Index of Titles Filed Under 'Historiography'

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PublisherNEWPALMYRA2015
NEWPALMYRA is: A Digital Archaeology project, collecting data from international partners, analyzing it, creating a reconstruction of Palmyra in virtual space, and sharing the models and data in the public domain. We are using digital tools to preserve the heritage sites being actively deleted by ISIS. A Cultural Development project, hosting live workshops and building a network of artists, technologists, archaeologists, architects, and others to research, construct models, and create artistic works. A Curatorial project, creating exhibitions and experiences in museums and institutions globally, celebrating the cultural heritage of Syria and the world through the lens of architecture embodying culture and power. Together with ...
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PublisherFiktion2016
Amanda Susan Marie Hollis has been given the task of archiving the life of a work-shy librarian who worked at Harvard shortly after it was founded. The entanglements of history and life prove extremely hazardous and full of criminal misdeeds. What have the conquest of America, the Vinland Map, Mongolian hordes, Spanish monks, and the disappearance of a chandelier got to do with one another? Is Hollis a brilliant researcher or is she going nuts? Is there a truth beyond what can be archived? Nenik’s novel reads as a phantasmagoric prehistory of Google. Coin-Operated History has been translated from the ...
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PublisherMACBA2019
In this text, Maite Garbayo-Maeztu seeks to think some of the first performances taking place in the 1970s in Spain, along with occupations of the street by feminist activism at the time. Artists like Dorothèe Selz, Fina Miralles, Àngels Ribé and Olga L. Pijoan would use veils, occultations and alterations that invited viewers to go beyond visuality.
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PublisherDroste Effect2019
Published on occasion of Débora Delmar’s exhibition Stressed, Blessed and Coffee Obsessed at Gallleriapiù, Bologna. Starting from Débora Delmar’s portfolio, Daniel Garza Usabiaga narrates the pivotal events and turning points in the artist’s career. Narrative Portfolio is one of three formats in Droste Effect’s publication Bulletin. Narrative Portfolios are aimed at investigating the practice and personal taste of international established artists.
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Publishere-flux2020
It’s yet uncertain what the lasting legacy of 2020 will be. “The tradition of the oppressed teaches us,” Walter Benjamin wrote in 1940, “that the ‘state of emergency’ in which we live is not the exception but the rule.” We already know that in the US, the summer of 2020 will be remembered for its sustained state of emergency, when we emerged from stratified isolation and convened, in the millions, in the streets to affirm that black lives matter, that black breath is stolen at an overwhelmingly higher scale by the pandemic and by the largely extralegal military organization known ...
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Publishere-flux2020
Who remembers the title of last year’s Venice Biennale? One long year and change later, it seems that nobody’s worst enemy could have made a threat, a promise, or a curse that we may live in times quite as … “interesting” as the ones we find ourselves in now. Arguably, anyone paying even the most distant attention to 2019—or to history and the evolving present in general—could have foreseen what we were heading towards. It’s hard to imagine, though, that someone could have envisioned just how deadly fascinating these times would turn out to be. In any case, here we are. ...
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PublisherHatje Cantz2012
The Gift of the Past 1. History is layered. But the layers are not stacked neatly. The disrupting force of the present puts pressure on the past, scattering pieces of it forward into unanticipated locations. No one owns these pieces. To think so is to allow categories of private property to intrude into a commonly shared terrain wherein the laws of exclusionary inheritance do not apply. The history of humanity demands a communist mode of reception…
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PublisherFailed Architecture2018
Albert Speer is one of the most infamous architects in history. During his time working for the Nazi Party he was responsible for designing the Reich Chancellery and the Zeppelinfeld stadium in which the Nuremberg rallies took place, as well as being in charge of Germany’s war production during the Second World War and being slated to plan the massive reconstruction Berlin as Germania. Yet by emphasising his detachment from the general conditions he was able to avoid the death sentence after the war. While his is an extreme example, it offers a compelling jumping off point to explore the wider ...
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PublisherHatje Cantz2012
There are five kinds of ruins. 1. There are romantic ruins, old castles and fortresses, temples and churches. They were destroyed by the passage of time, by becoming useless and irrelevant. These vast edifices whence the gods have fled are witness to the vacuity of aristocratic warrior virtue, royal glory, ecclesiastical authority, chivalry and gallantry as well as chastity, (self-imposed) poverty and obedience. The ancient junk now devoid of aura, halo and charisma is collected in museums, its context smashed: altarpieces mounted on walls, watched by schoolboys admiring the rump of Mary Magdalen. Romantic ru- ins are the first instances of non-beautiful ...
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PublisherThinkbelt2019
Tracing the change in scope of political responsibility in Botswana amidst unchecked development, anthropologist Julie Livingston offers an urgent parable for understanding the world as a web of relationships that condense past, present, and future.
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PublisherThinkbelt2019
Tracing the change in scope of political responsibility in Botswana amidst unchecked development, anthropologist Julie Livingston offers an urgent parable for understanding the world as a web of relationships that condense past, present, and future.
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PublisherLibrary Stack2019
MILTON FANGLINN: My name is Milton Fanglinn. I don’t teach, no. I work in the antiquities industry as a kind of. . . well let’s say a freelance scholar. I run a small consulting business, first out of New York but now from London, authenticating and researching the provenance of ancient objects in the field. Most of these don’t things have paper- work, or known owners, and are probably never going to be seen by the public. I have worked discreetly for many of the finest museums in the world, none of which would ever want its competitors to know ...
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PublisherLateral Addition2014
Music for The Memphis Group was written in late 2013, inspired by the Milan design collective of the same name. The work produced by the association of international artists – active between the years 1981 and 1987 – playfully engaged in hypothetical and pragmatic applications (furniture, apparel, sculpture, kitchenware) for emerging global resources, both synthetic and organic, rare and commonplace. The loud colors, plastic laminate, and asymmetrical patterning was intended in part as a rejection of dominant Modernist aesthetic ideals of the time – ideals that still hold over today in contemporary attitudes concerning clean, “essentialist” design. The Memphis Group’s willful, ...
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How do the many persons who populate the narratives of architectural history as embodiments affect the temporalities ascribed to buildings and projects?
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PublisherHatje Cantz2012
My dear friend, Quite some time has passed since my last letter, and there are a few urgent matters that I would like to tell you about. One day, when I was writing the place-name “Kassel” on my smartphone, I made a mistake and the word was automatically corrected by the intelligent digital device to “Kabul.” This made me think of the conflicted relationship between the technologies of communication on the one hand, and intentionality and language on the other. In turn, that made me think about conflicts in general (that is, not just war), and then about the destruction of art ...
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PublisherThe Funambulist2014
As discussed in the previous conversation with Alejandro Grimson, Argentina is built on a myth of Europeanness, thus concealing its indigenity from its national narrative. This conversation with Axel Lazzari introduces us to the historical and current political situations of the indigenous populations in Argentina. We begin by addressing the very terminology we use and the power of naming as a means of control. Axel then provides us with a short account of the European colonization of the indigenous land, subsequently enforced by the mapping of the territory. We look at the three historical maps below to understand the controlled ...
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PublisherThe Funambulist2013
Every publishing house constructs an editorial line of its own. Sometimes it has to do with the topic, sometimes with a question, sometimes with the authors… In the case of punctum books however, the editorial line is to be found in the failure of the book it publishes to properly take place into a given academic category. The manifesto that lies behind such choice is the topic of the conversation I had with Eileen. The not-so-well-known (at least for me) medieval era meets the scheme of the archipelago dear to this platform, as we imagined together a non-institutionalized university where ...
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PublisherSaraba2014
It may seem appropriate, or perhaps by coincidence, that in 2014, the year that marks the amalgamation of Nigeria, Saraba begins with a look at History. This prompts me to pause and consider the static nature of the past, its influence of the present, and repercussions for the future. The more I consider History, the more I consider History as made; the more I consider History’s multiplicity. In this issue, our contributors unravel the making and remaking of experiences, of History. From the personal, from the collective, there is a sense that history is not a one-off event. It is in constant ...
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On this week’s episode of Scratching the Surface, I’m joined by the design writer Steven Heller! Heller is the author or co-author of over one hundred books on design and visual culture, co-chair of the School of Visual Arts MFA Designer as Author program, and helped start SVA’s Design Criticism and Interaction Design programs. Steven and I talk about his career, design writing, and why most publications don’t need graphic design critics.
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PublisherRabRab Press2014
Published in Tbilisi, in 2014, Sezgin Boynik’s Still Stealing Steel is historical-materialist study of avant-garde zaum language. The book actualises the most radical and subversive promises of Futurist zaum experiments made at the beginning of XX century in Russia and Georgia.
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PublisherThe Funambulist2014
This conversation is the last one from the series of podcasts recorded on the US/Canadian West Coast. Kamal Arora brings us to Delhi where the research for her dissertation is set. From an introduction about female bodies navigating at risk in the public space, we focus more specifically on one space, called ‘the widow colony.’ The widows are women who saw their husbands killed during the 1984 massacre against the Sikh population consequently from the assassination of Prime Minister Indira Gandhi. Together, we examine how the physicality of this urban village partially determine the politics of its daily organization and ...
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PublisherThe Funambulist2014
This conversation with Sophia Azeb is the first of a series recorded along the American and Canadian West Coast. Sophia and I talk about our frustrations to see the lack of imagination offered by the “solutions” (a highly problematic term) often given to end what remains problematic to call “the Israeli-Palestinian conflict.” In opposition to the traditional “two-state solution” and “one-state solution,” Sophia proposes a “no-state solution,” that refuses the recognition of any property on the land and thus, state-sovereignty. We talk about the land being practiced by the bodies, and the bodies being fragments of the land, through a ...
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PublisherThe Funambulist2014
In this podcast, Renisa Mawani introduces her current work that uses the migrant ship Komagata Maru to address migration within its legal and temporal dimensions. We then continue this conversation by examining the arguments she made in the 2012 article “Law’s Archive,” which examines the available means to archive law within the collective narrative that the archive constitute. This means are politically and physically determined in such a way that the indigenous contribution — not always textual for instance — to this collective narrative cannot fully take part in it. This conversation has therefore for goal to challenge the way we commonly understand ...
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Publisheronestar press2002
Lewis Baltz asked Vier5 to re-interpret his story of the Deaths in Newport. The story is about a famous trial during the forties in Baltz’s hometown in California and his biographical connections to the trial. Vier5 retold the story through graphic design.
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PublisherKunsthalle Wien2015
The exhibition The Future of Memory is accompanied by an e-book, available as a free download here. The publication introduces essays by Clint Burnham, Michael Connor, and Nicolaus Schafhausen, alongside a detailed presentation of the works exhibited in the show, written by co-authors Marie Egger, Emilie Lauriola and Vanessa Joan Müller. Digital communication and virtual interlacing shape our world today and influence our collective memory. Remembering the past, experiencing the present and imagining the future all meld to become part of a seemingly equivalent imagery in digital space. The Future of Memory critically challenges constructions of reality and investigates the conditions ...

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