Index of Titles Filed Under 'Media Theory'

after.video realizes the world through moving images and reassembles theory after video. Extending the formats of ‘theory’, it reflects a new situation in which world and video have grown together. This is an edited collection of assembled and annotated video essays living in two instantiations: an online version – located on the web at http://after.video/assemblages, and an offline version – stored on a server inside a VHS (Video Home System) case. This is both a digital and analog object: manifested, in a scholarly gesture, as a ‘video book’.

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PublisherThe Serving Library2015
The MEDIUM issue was produced with Tate Liverpool’s fall 2014 season Making Things Public, where The Serving Library‘s collection of artifacts (http://www.tate.org.uk/whats-on/tate-liverpool/display/serving-library) was installed with two related exhibitions: Transmitting Andy Warhol and Gretchen Bender. In addition to our usual PDF and print formats, Bulletins are also available this time as VIDEO, funneled through the form of a speaking asterisk. The asterisk’s Scottish accent is provided by Isla Leaver Yap, assembled into software by Cereproc, Ltd., and coordinated by James Langdon. (You can read more about this at https://sinkhole-audio.net/your-host/.) VIDEOS are linked from each PDF download page, for example, http://www.servinglibrary.org/read.html?id=181250&watch=1. Bulletins arrive from ...

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Publisherdpr-barcelona2012
First published in English as “Four Regimes of Entropy: For an Ecology of Genetics and Biomorphic Media Theory”, Fibreculture #17: Unnatural ecologies, special issue on media ecology. 2011. Vivimos en red. En los últimos años hemos visto y participado maravillados en la construcción de una “network society”. Un proceso de urbanización digital de la aldea global revelada por McLuhan. La imagen de rizoma asociada al trabajo en redes digitales y a la nueva forma de producción e intercambio de conocimiento ha alimentado el entusiasmo de los activistas y académicos de los nuevos media. De aquí a entender esta red como una suerte ...

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PublisherDroste Effect2016
Bulletin #5. Chance and control. Photography, video and the web. Part II Part II: 02 Online filming 03 An art that generates itself Part I on Bulletin #4 Since the coming of image technologies (and particularly with photography, video, and the Web) contemporary culture has lost control over images, which became more and more independent from their author. Luca Panaro formulates his thesis by reinterpreting the works of theorists (Susan Sontag, Walter Benjamin, Vilém Flusser), writers (Luigi Pirandello, Italo Calvino, Penelope Lively), even film directors (Buster Keaton, Michelangelo Antonioni, Wayne Wang), and finally contemporary artists (Franco Vaccari, Douglas Gordon and Philippe Parreno, Wolfgang Staehle, Roberto Cuoghi, Carlo ...

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Publishere-flux2018
In Ursula Le Guin’s 1971 novel The Lathe of Heaven, a seemingly unassuming young white male begins effective dreaming. Desperate to stop altering realities by night, George Orr borrows other people’s pharmacy cards (the world is overpopulated, resources heavily rationed) to obtain more than his share of dexedrine and barbiturates. Landing himself in the hands of an oneirologist, he becomes a tool—a proxy to make the doctor’s megalomaniacal utilitarian fantasies real. The doctor suggests, and George dreams. “This was the way he had to go; he had no choice. He had never had any choice. He was only a dreamer.” Whose ...

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PublisherMeson Press2017
The way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a new, intense way to an ecology of affects.

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PublisherLink Editions2011
Produced as a catalogue for the exhibition Holy Fire: Art of the Digital Age (2008), this book is more than a simple catalogue. Along with the works of the 27 artists in the exhibition it features the editors’ essays along with a collective interview involving some of the most important representatives of the new media art world.
 Holy Fire is not a book on new media art, but an exploration of the contemporary art of the digital age, and a pamphlet against the new media art paradigm and the self-isolation in which these practices evolved in the last sixty years.
 In ...

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Marshall McLuhan’s appearance within architecture’s vanguard institutions in the mid-1960s might be seen, in retrospect, as a mere inevitability; he did seem to be everywhere after the 1964 publication of Understanding Media: The Extensions of Man. But his participation at venues like Constantinos A. Doxiadis’s Delos cruises or the Graham Foundation, and his publication in Perspecta 11, for instance, mark a very particular juncture in the disciplinary development of architecture in the postwar period. For some historians, his arrival at this moment was a sign of the beginning of the end for a particular modernist conception of architecture and its ...

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PublisherLink Editions2014
One Per Year is a collection of fifteen essays written between 2000 and 2014. The topics range from media theory to philosophy related to media theory to music reviews to art reviews to thoughts on design. Like a time capsule, the book archives 15 years of media history from the point of view of the same person, an artist and theorist who went himself through an evolution, from his early interest in hacking and web design to his encounter with internet art and continental philosophy, to his participation in recent debates around glitch art and the New Aesthetic.

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Edited by Clemens Apprich, Josephine Berry Slater, Anthony Iles and Oliver Lerone Schultz Félix Guattari’s visionary term ‘post-media’, coined in 1990, heralded a break with mass media’s production of conformity and the dawn of a new age of media from below. Understanding how digital convergence was remaking television, film, radio, print and telecommunications into new, hybrid forms, he advocated the production of ‘enunciative assemblages’ that break with the manufacture of normative subjectivities. In this anthology, historical texts are brought together with newly commissioned ones to explore the shifting ideas, speculative horizons and practices associated with post- media. In particular, the ...

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PublisherSarai, CSDS2003
Sarai Reader 03: Shaping Technologies sets out to ratchet our engagement with the contemporary moment a notch higher, in directions that are sober, exhilarating and discomfiting, all at once… Shaping Technologies brings together a host of original writing and images on these and other themes by a collection of writers, theorists, critics, photographers, philosophers, engineers, activists, artists, media practitioners and programmers from all over the world. It also excavates and connects little known histories with our present reality, finding, for instance, in Rabindranath Tagore’s account of being airborne in 1934, an oblique way of reflecting on the consequences of aerial bombardment, the dehumanising ...

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PublisherSarai, CSDS2004
“The book itself has its genesis in the Crisis/Media Workshop that was jointly organized in Delhi by Sarai-CSDS, Delhi and the Waag Society, Amsterdam, a year ago in March 2003. The concept, outlined in the workshop publication by Shuddhabrata Sengupta and Geert Lovink, was a response to 9/11, the invasion of Afghanistan, the violence in Gujarat and the Kargil war. Over 3 days, participants from many different parts of South Asia and the world gathered to debate and dissect the relationship between the notion of crisis and the media, exactly one year after Gujarat had gone up in flames, and ...

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PublisherSarai, CSDS2005
“This year, the Reader looks at ‘Acts’ – at instruments of legislation, at things within and outside the law, and at ‘acts’ – as different ways of ‘doing’ things in society and culture. Several essays echo and complement themes that have emerged in earlier readers. Piracy, borders, surveillance, claims to authority and entitlement, the language of expertise, the legal regulation of sexual behaviour and trespasses of various kinds have featured prominently in previous Readers. This collection foregrounds these issues in a way we hope can make a series of coherent but autonomous and interrelated arguments…”

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Shannon Mattern is Associate Professor in the School of Media Studies at The New School in New York. Her writing and teaching focuses on archives, libraries, and other media spaces; media infrastructures; spatial epistemologies; and mediated sensation and exhibition. She’s the author of multiple books and writes a regular column for Places. In this episode, Shannon and I talk about what media studies is and she got interested in it, how to connect theory and artifact — in both teaching and writing — and relationships between the built environment and the digital world.

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PublisherShifter2012
Shifter 19 : Proposals will be published in two volumes. The first is this newsprint publication launched in September 2012 at the New York Art Book Fair and the second, a reader, will be released in the summer of 2013. In this first volume of Shifter 19 we have invited a small group of artist-educators to each contribute a “proposal.” The proposals loosely gathered here will build a framework for a more detailed deliberation on art and education in the second volume of this issue. Shifter’s 18th issue considered the temporality of intention as a prior condition for action—an impetus that is ...

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PublishersSternberg Presse-flux2012
In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl’s landmark essays from recent years in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the ...

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PublisherUrbanomic2015
In this edited extract from her new book The Autobiography of Video: The Life and Times of a Memory Technology, Ina Blom examines the memory and history of early analog video, and investigates how the medium, heralding new forms of technological and social life, prehended the forms and forces of painting.

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