Index of Titles Filed Under 'Graphic Design'

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PublishersInventory PressO-R-G2020
A *New* Program for Graphic Design is a DIY textbook that synthesizes the pragmatic with the experimental to convey advanced graphic design principles in an understandable form for students of all levels as well as general readers. Rooted in three courses (Typography, Gestalt, and Interface) originally developed for liberal arts students at Princeton University, the book provides a broad introduction to graphic design and visual literacy, from Benjamin Franklin to Bruno Munari, Moholy-Nagy to Muriel Cooper and the Macintosh computer. Through a series of in-depth historical case studies and assignments that progressively build in complexity, the book serves as a practical guide ...
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PublisherStrelka Press2020
Art director, illustrator, and concept designer for such titles as “Ghost in the Shell”, “Captain Marvel” and “Assassin’s Creed” Ash Thorp develops a storyline through his work process, dwells on his favourite tools for animation and 3D-renderings, shares tips on self-organisation and destroys the myth of creative block. Books Ash mentions: “Mastery” by Robert Green, “Eat That Frog” by Brian Tracy, “The War of Art” by Steven Pressfield, “Damn Good Advice” by George Lois, “Manage Your Day to Day” by 99U. The lecture took place at Strelka in 2019 as part of “In Other Worlds” annual event series. To watch the ...
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PublisherWeiyi Li2011
BIG AND USELESS and NOW are two projects based on the Inline Futura typeface drawn by Weiyi Li in 2011. This title was included in Library Stack as part of the collection Open Font License, by Bryce Wilner.
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PublisherDavid Bennewith2016
bRAZIL: motivated by a tag seen on the wall of an Amsterdam fondue cafE toilet in 2010. Designed in collaboration with Bram van den Berg. This work is licensed under an SIL Open Font License (OFL). For details see here http://scripts.sil.org/OFL For a free printed type specimen, send a self addressed, return envelope to: Colophon, Willemsstraat 32, 1015 JD Amsterdam, The Netherlands.
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PublisherTalk is Cheap2019
Brendan Griffiths is a graphic designer, programmer, and educator living and working in New York City. He is a partner in the design practice Zut Alors!, and currently serves as Assistant Professor of Interaction Design at Parsons School of Design, where he directs the Master of Professional Studies in Communication Design. He holds a BFA in Multimedia Design from the University of Oregon and an MFA in Graphic Design from Yale University. In this ep we talk about how sound is the new graphic design. Some very radical shit!
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PublisherThe Serving Library2017
This issue comprises various outlooks on “perspective.” This might be taken to mean something as specific as a particular opinion or as general as an axonometric projection; in short, different ways and means of looking at the world. And so we find Vincenzo Latronico attempting to get in touch with E.T., a collection of Lucy McKenzie’s illusory quodlibets, a conversation between Jumana Manna and Robert Wyatt on art and ethics, a timely analysis of “Lifestyles of the Rich and Famous” by Sarah Demeuse, along with other points of view from Mark de Silva, Jocelyn Penny Small, Abigail Reynolds, James Langdon ...
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PublisherTalk is Cheap2019
Here Chris shares his music based in iPhone recorded found sounds, and talk about how this might act as testing ground for a his visual practice.
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Digital Materiality in the Age of Design Systems Parsons Communication Design Symposium In an increasingly homogenized interaction design landscape, how can we continue to craft unique digital experiences? As designers, how do we retain agency and ownership over a process which has become progressively atomized? The past several years have seen the rise of design systems and frameworks along with toolchains and build processes which have dramatically expanded the complexities of designing and developing for screen. Design and engineering roles have splintered and specialized, with large teams becoming the norm for producing digital artifacts at any scale. The net result has been a profusion ...
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PublisherMicrosoft2017
In late April, the Emirate of Dubai announced the release of its eponymous typeface, designed in conjunction with Microsoft and Monotype, which is both openly downloadable and bundled with Microsoft Office. A strikingly generic sans-serif built for some 23 languages, the typeface is designed to be easily read on any screen, at any size. It is marketed in the dramatic language of too-serious PR campaigns) as simultaneously urban, global, ancient and modern: it aims to synthesize Dubai’s architectural futurism with heritage characters both Latin and Arabic. Like its namesake, the Dubai font wants to be anything for everyone — the Helvetica ...
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PublisherBryce Wilner2017
Fälschungsershwerende Schrift is a font in one weight originally drawn by Karlgeorg Hoefer in 1978. This version is based on a specimen that was published with the essay “Fälschungsershwerende Schrift” by Benjamin Tiven.
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PublisherNazli Ercan2018
“Helvetica Placed on Arial (in Illustrator)” is a typeface that comes in two styles: Minus Front and Minus Back. Minus Front subtracts Helvetica from Arial (in Illustrator) and Minus Back subtracts Arial from Helvetica (in Illustrator). Below are the steps used for designing this typeface: 1- Set the entire glyph set in 50 pt Helvetica in Illustrator. 2- Set the same glyph set also in 50 pt Arial in Illustrator. 3- Place Helvetica glyph set on Arial Glyph set. 4- Expand both glyph sets. 5- Ungroup both glyph sets. 6- For each glyph, center align the Helvetica and the Arial versions both horizontally and vertically. 7- For achieving ...
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A podcast series by Eric Li and Jonathan Zong

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