“Diff in June” tells a day in the life of a personal computer, written by itself in its own language, as a sort of private log or intimate diary focused on every single change to the data on its hard disk. Using a small custom script, for the entire month of June 2011 Martin Howse registered each chunk of data which had changed within the file system from the previous day’s image. Excluding binary data, one day’s sedimentation has been published in this book, a novel of data archaeology in progress tracking the overt and the covert, merging the legal ...

Tech is never simply technology. It never appears in the abstract, any more than the characters “H2O” appear anywhere on water. Tech is always specific. How old should someone be when they first have sex? How old before they get their first cell phone? This sequence unsettles us because it is hard to think about either inevitability. Sex and technology are instruments of desire, the objects and system of adult unfreedom. Children at play are so analog. Young is life before text. We clutched love letters, in the past, when we couldn’t clutch each other. Now our phones get warm ...

This title will be available soon. Has the human capacity for thinking and feeling been captured by the ma- chine? This is an issue that Franco Berardi Bifo identifies when he says that we have been learning words from the machine, not the mother, leading to a situation where language and affectivity have been separated. Extending this to intellectual and social behavior, he calls this state of affairs a catastrophe of modern humanism, where we no longer have sufficient attention spans for love, tenderness, and compassion. His concern is that we are becoming more and more distanced from affect through the ...

An optimistic response to a terminal diagnosis finds its apotheosis as a lecture. The all-star news anchor, veteran of all three major television networks, Katie Couric is quoted as waxing, “most of us would slip into a deep depression, but Randy used the experience as teaching material.” Given on September 18th, 2007 at Carnegie-Mellon as a part of a cross-disciplinary lecture series, terminally-ill computer science professor Randy Pausch’s lecture “Really Achieving Your Childhood Dreams” inaugurates an era of viral possibility for the lecture: weaving together self-help maxims, dad jokes and the ethos of computer science interdisciplinarity, this popular incarnation of ...

Paul Ford is a writer, programmer, educator, and technologist. He is currently the co-founder of Postlight, a digital product studio in New York and teaches at the School of Visual Arts. He’s written for publications like Harper’s, New York, Medium, and The Morning News and is a frequent commentator on technology and the internet. In 2015, he published “What is Code?” for Bloomberg Businessweek, an issue-length essay explaining programming to a mass audience. In this episode, Paul and I talk about his childhood interest in computers and books, the early days of the web and building his own blogging software, ...

The Avery Review is an online journal dedicated to thinking about books, buildings, and other architectural media. We see the genres of the review and the critical essay as vital but still underutilized ways of exploring the ideas and problems that animate the field of architecture, and we hope to push these genres beyond their most familiar forms, whether journalistic or academic. Our aim is to explore the broader implications of a given object of discourse (whether text, film, exhibition, building, project, or urban environment), to expand the terrain of what we imagine architectural discourse to be, and to broaden ...

The 2019/20 issue of The Serving Library Annual is entirely devoted to the late Italian designer, artist, inventor and polymath Bruno Munari. The core of the annual is the first English translation of Obvious Code, the 1971 collection of Munari‘s own writings, sketches and poems about his own work, published by arrangement with Corraini, who issued the book’s anastatic edition in 2017. It includes iconic design objects such as the Abitacolo, ground-breaking artworks such as his 1952 series of hand-made projection slides, and little known rhymes about the art market, as well as an original piece from his “unreadable books” ...

Everyday we stare at computer screens as we type out emails, write code, upload photos, watch videos, and push around pixels. Billions of pages of information splashed with text and images are accessed daily, composed of colored dots emanating from a screen connected to a computer connected to the Internet. Together, these clusters of colors visually display information that we consume and that we create, colors that make up the viewers’ virtual worlds. What Color Is My Internet? is self portrait of the artist as an internet surfer. The book tells, in visual form, the story of 90 days of Greg ...