Index of Titles Filed Under 'Labor'

PublisherPrinted Matter2011
The time clock is a device for the material worker. It ticks away, minute by minute, hour by hour over the course of each and every day. In the olden days the work completed was equal to the material proof at the end of eight hours. Today, the immaterial worker does not have the same symbiotic relationship with the time clock. The time clock for the immaterial worker is irrelevant because they work continually. And they work on what is most expected of them: the constant flow of ideas. Their time is not measured in concrete things. It is measured ...

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Fokus Grupa is an artist collective based in Rijeka, Croatia, founded by Iva Kovač and Elvis Krstulović in 2009. Borrowing their name from a contested research method, used equally for independent research as for PR purposes, they point to the social, economical and political frames of the art field. Their practice is collaborative and interdisciplinary, and it includes art, design and curating. Artistic strategies they use take political shape, without becoming a representational form of ‘political art’. Fokus Grupa concentrates on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates ...

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Fokus Grupa is an artist collective based in Rijeka, Croatia, founded in 2012. Borrowing their name from a contested research method, used equally for independant research as for PR purposes they point to the social, economical and political frames of the art eld. Their practice is collaborative and inter- disciplinary, and they work across art, design and curating. Fokus Grupa concentrate on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates the inherent power structures of the art system. To this effect, they explore its economic, ...

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Episode 1: Austerity Mareike Dittmer, Stefanie Hessler, Natascha Sadr Haghighian in conversation with Chus Martínez and Quinn Latimer. Promise No Promises is a podcasts series produced by the Women’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation CH. The Women’s Center for Excellence is conceived as a think tank tasked to assess, develop, and propose new social languages and methods to understand the role of women in the arts, culture, science, and technology, as well as in all knowledge areas that are interconnected with the field of culture today.

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Gustave de Kervern, Benoît Delépine, Erkko Kivikoski, et alHippolyte-Prosper-Olivier Lissagaray, Jeanne Neton, Peter Åström, Full Unemployment Cinema
CONTENTS: 1/ About on the lms 2/ How One Can Still Put Forward Demands When No Demands Can Be Satis ed by Jeanne Neton and Peter Åström 3/ Lissagaray: History of the Paris Commune of 1871 Chapter XVII, Women of the Commune and the opposing armies 4/(in between) excerpts from: http://libcom.org/news/french-workers-continue-bossnapping-26072009, http://www.guardian.co.uk and http://hrlori.com/bossnapping/

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PublisherThe Funambulist2014
Nick Caverly received me in Detroit a day after I arrived in the city whose population and economy has been drastically shrinking for the last decades and is now populated with a multitude of ruins and empty lots. We discuss about the governance of the city that is now piloted by an “Emergency Finance Manager,” who reduced public service to a worrisome level, mostly detrimental to the most impoverished populations of the city. We also talk of the newcomers in the city, the white “creative class,” which, despite a commendable optimism tends to develop an imaginary that omit the existence ...

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PublisherFailed Architecture2018
Albert Speer is one of the most infamous architects in history. During his time working for the Nazi Party he was responsible for designing the Reich Chancellery and the Zeppelinfeld stadium in which the Nuremberg rallies took place, as well as being in charge of Germany’s war production during the Second World War and being slated to plan the massive reconstruction Berlin as Germania. Yet by emphasising his detachment from the general conditions he was able to avoid the death sentence after the war. While his is an extreme example, it offers a compelling jumping off point to explore the wider ...

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PublisherPrinted Matter2012
Working Artists and the Greater Economy began as a conversation between a small group of friends, some of whose work had generated noticeable cultural capital, asking each other: why are we always broke, and from which of our multiple jobs are we deriving our income? Why do exhibitors want to work with us, show our work, want us in magazines, to do performances, but won’t financially compensate us for the labor it takes to maintain our cultural capital?

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The history of industrial films – an orphan genre of twentieth-century cinema composed of government-produced and industrially sponsored movies that sought to achieve the goals of their sponsors, rather than the creative artists involved – seems to have left no trace in filmic cultural discourse. At its height the industrial film industry employed thousands, produced several trade journals and festival circuits, engaged with giants of twentieth-century industry like Shell and AT & T, and featured the talents of iconic actors and directors such as Buster Keaton, John Grierson and Alain Resnais. This is the first full-length book, anthology, and annotated ...

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The authors reflect on the relationship between labor and technology in urban space where communication, attention, and physical movement generate financial value for a small number of private stakeholders. Online and off, Internet users are increasingly wielded as a resource for economic amelioration, for private capture, and the channels of communication are becoming increasingly inscrutable. Liu and Scholz ask: How does the intertwining of labor and play complicate our understanding of exploitation?

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Herman Melville, Timothy J. Deines, Anthony Friedman
I am a rather elderly man. The nature of my avocations for the last thirty years has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom as yet nothing that I know of has ever been written:—I mean the law-copyists or scriveners. I have known very many of them, professionally and privately, and if I pleased, could relate diverse histories, at which good-natured gentlemen might smile, and sentimental souls might weep. But I waive the biographies of all other scriveners for a few passages in the life of ...

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A zine published by The Creative Independent, compiling quotes, excerpts, and recommendations from working artists, all gathered from our archive. Topics covered include making money through your art, financial planning, day jobs, and starting a creative business. Yumna Al-Arashi’s real talk on earning money through your art, Philip Glass on getting paid for what you make, and Ally-Jane Grossan on how to approach financial planning.

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Precariousness increasingly defines the conditions, under which people in all different fields pursue their work. Yet it is not only work, but also living conditions that have become precarious for more and more extensive portions of the European population. The present edition of the republicart web journal deals with more recent attempts to counter non-self-determined precariousness with the means of art and activism, bringing a self-determined turn to the term. In the practices of the Precarias a la Deriva in Madrid, the Glücklichen Arbeitslosen in Berlin, the French Intermittents, the May Day Parades in Barcelona and Milan, or the Italian ...

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Accounts of new media working conditions draw heavily on two polarised stereotypes, veering from techno-utopianism on the one hand, to a vision of webworkers as the new ‘precariat’, victims of neo-liberal economic policies on the other. Heralded from both perspectives as representing the brave new world of work, what is striking is the absence of research on new media workers’ own experiences, particularly in a European context. This INC commissioned research goes beyond contemporary myths to explore how people working in the field experience the pleasures, pressures and challenges of working on the web. Illustrated throughout with quotations from interviews, ...

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PublisherMeson Press2015
Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.

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Jayne Loader, Luce Irigaray, Carla Lonzi, et alMonique Wittig, Maya Andrea Gonzalez, Chantal Akerman, Syn Guérin, Catherine Lahourcade
Kate Millett parle de la prostitution avec des féministes, 1975 by Syn Guérin & Catherine Lahourcade (France, 20mins) TBC   Saute ma ville, 1968 by Chantal Akerman (Belgium, 13mins)   Jeanne Dielman, 23 Quai du Commerce, 1080, Bruxelles, 1975 by Chantal Akerman (Belgium, 201mins)   http://unemployedcinema.blogspot.com/

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