As DIS returns to Germany for the first time since members Lauren Boyle, Solomon Chase, Marco Roso, and David Toro curated 2016’s hotly contested Berlin Biennale 9, Boyle joins New Models to talk about the generation-defining project’s trajectory since its inception in the late-’00s, its recent film installation Everything But The World (on view through Feb 26 at the Schinkel Pavillon in Berlin), and its future vision. Along the way we discuss: subculture, pop culture, mass media, digital rot, and Gens X, Y, Z, and A.

A tale of a maiden or two + an animal streak is the sister action piece to Lawrence Weiner’s 1996 book, A Tale Of A Maiden Or Two, which features the phrase, “They say there was in the twentieth century a philosophy that believed that each girl was unique & alone in an indifferent & often hostile world.” This version presents what appear to be song titles on a background of close-up pixilated black and white lines next to images of art, advertising and mass media collages.

Glitches are hot. It is clear from what we can see on MTV, Flickr, in the club or the bookstore. While the “Glitch: designing imperfection” coffee table book introduces the glitch design aesthetic to the world of latte drinking designers, and Kanye West uses glitches to sing about his imperfect love life, the awkward, shy and physically ugly celebrate under the header “Glitched: Nerdcore for life”. Glitch has become hot. A brightly colored bubblegum wrapper that doesn’t ask for much involvement, or offers any stimulus. Inside I find gum that I keep chewing – hoping for some new explosion of ...

The mediality of transmission and the materiality of communication result today more than ever in “acting at a distance” – an action whose agency lies in a medium. This book provides an overview into this crucial phenomenon, thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial. Three vivid inquiries deal with histories and theories of mediality and materiality.

After Brad Troemel (ABT) is an artist book conceived for the JstChillin exhibition Read/Write at 319 Scholes in Brooklyn in 2011. The book—originally published in a limited edition of 20—took as its conceptual core the characterization of artist Brad Troemel as a genius and a mastermind analyzed through the lens of conspiracy theory and amateur internet sleuthing. According to artist and writer Artie Vierkant, who wrote the introduction to this edition, ABT is not “about Brad Troemel, nor any of the myriad names or identities that are mentioned in its pages. ABT is about the construction of identity in a mediated ...

Cultural savants Shumon Basar (The Extreme Self & The Age of Earthquakes) and Dean Kissick (NY editor of Spike Art Magazine) join the show during Berlin Art Week for a sprawling, late-night convo on communication and creative production in year 2022. Along the way, we note the accelerating pace of decades, revisit Marshall McLuhan’s 1967 mass-media glow-up, log a veritable dictionary of neologisms, consider whether the art market as we know is a historically bound concept, and ask if we’ve possibly reached the end of clear-cut, market-ready “generations.” Also: mid-ification, zentrism, eNFT portals, and adult drainers.

Theorising a World of Video, after.video realizes the world through moving images and reassembles theory after video. Extending the formats of ‘theory,’ it reflects a new situation in which world and video have grown together. This is an edited collection of assembled and annotated video essays living in two instantiations: an online version – located on the web at http://after.video/assemblages, and an offline version – stored on a server inside a VHS (Video Home System) case. This is both a digital and analog object: manifested, in a scholarly gesture, as a ‘video book.’ We hope that different tribes — from DIY hackercamps ...

These past few years, the fairly ancient concept we call “truth” has been bandied about the place quite a bit. Our social trust barometers, for a long time calibrated with “politician” on one side and “scientist” at the other, have been thrust into stormy weather. People like Donald Trump and Richard Dawkins have buried the needle into extremes of rhetorical squall, political uproar and techno-scientific demand, operationalising belief and fact in excessive ways — destructive of both self and others. The rest of us, muddling through this other ancient concept we call “modern life”, try and poise ourselves somewhere in ...

To ‘articulate’ media means to understand them by locating their connections in space and time. Articulating Media offers new approaches to the writing of technology and the technologies of writing by twinning an investigation of language with an attention to location. Where does media theory take place? How should media theory understand its own occupation of the spaces of media? What materialities might survive media’s many articulations and associations? Diverse in topic and method, the collection’s nine chapters analyse those questions of value, representation, and categorisation that are held within the languages of media. Contributors consider media technologies – following previous ...

Scholar of media studies and Chernobyl expert Svitlana Matviyenko joins us from Kamyanets Podilskyi, Ukraine to discuss critical infrastructure security and the imminence of cyberwarfare. On this episode, Svitlana, who is also the co-author of Cyberwar & Revolution: Digital Subterfuge of Global Capitalism (University of Minnesota Press, 2020) gives an expanded definition of “cybernetic warfare” and what she calls “communicative militarism”; connects psychological-operations with the post-war “commercial seduction of the subject”; reveals present-day strategies of “audience production,” and unpacks the post-digital terms of mutually assured destruction.

The production, distribution, and perception of moving images are undergoing a radical transformation. Ever-faster computers, digital technology, and microelectronic are joining forces to produce advanced audiovision—the media vanishing point of the 20th century. Very little will remain unchanged. The classic institutions for the mediation of film—cinema and television—are revealed to be no more than interludes in the broader history of the audiovisual media. This book interprets these changes not simply as a cultural loss but also as a challenge: the new audiovisions have to be confronted squarely to make strategic intervention possible. Audiovisions provides a historical underpinning for this active ...

The New Creative Paradigm FACING THE LAST STAGES OF LATE CAPITALISM, WE PREDICT THE DAWN OF A NEW WAY OF WORKING FOR THE CREATIVE CLASS. The landscape that fostered post- modern cultural creation is in flames. If we are able to evolve, this fire will raze a forest whose dead roots cling to a dead system, and from its ashes will rise a new creative paradigm. If we refuse, we will be left speaking a dead language, to no one, in the dark. The internet has ushered in a new age, a faster digital reality that speaks to more people more loudly. For ...