Index of Titles Filed Under 'Networks'

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Creative Networks explores the dawn of the Internet culture in the age of network society from the perspective of Eastern Europe. From a theoretical angle the networks are introduced and interpreted as complex socio-technical systems. The author analyzes the development of these networked self-organized formations starting off with ‘virtual communities’ of ‘creative networks’, which emerged during the early phase of the Internet, up to the phenomena of today’s online ‘social networks’. Along with the translocal case studies of Nettime, Syndicate, Faces and Xchange networks (as well as with the other important facets of the 1990s network culture in Europe), the ...
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PublisherOnCurating.org2020
This issue compiles a series of perspectives on art-making and curating that consider forms of production through contemporary digital networks as well as increased reliance on digital technologies. We consider the issue as a much-needed start to discuss curating under digital conditions on our platform. Each interview, artwork, and article thinks through contemporary practices that rework or examine what the relationship of place, automation, labour, and archives have in relation to technological effects in production under neoliberalism. Four interviews focus on art practice and digital art-making and also how the digital is an asset in the making and production of ...
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PublisherAutonomedia2005
Social change does not simply result from resistance to the existing set of conditions but from adapting and transforming the technical apparatus itself. Walter Benjamin in his essay ‘The Author as Producer’, written in 1934, recommends that the ‘cultural producer’ intervene in the production process in the manner of an engineer. The term ‘engineer’ is to be taken broadly to refer to technical and cultural activity, through the application of knowledge for the management, control and use of power. To act as an engineer in this sense, is to use power productively to bring about change and for public utility. ...
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Depletion Design suggests that ideas of exhaustion cut across cultural, environmentalist, and political idioms and offers ways to explore the emergence of new material assemblages. We, or so we are told, are running out of time, of time to develop alternatives to a new politics of emergency, as constant crisis has exhausted the means of a politics of representation too slow for the state of exception, too ignorant of the distribution of political agency, too focused on the governability of financial architectures. But new forms of individual and collective agency already emerge, as we learn to live, love, work within the ...
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PublisherMute2013
Felix Stalder’s extended essay, Digital Solidarity, responds to the wave of new forms of networked organisation emerging from and colliding with the global economic crisis of 2008. Across the globe, voluntary association, participatory decision-making and the sharing of resources, all widely adopted online, are being translated into new forms of social space. This movement operates in the breach between accelerating technical innovation, on the one hand, and the crises of institutions which organise, or increasingly restrain society on the other. Through an inventory of social forms – commons, assemblies, swarms and weak networks – the essay outlines how far we ...
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Publishere-flux2014
The museum may now be assuming a new function in the network. It is being reformatted as a recording device, a flexible memory machine that can store culture like a bank, artworks like a storefront, politics in the form of data. And each of these can be exchanged with one another as currency: the political movement can be turned into an activist archive, sold as an artwork, then exhibited as data, then sealed off in a vault with cultural artifacts for safe keeping. Museums in China are built without staff or contents to fill them long after they are constructed. ...
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Publishere-flux2016
Tech is never simply technology. It never appears in the abstract, any more than the characters “H2O” appear anywhere on water. Tech is always specific. How old should someone be when they first have sex? How old before they get their first cell phone? This sequence unsettles us because it is hard to think about either inevitability. Sex and technology are instruments of desire, the objects and system of adult unfreedom. Children at play are so analog. Young is life before text. We clutched love letters, in the past, when we couldn’t clutch each other. Now our phones get warm ...
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PublishersP!WkshpsHome Cooking2020
Organized by designer and improvisor Emily Smith, this participatory presentation, conversation, and group improvisation explored the architecture of online communications, movement, digital space, and dissonance. Featuring special guests Christa Cocciole, Christoph Knoth, Jeremiah Day, Josepha Conrad, Keyna Eleison, and others. ——
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How do global audiences use streaming platforms like YouTube, Netflix and iPlayer? How does the experience of digital video change according to location? What strategies do people use to access out-of-region content? What are the commercial and governmental motivations behind geoblocking?
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More than ever, creative people find their attention pulled in many directions by digital and networked technologies. Staying up-to-date and responsive to so many forms of online communication often feels mandatory in order to keep working. But, it can be both exhausting and dispiriting to build a creative practice while “extremely online.” With this compilation of essays produced in collaboration with Are.na, the platform for connecting ideas, we asked artists to share their approaches to using the internet more mindfully and creatively.
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PublisherThinkbelt2019
Tracing the change in scope of political responsibility in Botswana amidst unchecked development, anthropologist Julie Livingston offers an urgent parable for understanding the world as a web of relationships that condense past, present, and future.
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PublisherA.I.R. Gallery2019
It’s funny because here we are talking about listening and four out of six people around me are wearing headphones, curating their own sound environment and blocking out others. Those parties where everyone dances and listens to the same music on wireless headphones is the closest to being “in it,” together. Plus, none of the neighbors call the cops. • Empathy is a term that appears in theories of the psychology of art, according to which visual art can make the general public experience emotions. Following this school of thought, art appreciation is not a matter of reason but of feeling. This ...

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