Index of Titles Filed Under 'Photography'

John Roberts is Professor of Art and Aesthetics at the University of Wolverhampton. He is the author of a number of books including The Art of Interruption: Realism, Photography and the Everyday (Manchester University Press, 1998), The Intangibilities of Form: Skill and Deskilling in Art After the Readymade (Verso, 2008) and The Necessity of Errors (Verso, 2011). He has also contributed to various journals including Radical Philosophy, New Left Review, Oxford Art Journal, Historical Materialism, New Literary History, Third Text and Manifesta. In 2008 John Roberts was invited to give a lecture at MACBA in the context of the seminar The ...
PublisherThe Funambulist2015
This conversation with Caren Kaplan introduces the work she has been conducting for her forthcoming book dedicated to a genealogy of aerial photography (and painting) and its militarization leading to the ‘age of the drone’ we currently experience. We begin with the development of the balloon, the progressive learning necessary to understand this new point of view on the world and the simultaneous success of panorama paintings. We then evoke the creation of the British Board of Ordinance and its survey of Scotland as part of the counter-insurrectionist effort to control the terrain against the Jacobites. We conclude the discussion in ...
Culture of the Selfie is an in-depth art-historical overview of self-portraiture, using a set of theories from visual studies, narratology, media studies, psychotherapy, and political principles. Collecting information from various fields, juxtaposing them on the historical time-line of artworks, the book focuses on space in self-portraits, shared between the person self-portraying and the viewer. What is the missing information of the transparent relationship to the self and what kind of world appears behind each selfie? As the ‘world behind one’s back’ is gradually taking larger place in the visual field, the book dwells on a capacity of selfies to master ...
Digital Light brings together artists, curators, technologists and media archaeologists to study the historical evolution of digital light-based technologies. Digital Light provides a critical account of the capacities and limitations of contemporary digital light-based technologies and techniques by tracing their genealogies and comparing them with their predecessor media. As digital light remediates multiple historical forms (photography, print, film, video, projection, paint), the collection draws from all of these histories, connecting them to the digital present and placing them in dialogue with one another.
PublisherDroste Effect2016
Bulletin #4. Chance and control. Photography, video and the web. Part I 01 If something eludes us 02 Video-photographic devices Since the coming of image technologies (and particularly with photography, video, and the Web) contemporary culture has lost control over images, which became more and more independent from their author. Luca Panaro formulates his thesis by reinterpreting the works of theorists (Susan Sontag, Walter Benjamin, Vilém Flusser), writers (Luigi Pirandello, Italo Calvino, Penelope Lively), even film directors (Buster Keaton, Michelangelo Antonioni, Wayne Wang), and finally contemporary artists (Franco Vaccari, Douglas Gordon and Philippe Parreno, Wolfgang Staehle, Roberto Cuoghi, Carlo Zanni, Eva and Franco Mattes). Translation ...
PublisherDroste Effect2018
“I have been photographing myself since 1982. If I fail to take a picture on a given day, I advance the film one frame so no image is recorded. This visual calendar consists of 2,500+ photographs that include my body from head to toe, as well as my environment. On occasion, I insert digital reenactment files to contrast with specific images or add an old family photograph for more context. Most often I’m by myself in these straightforward images, but sometimes I’m with family and friends. As time passes, births, deaths, celebrations, and bad days happen. Pets come and go, fashions ...
PublisherMagnum Photos2016
Europa is a book created by a group of Magnum photographers and journalists who have been covering both the refugee crisis in Europe and the many contexts across the Middle East, Asia, and Africa that gave rise to these migrations. This book is launched in partnership with the Arab Fund for Arts and Culture (AFAC) as the first project under its special program, the Arab European Creative Platform. The book harnesses the collective energy, skills and resources of its contributors to create Europa, a collaborative and independent book, the first of its kind intended for practical use by migrants and ...
In 1977, photographers Larry Sultan and Mike Mandel sifted through thousands of photographs in the files of the Bechtel Corporation, the Beverly Hills Police Department, the Jet Propulsion Laboratories, the U.S. Department of the Interior, Stanford Research Institute and a hundred other corporations, American government agencies, and educational, medical and technical institutions. They were looking for photographs that were made and used as transparent documents and purely objective instruments–as evidence, in short. Selecting 50 of the best, they printed these images with the care you would expect to find in a high-quality art photography book, publishing them in a simple, ...
Publisherse-fluxSternberg Press2014
Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, “continue to be forthcoming even after their publication.” In relation to one of these books, he wondered: “Does not a book titled Forthcoming suggest, ostensibly paradoxically, a second edition?” Here’s the revised edition of Forthcoming, a book first published nearly a decade and a half ago by Atelos press. —Julieta Aranda, Brian Kuan Wood, Anton Vidokle
PublisherThe Funambulist2014
Olivia Snaije and I begin this conversation by discussing her multi-faceted work of journalist, editor and translator. We then converse more specifically about the book she co-edited with Mitchell Albert, Keep Your Eye on the Wall: Palestinian Landscapes (Saqi Books, 2014). This book gathers a series of essays and photographic work curated around the question of the Apartheid Wall in Palestine (see below). We evoke most of its chapters, one by one, and extend the question raised by Malu Halasa about the problematic aestheticization of the Wall to the very exercise of photographing it. Olivia Snaije is a journalist and editor based in ...
Jo Spence (London, 1934-1992) played a crucial role in the debates about photography and the criticism of representation of the 70s and 80s. Drawing inspiration from Bertold Brecht and John Heartfield, she focuses on the construction of an image. Her work explores the ways that social identities are constructed through the still image, and proposes a subjective reappraisal of the dominant and popular uses of the photographic medium. As both author and model, Spence uses photography as a catalyst of rebellion and therapy in the face of the epistemic and symbolic violence that results from the dominant images produced by ...
PublisherLink Editions2013
Damiano Nava likes to use the camera as a diary. After moving to Berlin, in November 2009, he found it hard to spontaneously meet people of his generation who might be interested in being photographed. He didn’t speak German, and it was hard for him to establish the kind of intimate relationship required for the project. “I was like someone having problems finding a soulmate, so it seemed like a natural step to turn to the internet”, he writes in his introduction. He wrote an ad and posted it on Craigslist and Exberliner. For about two years, the ad generated ...
PublisherMagnum Photos2018
A Brief Visual History in the Time of ISIS is curated by Magnum photographer Peter van Agtmael and includes an essay and timeline by Peter Harling, an expert on the Middle East, formerly of the International Crisis Group, and founder of Synaps. The work of nineteen photographers is included in this first newspaper, and the images range from those taken in the final years of the French mandate in Syria in 1941 to the fall of Mosul in 2017.
Mitch Goldstein is a designer, artist, and educator based in Rochester, NY. He is an Assistant Professor the School of Design at the Rochester Institute of Technology, works in collaboration with his wife Anne Jordan on client projects, and maintains an ongoing art practice focusing on experimental darkroom photography. He also co-hosted the design podcast Though Process and has written and lectured extensively on design and design education. In this episode, Mitch and I talk about our evolving definitions of the words ‘graphic design’, critique methods in the classroom, and the problems with contemporary design discourse.
Oliver Wainwright a writer and photographer based in London. He has been the architecture and design critic of the Guardian since 2012. He trained as an architect at the University of Cambridge and the Royal College of Art, and worked in strategic planning at the Architecture and Urbanism Unit of the Greater London Authority and at a number of architecture practices, including OMA in Rotterdam and Muf in London. In this conversation, Oliver and Jarrett talk about the relationship between writing and architecture, the tensions between practice and criticism, and what it means to write for a major newspaper.
The first episode of Seeing is Forgetting! I speak with John about his studio practice, his family influencing the work he makes, and how success can complicate friendships.
PublisherTriple Canopy2010
Artist Erin Shirreff’s motivation for developing Shadow, Glare, the first work she’s designed for a digital environment, stems from those moments when the screen’s material presence becomes impossible to ignore, when dust accumulations, errant smudges, and the movement of shadows and glares disturb the illusion of transparency. “In my living room the light will shift,” Shirreff explains, “and suddenly I’ll be looking at all the dust on my computer screen, or the splotches of light. That will really jar me back into my chair.” Originally from the article Shadow, Glare.
PublisherAsia Art Archive2017
Mumbai-based artist Shilpa Gupta presented That photo we never got, a research-based exhibition that drew out narratives from the AAA collection to explore friendships and love in the field of art.
PublisherPrinted Matter2012
Sara Jordenö is a NYC based Swedish visual artist and documentary filmmaker. Using film, photography, drawing and experimental poetry, Jordenö aims to work through historical and contemporary narrations around issues of authorship, labor, real and imaginary queer spaces and the habitual acts of everyday life. While being a resident at the Lower Manhattan Cultural Council Workspace program in 2010-2011 she started working on a series of works about urban life in New York City, titled “Time and Motion Studies”. This in turn prompted her to enter collaborations with people in other fields than contemporary art.
PublisherThe Funambulist2014
This podcast is the first one of a series of three recorded during a short residency at the Miami Rail. It addresses the on-going photographic series that artist Adler Guerrier constructs around the performativity of the flaneur. From the romantic figure described by Walter Benjamin in his writings about Charles Baudelaire, to its anti-capitalist offspring as defined by the Situationists, Adler explains how the action of flanerie (aimless walk) is a means to gather knowledge. He tells us how the body of the flaneur is a nameless solitary figure that the film noir’s amnesiac embodies the best, looking for markers ...
Of what do these essays speak? Of photography in the flesh – but not the flesh of the photographer. Myriads of negatives tell of the world, speaking in clichés among themselves, constituting a vast conversation, filling a photosphere that is located nowhere. But one single photo is enough to express a real that all photographers aspire one day to capture, without ever quite succeeding in doing so. Even so, this real lingers on the negatives’ surface, at once lived and imperceptible. Photographs are the thousand flat facets of an ungraspable identity that only shines – and at times faintly – ...
A recipient of a CAA/Luce Foundation fellowship from 1995 to 1998 and a fellow at the Clark Art Institute in 2004, Blake Stimson is Professor of Art History at the University of California, Davis, where he teaches postwar and contemporary art, critical theory, and the history of photography. Stimson earned his PhD in art history in 1998 from Cornell University in Ithaca, New York, his MFA in sculpture in 1992 at Tufts University and the School of the Museum of Fine Arts in Boston, Massachusetts, and he was a fellow in the Whitney Independent Study Program in New York from ...
There is something subtly mysterious about the films and photographs of the Danish artist Ulrik Heltoft. Drawing on literary narratives or scientific sources, his works often explore the conceptual and aesthetic potentials of specific technologies. Despite his experimental use of his media, his photography evinces a uniform clear and brilliant quality. For his exhibition at the Secession, Heltoft has created a new film titled Kabinet. It is based on a piece of social critique that has been adapted for the screen many times: Charles Dickens’s novella A Christmas Carol (1843), in which the confrontation with ghosts inspires the old and stingy ...
This is the fifth artist book by artist Wolfgang Tillmans produced in conjunction with the exhibition ‘Affinity’ at Wako Works of Art, Tokyo.
PublisherMAPP Editions2011
War Primer 2  inhabits the pages of Bertolt Brecht’s remarkable publication War Primer (Libris, 1998). The original was published in German in 1955 under the title Kriegsfibel. While the first War Primer was concerned with images of the Second World War, War Primer 2 updates Brecht’s piece with images of the conflict generated by both sides of the so-called “War on Terror”.

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