Index of Titles Filed Under 'Law'

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‘Eavesdropping: A Reader’ addresses the capture and control of our sonic world by state and corporate interests, alongside strategies of resistance. For editors James Parker (Melbourne Law School) and Joel Stern (Liquid Architecture), eavesdropping isn’t necessarily malicious. We cannot help but hear too much, more than we mean to. Eavesdropping is a condition of social life. And the question is not whether to eavesdrop, therefore, but how. Published by City Gallery Wellington in association with Liquid Architecture and Melbourne Law School, on the occasion of the exhibition Eavesdropping, curated by James Parker and Joel Stern, at City Gallery Wellington, 17 August–17 ...
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PublisherThe Funambulist2014
Lucy and I start this conversation around the legal strategies at work in contemporary India. Between the eminent domain, legal reminiscence of the colonial era used by state-backed developers, and the immanent domain that informal settlements constitute for their own survival in the city, we discuss about how law and its spatial practices can be used as political strategies. We also evoke William Burroughs’s fictitious territory of the Interzone as the place of suspension of the law, the thickness of the diagrammatic line designed by legal architects, a liminal space where one can deliberately inhabit, but where others are forced into. Lucy completed ...
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PublisherInhabitants2017
For An Oil Free Future is a mini-series of protest videos against fossil fuel prospection and extraction (oil and natural gas) off the Portuguese coast (offshore) and in land (onshore) through fracking. Synopsis: In a dystopian future in which oil extraction has become a catastrophic reality in Portugal, a citizen-journalist looks back and questions how it was possible to go ahead with such plans. Over the last few years, and particularly in 2015 under the former PSD/CDS-PP right-wing government, several contracts were signed between the Portuguese State and major oil companies (Galp, Partex, Repsol, Eni, Australis, Cosmos and the controversial Portfuel). The matter ...
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PublisherThe Funambulist2015
This conversation is the first one of an Archipelago series in the Western Balkans. Recorded in Sarajevo with Selma Porobić, it introduces the historical context of the 1992-1995 war in Bosnia and Herzegovina, the ethnic cleansing of the Bosniak population by the Serbian militias, and the 2 million displaced people inside and outside the country. Twenty years after the Dayton Peace Agreements, many refugees have not yet returned, often because of local and regional strategies discouraging if not preventing this return. The second part of the conversation addresses the geographical position of the Western Balkans, at the gates of “Fortress ...
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PublisherThe Funambulist2017
This conversation with Eyal Weizman was recorded in February 2017 in order to be featured as a main component of the 12th issue of The Funambulist Magazine, entitled “Designed Destructions.” In it we address both descriptively and analytically the work of Forensic Architecture, a research agency at Goldsmiths, University of London, that he founded and directs, gathering architects, artists, filmmakers, and authors to investigate geopolitical crimes in which architecture or territorial components can be approached as witnesses and evidences. Although the agency’s investigations involves a variety of geographies (Guatemala, Syria, Serbia, Pakistan, etc.), this conversation mostly focuses on Palestine in general, and ...
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This book is a collection of thirty-five texts from the first series of guest writers’ essays, written specifically for The Funambulist weblog from June 2011 to November 2012. The idea of complementing Lambert’s own texts on his blog with those written by others originated from the idea that having friends communicate with each other about their work could help develop mutual interests and provide a platform to address an audience. Thirty-nine authors of twenty-three nationalities were given the opportunity to write essays about a part of their work that might fit with the blog’s editorial line. Overall, two ‘families’ of texts emerged, ...
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PublisherUrbanomic2014
In an epic trawl through the heroic narratives of Hollywood action movies, TV crime drama, and their maverick protagonists, from The Maltese Falcon to Dexter via 24, Amanda Beech explores the depiction of law, violence, and the politics of contingency, and asks what the resolute actions of these heroes have to tell us about conceptions of the political force of culture.
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PublisherInhabitants2016
This episode, set within the context of inhabitants’s collaboration with Contour Biennale 8, weighs the fiction of allegorical images against the concept of the legal fictitious person. In particular, it puts in perspective the abstract body of Justice in relation to the status attributed to corporations for juridical purpose under the United States code of law. Set to the tone of feminist post-punk bands and composers, we draw on a recent US Supreme Court legal case that granted religious rights to a corporation called Hobby Lobby, which allowed it to deny its federal obligation to provide contraceptive healthcare to its female employees. ...
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The first bill proposed by freshman Congressman Jim Banks (Indiana’s 3rd) was the Visa Investigation and Social Media Act (VISA) of 2017, which would require visa applicants to turn over their social media accounts for vetting by the Department of Homeland Security, and allocates $60 million dollars to do so. Banks tweeted, “This is a common sense way to increase security and ensure those who wish to harm Americans cannot enter the U.S” even though its clear enough already that social media profiles will only reveal what a shrewd user wants it to. The bill has been referred to the ...
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PublisherInhabitants2017
“If you see something, film it.” Citizen-shot footage distributed through social media has galvanized social movements, in the demand for transparency and accountability. As a political tool, such videos have reverted surveillance against itself, proposing instead a record that comes from below; in other words, a type of vigilance led by citizens against power and abuse, in what has been called “sousveillance”. Yet, beyond our newsfeeds, how does citizen-shot video actually become evidence? How does it perform in the courtroom? Do most of these videos have legal value? Images that have truth-value in the court of public opinion may not in reality ...
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PublisherOnCurating.org2016
This special issue of OnCurating has been conceived with the intention of inquiring into the relation between law and art as it is manifested in a variety of recent artistic and curatorial projects and legal writings. Based on the notion that the law holds an abiding influence on all terrains of society, our aim was to unravel tactics and mechanisms used by art and legal practitioners alike as they deconstruct, reconstruct, and appropriate legal matter and form…
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If we recognize that copyright is unfeasible, and unjustifiable, what should our response be? Immediately comes to mind that copyright provides an investment protection to blockbusters, best sellers and stars. It distorts cultural markets and pushes a wide variety of cultural expressions out of sight. At the same time, cultural conglomerates controlling copyright dominate cultural markets by owning the means of production, distribution, marketing and reception of cultural expressions. From the perspective of democracy and fair competition this type of market control is not to be tolerated. Thus, let us imagine what abolishing copyright would accomplish, while we do not ...

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