becomes too uncertain and too costly for companies to collect and understand. When the cost to collect a terabyte of data surpasses its value, then the data economy will stop running. Our analysts have ...
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This publication accompanies the exhibition The End of Money (22 May – 7 August 2011), curated by Juan A. Gaitán, assisted by Amira Gad, at Witte de With, Center for Contemporary Art (Rotterdam, The Netherlands). The book includes a number of contributions that extend the exhibition proper beyond its self-contained existence in the gallery space. In this respect, it is also a vehicle through which the exhibition can find different discursive grounds for exploring the theme of the end of money, both as a literary and as an iconographic motif. Beyond the aforementioned essays by Dessislava Dimova, Donatien Grau, and ...
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Headless, an exhilarating murder-mystery by the elusive K. D., probes the sordid secrets and sinister deeds of powerful financiers who use Caribbean firms to conceal their fortunes. The novel begins with workaday author John Barlow agreeing to ghostwrite a novel about secretive tax havens. Barlow assumes the job will be a no-brainer. But then his eccentric employers, Swedish conceptualist artist duo Goldin+Senneby, ask him to investigate Headless Ltd., a shadowy company with possible links to the French philosopher Georges Bataille, known for his obsession with human sacrifice. Barlow travels to Nassau, Bahamas, the glitzy mecca of offshore finance, and begins ...
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PublisherMeson Press2019
Markets abound in media. This volume explores the neoliberal histories of the faith in computation prevalent in markets today, confronts the asymmetries and abstractions that characterize money as a medium of markets, and gathers elements for a politically and historically informed media theory of markets, attuned to contemporary phenomena such as cryptocurrencies and high-frequency trading.
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At the 8th edition of the MoneyLab conference, hosted by Aksioma – Institute for Contemporary Art, Nika Mahnič interviewed RYBN about their work as a part of the Tax havens: Normalized Grand Theft panel. RYBN is an artist collective formed in 1999 that has, over the past years, researched the economy and the global financial system in their contemporary manifestations, thus offering a privileged vantage point from which one can view the transformations brought about by cybernetics. In this interview, they delve into their background, their achievements in databasing, the golden passport phenomenon and why offshoring was and remains a ...
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PublisherFall Semester2016
Disclaimer: What follows is an attempt to think through a praxis that is directed towards transformative impact on the basis of existing potentialities. The choice of fields that are woven into this strategy brief — finance, human rights and contemporary art — is a product of this author’s direct or tangential involvement in these spheres as a practitioner and researcher. The aim of this strategy brief is to use the mechanics of DIY-theory to engineer an actionable framework…
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PublisherSpike Art Quarterly2015
Real Flow is an ongoing collaboration between Diann Bauer, Victoria Ivanova, Christopher Kulendran-Thomas and Suhail Malik. We do R&D of finance and art. Real Flow offers tailor-made financial solutions for contemporary art by crossing the now wholly permeable and artificially-maintained barriers between art’s markets, markets in general, and art’s flexible and porous semantics. Re-engineering the artwork’s commodity form, this venture tactically integrates art into its diverse channels of exhibition, circulation, and marketization. Financialization’s futurity is operationalized by Real Flow to reconstitute art’s future present and open up new vistas through and beyond capital. The first iteration of it as a project is the inaugural exhibition at K. (formerly P!) at 334 Broome st ...

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