Index of Titles Filed Under 'Nationalism'

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Fokus Grupa is an artist collective based in Rijeka, Croatia, founded in 2012. Borrowing their name from a contested research method, used equally for independant research as for PR purposes they point to the social, economical and political frames of the art eld. Their practice is collaborative and inter- disciplinary, and they work across art, design and curating. Fokus Grupa concentrate on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates the inherent power structures of the art system. To this effect, they explore its economic, ...
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Publishere-flux2021
The Covid-19 pandemic has attacked not only our individual bodies, but our collective body as well. Through thirteen contributions by writers who are mostly from former socialist countries where the space of freedom is contracting once again, this special issue of e-flux journal asks what this collective body actually means, and what it has become. These changes are not only happening in Europe’s former socialist countries. Something similar is also occurring in Greece and Turkey, where two essays in the issue originate. This is not to say that all is well elsewhere, that democracy is thriving in Western Europe and North ...
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Publishere-flux2014
Neoliberalism began as the idea that economic rationality could be applied as a model of governance in place of political ideology. No more authoritarianism. Just the rational calculation of people’s needs and wants. But now we realize that needs and wants are not rational. They are crazy. And they take place on such vastly different scales that, without any political idea to stabilize desires and render them accountable—even simply in the sense of being legible and comprehensible—we are faced with nothing but irrationality as a governing order. Even logistical mechanisms are only the infrastructural bracketing of a rational order that ...
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Publishere-flux2014
In the summer of 1989, Francis Fukuyama published his infamous essay declaring the global triumph of free-market liberal democracy over communism as the end of ideology as such. Not only that, but he also claimed the world was on the cusp of realizing what Fukuyama’s mentor Alexandre Kojève called the “universal homogenous state,” which would be the climax of a particular Western idealist tradition stretching back to Hegel. It would be the endpoint of a human consciousness based in accumulative historical progress that also grounded the thinking of Marx himself, who pegged his own philosophy to a conception of time ...
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Publishere-flux2014
Francis Fukuyama, and even his mentor Alexandre Kojève before him, warned of boredom, stasis, and homogeneity being characteristics of the “universal homogenous state” that would mark the end of history. As Fukuyama put it: in the post-historical period there will be neither art nor philosophy, just the perpetual caretaking of the museum of human history. And indeed, the phase of contemporary art has also been characterized in discussions over recent years as a reformatting of time into a perpetual present. The contemporary is the now that never ends, the art that circles itself at the tail end of history looking back on defunct ideologies, archiving and polishing them ...
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PublisherThinkbelt2019
In the nineteenth century, under the influence of scientific-rationalism, the concept of the body was transformed into a political tool for representing national identity. Architectural historian Charles Davis reveals the parallels between race and style in modern architecture.
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Publisheronestar press2010
A selection of 150 cities within Slavs and Tatars’ Eurasian remit, Love Me, Love Me Not: Changed Names plucks the petals off the past to reveal an impossibly thorny stem: a lineage of names changed by the course of the region’s grueling history. Some cities divulge a resolutely Asian heritage, so often forgotten in today’s quest, at all costs, for European integration. Some vacillate almost painfully, and others with numbing repetition, entire metropolises caught like children in the spiteful back and forth of a custody battle. Love Me, Love Me Not: Changed Names celebrates the multilingual, carnivalesque complexity readily eclipsed ...
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PublisherOnomatopee2014
Politics of Feelings/Economies of Love emerged out of a reading initiative by a group of cultural workers, artists and curators, gathered under the name k.r.u.ž.o.k. (kružok stands for an intimate social circle). The publication brings about a set of reflections on the possible relation between ideology and social emotions, sexuality and nationalism, love and emotional community within nationalist and/or market fundamentalism. In attempts to find out how these issues were tackled in film, visual arts and architecture, we are trying to draw some new lines of understanding love as a tissue in which political, social, ideological and economic meanings are inscribed. This publication is ...
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PublisherThe Funambulist2014
This conversation with social anthropologist Alejandro Grimson articulates the concept of border both at a philosophical level and at a local level through few South American cases that he studied in the past. What does it mean to have a bridge joining two countries together? How about when it is an avenue that almost invisibly separates two countries? For Alejandro, borders as such are not against what we need to fight, but rather their means of implementation. In the second part of the conversation, we ‘zoom in’ Buenos Aires to observe how the Argentinean capital is also full of borders ...
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PublisherInhabitants2017
For the third and final contribution to Contour 8 Biennale, inhabitants has commissioned Adam Khalil and Zack Khalil in order to host an urgent reflection on indigenous sovereignty, the undead violence of museum archives, and post-mortem justice. Filmmakers Adam and Zack Khalil (Ojibway), in collaboration with artist Jackson Polys, investigate the recent court case that decided the fate of the remains of a prehistoric Paleoamerican man found in Kennewick, Washington State in 1996. The case pitted the Umatilla people and other tribes, who wanted to provide a burial to the  “Ancient One,” against two scientists—one of which from the publicly-funded Smithsonian Institute—who wanted ...
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PublisherArchive Books2018
The institution of the ethnological museum seems to be in the midst of a serious crisis of choking. The delicacies that most of these museums have acquired, which is to say co-opted, which is to say ingested, seem to have collectively missed the track to the esophagus and got stuck in the respiratory tract. They have been stuck there for as long as the history of mass collections, acquisitions and looting, for as long as the ruthless and ongoing extraction of cultural property in the former colonies outside of Europe. A twelve-act essay on the maintenance of supremacy, the ethnological ...

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