Index of Titles Filed Under 'Memory'

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PublisherThe Funambulist2015
This discussion with local architect Miloš Kosec about three (hi)stories of ruins in WWII Slovenia uses the structure of his Master thesis research about this topic. After an introduction about the sometimes problematic fascination one might develop for ruins, we begin our specific conversation with the example of the ruins of entire ethnic German areas in southern Slovenia emptied of their inhabitants after they were encouraged to move back to Germany by the Reich administration. The second example is found in the numerous medieval castles burnt by the partisans in their fight against the Axis in what appear to Miloš as a more ideological ...
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PublisherLateral Addition2018
An excerpt from a larger work comprising writing and performance that revisits and examines adolescent memories of suburban subculture. Oak trees and whitetail deer in Abundances we tame Razed woods and ticky tacky TV dins with the fam Excess, the new convenience Tinged with work ethic shame Same teenage rage all summer Restraint, virtue or sham?                               Americana 2006 Widescreen and lens flare evoke the epic or mundane, point out our hero amongst mass- produced hot dog buns. The popcorn-crunching audience files in prepared for thrill, everyone on their own path back home.                                   Lyric 2004 Well if you wanted honesty call me a faggot one more time I’m not OK trust me middle school sucks forget about LOL smooths friend awkwardness faggot ...
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PublisherHatje Cantz2012
This title will be available soon. Sometime in 1971, Harald Szeemann visited Turin in preparation for the documenta exhibition he was curating for the following year. Among the people he tried to meet in the city was Alighiero Boetti, but when Szeemann visited Boetti’s studio, the Italian artist wasn’t there. All indications are that somebody took the curator through the studio and showed him around, and that, mistakenly, Szeemann forgot a small piece of paper with a list of artists’ names. Several weeks might have passed before Boetti returned to Turin (that year he took two long trips to Afghanistan) and ...
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PublisherHatje Cantz2012
This title will be available soon. “As I see it, creativity includes things like opening a hotel in Kabul,” Boetti said in an interview in the 1970s, adding, “an undertaking that would be crazy even in Italy! But there you realize it’s a true challenge: even presenting yourself as something other than an artist, when you have no anchorage and must completely reinvent yourself, physically and as a character. For instance, over there I always wear a jacket and tie with dark glasses, and I’m very dry and stand-offish with people . . .” The One Hotel opened in Kabul in the ...
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PublisherMeson Press2019
Archives have become a nexus in the wake of the digital turn. This book sets out to show how expanded archival practices can challenge contemporary conceptions and inform the redistribution of power and resources. Calling for the necessity to reimagine the potentials of archives in practice, the three contributions ask: Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle?
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Publisheronestar press2003
Jonas Mekas’s artist book is made up of postcards, notes, drawings and letters that friends and artists have sent him over the years. It is a sequel to his filmed and written diaries.
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New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the ‘illusion of motion’ as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and ...
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PublisherThe Funambulist2015
This conversation with Hana Sleiman begins a series of several around the Palestinian question(s). After evoking her archiving work of historical Arabic comic books and their construction of a political imaginary, Hana and I talk about this important construction of a Palestinian Oral History Archive at the American University of Beirut. This archive comprises about a thousand hours of interview with Palestinian having experienced the 1948 Nakba and its evictive violence. We particularly insist on the embraced subjectivities of such narratives, stressing that what is remembered and how it is remembered is more important than the illusory ambition of an ...
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Publishere-flux2019
As we study the foundations of what we think we know, we might ask: What do we truly know? Mussolini’s regime banned not only words but five entire letters of the alphabet. In 2018, both “immortality” and “migration” were blocked indefinitely in web searches in China. How many letters or words, or even numbers, have been banned in the past? And among those, how many were never remembered again? In this issue of e-flux journal, Nikolay Smirnov examines the historical left-wing, Marxist splinter of Eurasianism and its merits in the face of contemporary neo-Eurasianist figures who have turned it towards nativist ...
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PublisherThe Funambulist2015
This conversation with Lyne Jabri introduces two examples of architectural activist work she has been participating/conducting. The first one consisted in the reconstruction of the Nahr el Bared Palestinian refugee camp in Northern Lebanon after it had been destroyed by the Lebanese army in 2007. The difficulties of such a project were multiple but we particularly converse around the exercise of retrospective mapping of the old camp to inform a more fair reconstruction. The second example is the work currently accomplished by Lyne and her colleagues of LilMadina Initiative in the Southern Lebanon city of Saida. As the city was under ...
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We cannot meaningfully criticize the destruction of cultural heritage in the Middle East if we do not question the apparatuses, institutions, and mindsets that lead to terror and destruction in the first place. Just as state apparatuses can make the deaths of enemies ungrievable, cultural and educational institutions can make demolished buildings into something un-memorable.
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PublisherThe Funambulist2015
This conversation is a walk with Mensur Demir in Sarajevo. By joining four buildings designed by Ivan Straus (Electrical Management Building, Holiday Inn, and the “Twin Towers”) that have all witnessed the end of Yugoslavia, the three-year long siege on the city, and its reconstruction. Along the path, Mensur gives us an architectural account of how the war shaped the city, and the city that shaped the war between 1992 and 1996. We however remain careful not to attribute the identity of the city solely on these traumatic years, during which the three main Bosnian ethnic communities (Muslim Bosniaks, Orthodox Serbs, and Catholic ...

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