Léopold Lambert met with Indigenous Lakota activists Madonna Thunder Hawk and Marcella Gilbert during their passage in France to present Christina D. King and Elizabeth A. Castle’s film Warrior Women that portrays their struggle over two generation — Madonna is Marcella’s mother. In this conversation, we talked about four episodes of Indigenous resistance in Turtle Island (North America): the occupations of Alcatraz (1969), Mount Rushmore (1971), Wounded Knee (1973) and Standing Rock (2016), all of which were experienced by Madonna. Madonna Thunder Hawk is an Oohenumpa Lakota. Born and raised across the Oceti Sakowin homelands, she first became active in the late 1960s ...

Hunger, the third episode of the series Ages of Receivership: On Generous Listening, is based on an online conversation by xwélmexw (Stó:lō/Skwah) artist, curator, writer and Canada Research Chair in Indigenous Arts at Queen’s University Dylan Robinson with Quinn Latimer. Dylan Robinson’s work spans the areas of Indigenous sound studies and public art, and takes various forms, offering him a space to integrate the sonic, visual, poetic, and material that are inseparable in Stó:lō culture. The series Ages of Receivership: On Generous Listening emerges from the spring 2022 Master Symposium at the Institute Art Gender Nature, moderated by Chus Martínez and ...

This week we’re back in the studio visiting an artist. Alan Michelson is a New York based artist and Mohawk member of the six nations of the grand river, a Haudenosaunee community in Southern Ontario. Alan is an astute and passionate student of history – an incredible fountain of historical facts, figures, and stories. His public art, installations, and time-based media works serve as moments where archival, appropriated, and newly captured imagery blend and give us a lens into the latest focus of Alan’s voracious appetite for history, often surfacing indigenous voices, perspectives, and truths that have been silenced for ...

The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds,’ and the art of creating new ones through a particular use of our imagination.

In this conversation, we talk about Harsha Walia’s new fantastic book, Border and Rule: Global Migration, Capitalism, and the Rise of Racist Nationalism (Haymarket, 2021), which draws an international map of the border imperialist regime in its geographic, historic, and legal complexities. We then proceed in trying to envision the various forms of internationalist solidarities that emerge in the struggle against this global regime, following in particular Indigenous and/or Black resistance. Harsha Walia is the award-winning author of Undoing Border Imperialism (2013). Trained in the law, she is a community organizer and campaigner in migrant justice, anti-capitalist, feminist, and anti-imperialist movements, ...

Annie Pootoogook: Life & Work traces the artist’s life from her youth at the West Baffin Eskimo Co-operative’s Kinngait Studios, where she began drawing in 1997, predominantly in ink and crayon, to her death in 2016. The book explores how in addition to depicting scenes of everyday life in the North—including people watching TV, playing cards, shopping, or cooking dinner—Pootoogook depicted such subjects as alcoholism, domestic abuse, food scarcity, and the effects of intergenerational trauma. In 2006 Pootoogook was the recipient of Canada’s Sobey Art Award, an important early career achievement that recognized the artist’s singular vision. The award led to her ...

The Anthropocene Issue is a special series of short videos shot during the “Anthropocene Curriculum,” campus held at Haus der Kulturen der Welt, Berlin, from November 14 to 22, 2014. The program brought together more than a 100 people from various disciplines around a series of workshops, presentations, and talks. It included, among many others, specialists in climatology, geography, law, history of science and technology, architecture, and art to discuss the concept of the Anthropocene. This special series presents the week-long gathering with a set of close-ups, interviews, group discussions, and informal conversations with some of its participants, launched over two ...

This conversation with Nina Valerie Kolowratnik is divided into two parts. The first one consists in the description of her work to engage the dilemma that the Native American tribe of Jemez Pueblo faces in the lawsuit they filed against the United States to regain ownership over parts of their ancestral homeland in New Mexico. The dilemma for the tribe consists in either documenting and revealing their use of the land and the secret ritual practices linked to it, or not being able to produce any valid proof for the standards of a Western court. Her architectural expertise allows Nina ...

In this podcast, Renisa Mawani introduces her current work that uses the migrant ship Komagata Maru to address migration within its legal and temporal dimensions. We then continue this conversation by examining the arguments she made in the 2012 article “Law’s Archive,” which examines the available means to archive law within the collective narrative that the archive constitutes. The archive’s means are politically and physically determined in such a way that indigenous contributions—not always textual for instance—to this collective narrative cannot fully take part in it. This conversation therefore has a goal to challenge the way we commonly understand the notion of ...

This episode features some of the most forward-thinking contemporary musicians and visual artists currently based in the Bay Area. There is an unspoken blueprint in the Bay Area arts and music communities allowing artists an organic crossover between practices and languages. A hybridizing of mediums that arises from spaces of deep experimentation. From the Bay Area’s openness and curiosity to the limitations of physical spaces to work and gather in – leading to the creation of multipurpose spaces that host artists across visual art, performance, and music, thus resulting in crossovers. Each in their unique way, the artists featured in this episode ...

This SDUK broadsheet is the first to follow The Work of Wind: Air, Land, Sea, a ten-day contemporary art festival engaging with climate change, environmental crisis, and resilience which took place in Mississauga’s Southdown Industrial Area in September 2018. Taking BEARING as its theme, this issue turns our attention to alienation, affect, anxiety, and questions of responsibility and resilience. For curious readers of all persuasions—those new to the project and those who have been following its year-long unfurling—here are some places to begin: If you are wondering how can we enact responsibility to humans and nonhumans in bleak political and ecological ...

Quito Swan’s forthcoming book Pasifika Black: Oceania, Anti-colonialism, and the African World (NYU Press, March 2022) beautifully encompasses the type of internationalist solidarity our 39th issue The Ocean… From the Black Atlantic to the Sea of Islands would like to convey. As such, this interview about the struggles of liberation in Melanesia (in particular West Papua, Kanaky, and Vanuatu) constitutes a cornerstone of the issue, for which we are deeply grateful to Quito. Hailing from the island of Bermuda, Quito Swan is Professor of African American and African Diaspora Studies at Indiana University Bloomington. An award-winning historian of Black internationalism, he ...