Due to physical distancing measures under COVID-19, we are finding ourselves in what can be identified as an increased condition of gathering on- line. This condition includes learning situations, as well as moments to share and exchange our views, analyses, approaches, results, prototypes and proposals in a wide spectrum of academic and para-academic situations. Through the imposition of closed, proprietary, exclusive and over-optimised commercial formats for so-called “webinars”, this situation is rapidly resulting in the settlement of a monoculture in mediated gatherings. GAFAM & co are taking over research and educational ecosystems, while turning all interactions into business transactions. It ...

This title will be available soon. Group Material’s work was primarily topical and temporal, fueled by our personal and collective observations—and by the social urgencies we perceived. Our horizon was the present tense. In 1989, the curator of the MATRIX Gallery at the Berkeley University Art Museum, Larry Rinder, invited us to address the subject of AIDS after seeing our exhibition at Dia Art Foundation the year before, “AIDS & Democracy: A Case Study.” At the time, Group Material consisted of Doug Ashford, Julie Ault, Felix Gonzalez-Torres, and Karen Ramspacher. By 1989, we had witnessed several years of the epidemic with severely ...

In contrast to current ‘roadmaps’ to recovery, this report rejects the notion that “the economy” should be the object of Coronavirus response, and that the project is one of recovery, resilience, or return. Instead, we argue that the task at hand is nothing short of reconstructing society through two great transformations. First, we must make it possible to both respond swiftly to all emerging pandemics with all of the resources at our disposal. Second, we must enable society to shift seamlessly in and out of periods of social distancing with policies that promote social solidarity and economic security for all.

A series of nine remote screenings, events, and discussions in lieu of IRL gallery programming at Chen’s, a Brooklyn-based gallery directed by Howie Chen and Alex Ito. Chen’s Gallery With this Summer 2020 series, we focus on issues of hegemony, representation, solidarity, and new futures. With the ongoing uprising and the relentless news cycle, we hope to create a space that is communal and restorative by spending time with people whose individual efforts find ways to connect art to the pressing matters of life. We are interested in how Art — as a field of images, abstractions, gestures, ...

Mattin and Miguel Prado talk to noise scholars Cecile Malaspina and Inigo Wilkins about the collective need of counter-bunker techniques, noise in view of Carnap’s theory of probability and ‘whack’ swans. Special guest Dali De Saint Paul provides vocals and readings for our house beats and noise.

In early 2020, as the COVID-19 pandemic swept the world and states of emergency were declared by one country after another, the global technology sector—already equipped with unprecedented wealth, power, and influence—mobilised to seize the opportunity. This collection is an account of what happened next and captures the emergent conflicts and responses around the world. The essays provide a global perspective on the implications of these developments for justice: they make it possible to compare how the intersection of state and corporate power—and the way that power is targeted and exercised—confronts, and invites resistance from, civil society in countries worldwide. This ...

“Today one may complain that life has been reduced to points in a matrix of relations—cities, territories, and historical narratives prematurely refined into categories of known and unknown, real and virtual, concrete and abstract space.” At the time, we could not have imagined the mass migration into abstract space that would soon follow. Today, living through the planetary pandemic, the imperative to navigate the world and our own lives through computational tools has been radicalized to the extreme. The last months of Skyping, Zoom conferencing, and collaborative Google Docs writing make us feel we have no choice but to exhaust ...

In this issue, Alessandra Franetovich and Trevor Paglen discuss Orbital Reflector, Paglen’s reflective sculpture launched into low-earth orbit as a satellite. Housed in a small box-like structure, the lightweight reflective material of the sculpture was meant to deploy and self-inflate like a balloon and reflect sunlight towards earth, making it visible to our eyes as a nearby artificial star. Unfortunately, at the critical moment of the sculpture’s release in 2018, the US government was on shutdown, with all agencies held hostage in order to force Congress to fund Trump’s gigantic border wall between the US and Mexico. There was no ...

The first episode of Promise No Promises! Feminism Under Corona is a continuation of a conversation with artist Ran Zhang about the effects and consequences of Covid-19 in a reality that is also mutating despite the confinement of our bodies being locked at home. “The first conversation I had about Covid-19 with the artist Ran Zhang took place in Paris at the end of January 2020, on the occasion of her exhibition Resolution of Traits at the independent art space L’ahah. The virus that had caused a new disease, first in Wuhan and China, was now appearing in France and by ...

The title of the third episode Radical Sociability from the Feminism Under Corona series refers to a recent lecture by artist, curator, writer and radio producer Lou Drago in which they were unfolding the complexity of the relationship between identity politics and the current and growing division of the Left. As a way of overcoming the divisive effects of identitarianism, they propose “to enact an intersectional affinity-based politics.” In order to avoid the dynamics of the current “cancel culture,” so present and constant in social networks, Lou Drago’s proposal is based on calling-in rather than calling-out. This conversation between Lou ...

This episode is based on a conversation with Ana Garzón Sabogal, who lives and works in Colombia. In her practice she is operating with the close encounter between art, collaborative learning, activism, and free culture, and is member of Más Arte Más Acción, together with Alejandra Rojas Giraldo. Their practice includes a feminism which stems from the critical conscience and from the understanding of feminist practices as depending on the material conditions of each context, of each community and of each person. The same applies to the political question of language, because of the enormous need to learn, to know, ...

The second episode entitled The Monogamy of the System is a continous exchange with author and activist Brigitte Vasallo about the consequences and instrumentalization of the pandemic by governments, corporations and people in power. In order to shake up some common considerations about love and monogamy, this conversation aims to expand their meaning beyond the commonplace and romantic ideas which seem to be even more predominant in the current situation of personal and political isolations.