Index of Titles Filed Under 'Materiality'

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PublisherSculpture Center2018
74 million million million tons is an exhibition about the types of evidence that artworks can produce. Employing different methodologies to investigate, intervene, and assemble, the artists in the exhibition reveal subjects on the threshold of politics and the outskirts of legality: the robot, the refugee, the environment, the startup, and others. While their subject matter is divergent, the exhibition’s artists push against narratives put forth by corporate and government industries by producing specific knowledge and corroborative objects around un-mapped historical and political events. Directly intervening in the moments before such events coalesce into widely accepted narratives, they anticipate and ...
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PublisherSculpture Center2012
A Disagreeable Object brings together 20 artists who employ and borrow from the methods and artistic practices that the Surrealists developed in the first half of the century. This is not an exhaustive survey, nor an attempt to re-consider our understanding of Surrealism as an historical movement. Rather, the exhibition offers a view of contemporary sculpture identifying influences and attitudes that have filtered through decades of cultural production. The works in A Disagreeable Object respond to a decidedly contemporary context…
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PublisherMeson Press2020
The mediality of transmission and the materiality of communication result today more than ever in “acting at a distance” – an action whose agency lies in a medium. This book provides an overview into this crucial phenomenon, thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial. Three vivid inquiries deal with histories and theories of mediality and materiality.
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Publisheryyyy-mm-dd2019
Material circulation encompasses architectural production and de-production when considered within geological time. Architecture is a fleeting construct—a temporary, unstable container of increasingly-valued minerals that is always in a state of settling. You say to brick, “what do you want, brick?” Brick says to you,”I want to be mud.” Aggregates, especially with the rise of modern concrete, have become our second most-used resource. While sand, gravel, and small rocks account for up to 75% of concrete’s composition, sand alone accounts for over 85% of global mining activity. As a finite resource, aggregates on the market wield consequences from land-reclamation driven conflicts to ...
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PublisherYujia Bian2019
As a bar of soap, ARCHITECTURE is a communal resource for the Triennale visitors to clean themselves. It also stands in as a symbol for architecture; a coming together of materials in concrete form that facilitates social processes. As it is used, ARCHITECTURE loses its rigid form. Its fixed appearance erodes through use and it is molded by the hands that touch it; a record of the material sociability inherent in its structure and function. ARCHITECTURE pays attention to the material flows that sustain a collective hygiene, while thinking through architecture as a social entity that evolves beyond its original form.
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This publication presents Testa & Weiser’s Carbon Tower, a prototype for a forty-storey building made almost entirely of carbon fibre. The project exploits the affinities between two technologies that were rapidly advancing during the early 2000s: scripting and fibre-reinforced composite materials. Among its innovations was an early, highly complex 3D-printed model realized through a collaboration with 3D Systems. The project’s point of departure was a script, Weaver, that “weaves” 3D-modelled structural tubes along vectors that intersect one another at repeating increments, generating different densities and patterns of lines according to variable parameters. Carbon Tower pairs this geometry with the formal and ...
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PublisherA.WKSHP2019
This book is an accumulation of images of adobe and its ecosystem taken in The Autonomous Region of Castile and Leon, Spain. The images are chosen as representations of the material viewed at different scales in context. The images are ordered by scale. At each end of the spectrum are the microscopically magnified granular composition, and the satellite image of the region, respectively. Only a portion of the images are within the range of a human’s visual perception. In 2008, the global financial crisis made visible the forces and flaws of a society based on an infinite growth economy, as evidenced by ...
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Soil, as the keeper of nutrients and the core building block of our existence, is currently being produced in the neighborhood of Grønland in Oslo, by local youth. By using local resources, they are making and selling the product. Oslo Living Lab uses the core of commercial growth, the excess of food and garbage, as a resource which stands outside of the established system, on the verge of laws and regulations. This project provides a theatrical exploration of a pragmatic degrowth transition. Death and Degrowth explores the world of this performative initiative as an important driver of transition towards a model of ...
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Publisher[NAME]2018
In 2018 [NAME] Publications launched dispatches, an online journal that explores the cross-cutting relations between everyday and formalized cultural production and the enduring colonial logic of capitalism. Published in Spanish and English, each issue of the journal offers a variety of contributions that analyze emergent tendencies that cast their lot with anti-extractivist and climate struggles, alert us to cultural and territorial dispossession, highlight new forms of resistance and epistemological reconfigurations, and in the process offer a prism through which to read the complex configurations that define our contemporary moment.
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This sixth episode There is more than one community is based on a conversation with Australian-born and New York-based writer and scholar McKenzie Wark, who is known for her writings on critical theory and new media. Her latest book Reverse Cowgirl has been published by Semiotext(e) in 2020. Somehow, reading books starts always in reverse. We turn them over with our hands, looking for answers in advance on the back cover. However, Reverse Cowgirl is not a book made to satisfy questions, not even those of the author herself regarding her own biography. The conversation with McKenzie Wark does not provide ...
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This issue, produced in the framework of Okayama Art Summit 2019 (“IF THE SNAKE”, curated by Pierre Huyghe, September 27 – November 24 2019, Japan), focuses on the concrete conditions of embodied thought. From the assessment of historical attempts at grounding critique in the body to the exploration of contemporary issues surrounding situated knowledge, from the analysis of the aesthetic and political economy at play in the encounter with advanced human-like sex robotics to the ways in which algorithms are transforming our sense of intimate relationships, and from the ways in which cruising practices subvert dominant discourses on architecture and ...
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This digital publication presents H2Oexpo, an immersive environment designed by Lars Spuybroek that was capable of invoking water abstractly through volume, sloping ground planes, dynamic lighting, projected patterns and images, sound and other kinesthetic means. The project, located in a recreational area in the southwest of the Netherlands called WaterLand, was commissioned by the Dutch Ministry of Transport, Public Works and Water Management as a centre for visitors to learn about and experience the nation’s relationship with water. Spuybroek’s design merges a sinuous topological tubular space with digital images that wrap around floor, wall and ceiling surfaces. As part of a multiyear ...

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