Index of Titles Filed Under 'Moving Image'

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PublisherChristine Sun Kim2015
In Christine Sun Kim’s video Close Readings, she compiled a selection of film clips and invited deaf friends to provide captions providing possible additions to the films, resulting in a flipping of the typical power dynamic between filmic experience and deaf audiences, where the meaning of the film is dependent on how it is captioned. Here, the hearing viewer is subjected to the captioning of the deaf viewers. Sun Kim has provided us with 11 stills from this video, and a rekindling of our fondest memories of the CEL’s 2013 collaboration with her, “Seeing Voice: The Seven Tone Color Spectrum” ...
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PublisherArtists Space2008
The YouTube Commentary Project invites artist to reflect on existing videos NY based artists Nina Katchadourian comments on a freehand drawing of a perfect circle
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PublisherInhabitants2016
West Africa’s Guinea-Bissau declared unilaterally independence in 1973 and was recognized internationally in 1975 along with the other former Portuguese colonies. Luta ca caba inda (The Struggle Is Not Over Yet) is the title of a documentary film on the country’s post-independence left unfinished in 1980. Even in its fragmentary form, it is but one of several testimonies of a decade of militant cinema in the country, as part of the people’s struggle for independence from Portuguese colonialism, between 1963 and 1974, and the subsequent nation-building. The remains of this period of politically-engaged cinema, including finished and unfinished Guinean films, audio ...
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PublisherChen's2020
Screening with filmmaker Suneil Sanzgiri followed by a conversation on the relationship between diasporic agency and filmmaking as an unenclosed practice of solidarity and revolt. The program includes Sanzgiri’s film ‘At Home But Not At Home’ (2019), featuring interviews with his father growing up under Portugese colonialism in India, utilizes modes of seeing at a distance to question the construction of memory, identity, and anti-colonial solidarity across continents. It will be followed by a trailer for his upcoming ‘Letter From Your Far-off Country’. Suneil Sanzgiri Suneil Sanzgiri is an artist, researcher, and filmmaker working to understand how systems of oppression are informed ...
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Publishercontinent2017
Like all collaborative endeavors, bringing together an edited collection is about fixing as much as gathering the insights and details (and yes, flaws and limits) of individually or jointly conceived pieces to bring about a larger conversational whole – a drawing forth, or drawing together, of scattered threads and pieces into something considerably messier than a quilt. All the more so when the collection is the result of a generative collaboration, bringing guest editors Lara Houston, Daniela K. Rosner, Steven J. Jackson in conversation with the continent. collective to present this special issue “R3pair Volume”. The conversation of course runs ...
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The sixth episode, with writer, lecturer, and curator Filipa Ramos is an approach to cinema from the ocean and to the ocean from cinema. Beyond the production of underwater images, there is a political relationship between cinema and the underwater world. As vision devices, the projection room and the tank or aquarium are related in their production of the fiction of a safe environment for the human being. Moreover, there are aquatic creatures capable of producing cinematic images, allowing an expansion of the concept of cinema beyond its own history and human history. This podcast is the result of a ...
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PublisherStrelka Press2021
Rick and Morty director and storyboard artist Douglas Olsen talks about creating scenes, cinematic storytelling, and strong draftsmanship.
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Based on Daniel F. Galouye’s novel “Simulacron Three” Rainer Werner Fassbinder’s 2 part TV production is a science-fiction classic that explores the notion of a computer-generated other world, pre-dating The Matrix by 26 years. Since its original broadcast in 1973 it has rarely been seen and following increasing demand the Fassbinder Foundation have restored this remarkable film. Reader published to coincide with a two-part screening of Welt am Draht / World on a Wire (Parts I and II) directed by Rainer Werner Fassbinder, (1973) Screening Sunday 31 March 2013.
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PublisherSocial Discipline2020
Interview with Asia Bazdyrieva and Solveig Suess of Geocinema.
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Light symbolises the highest good, it enables all visual art, and today it lies at the heart of billion-dollar industries. The control of light forms the foundation of contemporary vision. Digital Light brings together artists, curators, technologists and media archaeologists to study the historical evolution of digital light-based technologies. Digital Light provides a critical account of the capacities and limitations of contemporary digital light-based technologies and techniques by tracing their genealogies and comparing them with their predecessor media. As digital light remediates multiple historical forms (photography, print, film, video, projection, paint), the collection draws from all of these histories, connecting them to ...
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PublisherStrelka Press2019
The chances are that you are reading these words on a mobile device. There is a good chance that you are spending a lot of time on that device every day. If that is the case, you are not alone. It is reported that in the US alone, the average adult spends two hours and 51 minutes on their smartphone every day. That is eight minutes longer than Andrei Tarkovsky’s film Stalker. But it is a good hour and ten minutes shorter than the average time that a French worker once spent watching TV. In China in 2018, the average daily time ...
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Publishere-flux2013
Once there was an idea of a vast human family ready to realize humanistic ideals and internationalist partnerships like the United Nations, and some people called it Globalism. But then the idea got bundled with a way of carrying the sentiment of internationalism over to economics, turning jurisdictional partnerships and trade relations into pretty much the same thing. And its name sounds less like a principle than a process—a making global, a globalization of the earth. And since at least the 1980s it was decided that this is how we would all come together, with the globe as market and the ...

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