Index of Titles Filed Under 'Photography'

PublisherMACBA2011
John Roberts is Professor of Art and Aesthetics at the University of Wolverhampton. He is the author of a number of books including The Art of Interruption: Realism, Photography and the Everyday (Manchester University Press, 1998), The Intangibilities of Form: Skill and Deskilling in Art After the Readymade (Verso, 2008) and The Necessity of Errors (Verso, 2011). He has also contributed to various journals including Radical Philosophy, New Left Review, Oxford Art Journal, Historical Materialism, New Literary History, Third Text and Manifesta. In 2008 John Roberts was invited to give a lecture at MACBA in the context of the seminar The ...
PublisherEdition Société2015
As the physical world degrades and so corrodes the credibility of institutions that enable consumption, the status quo in the global north goes virtual. Within a short time, we’ve witnessed a rapidly increasing capacity to design, simulate and conjure a virtual perception of reality with exactitude and definition. Our ability to simulate reality has come to match our ability to record it. We’re able to simulate and produce a photographic image of an object without any need for the object itself. The same goes for retouched images and the act of retouching. As a result, images no longer need to ...
PublisherThe Funambulist2015
This conversation with Caren Kaplan introduces the work she has been conducting for her forthcoming book dedicated to a genealogy of aerial photography (and painting) and its militarization leading to the ‘age of the drone’ we currently experience. We begin with the development of the balloon, the progressive learning necessary to understand this new point of view on the world and the simultaneous success of panorama paintings. We then evoke the creation of the British Board of Ordinance and its survey of Scotland as part of the counter-insurrectionist effort to control the terrain against the Jacobites. We conclude the discussion in ...
Culture of the Selfie is an in-depth art-historical overview of self-portraiture, using a set of theories from visual studies, narratology, media studies, psychotherapy, and political principles. Collecting information from various fields, juxtaposing them on the historical time-line of artworks, the book focuses on space in self-portraits, shared between the person self-portraying and the viewer. What is the missing information of the transparent relationship to the self and what kind of world appears behind each selfie? As the ‘world behind one’s back’ is gradually taking larger place in the visual field, the book dwells on a capacity of selfies to master ...
Digital Light brings together artists, curators, technologists and media archaeologists to study the historical evolution of digital light-based technologies. Digital Light provides a critical account of the capacities and limitations of contemporary digital light-based technologies and techniques by tracing their genealogies and comparing them with their predecessor media. As digital light remediates multiple historical forms (photography, print, film, video, projection, paint), the collection draws from all of these histories, connecting them to the digital present and placing them in dialogue with one another.
PublisherDroste Effect2018
“I have been photographing myself since 1982. If I fail to take a picture on a given day, I advance the film one frame so no image is recorded. This visual calendar consists of 2,500+ photographs that include my body from head to toe, as well as my environment. On occasion, I insert digital reenactment files to contrast with specific images or add an old family photograph for more context. Most often I’m by myself in these straightforward images, but sometimes I’m with family and friends. As time passes, births, deaths, celebrations, and bad days happen. Pets come and go, fashions ...
PublisherDroste Effect2016
Bulletin #4. Chance and control. Photography, video and the web. Part I 01 If something eludes us 02 Video-photographic devices Since the coming of image technologies (and particularly with photography, video, and the Web) contemporary culture has lost control over images, which became more and more independent from their author. Luca Panaro formulates his thesis by reinterpreting the works of theorists (Susan Sontag, Walter Benjamin, Vilém Flusser), writers (Luigi Pirandello, Italo Calvino, Penelope Lively), even film directors (Buster Keaton, Michelangelo Antonioni, Wayne Wang), and finally contemporary artists (Franco Vaccari, Douglas Gordon and Philippe Parreno, Wolfgang Staehle, Roberto Cuoghi, Carlo Zanni, Eva and Franco Mattes). Translation ...
PublisherMagnum Photos2016
Europa is a book created by a group of Magnum photographers and journalists who have been covering both the refugee crisis in Europe and the many contexts across the Middle East, Asia, and Africa that gave rise to these migrations. This book is launched in partnership with the Arab Fund for Arts and Culture (AFAC) as the first project under its special program, the Arab European Creative Platform. The book harnesses the collective energy, skills and resources of its contributors to create Europa, a collaborative and independent book, the first of its kind intended for practical use by migrants and ...
Publisherse-fluxSternberg Press2014
Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, “continue to be forthcoming even after their publication.” In relation to one of these books, he wondered: “Does not a book titled Forthcoming suggest, ostensibly paradoxically, a second edition?” Here’s the revised edition of Forthcoming, a book first published nearly a decade and a half ago by Atelos press. —Julieta Aranda, Brian Kuan Wood, Anton Vidokle
PublisherEven Magazine2017
Hosts Abby Sandler and Rebecca Siegel discuss this week’s Go See: “Carolee Schneemann: Kinetic Painting” at MoMA PS1. In Critical Conversations, editor Jason Farago speaks to artist Thomas Hirschhorn about photography, censorship, and his current exhibition at Gladstone Gallery. For the Even 8, Performa founder and director RoseLee Goldberg joins Abby and Rebecca to discuss the 2017 Performa Biennial.
PublisherICA2014
Hito Steyerl has created a two-part edition: a free unlimited digital download and a new limited edition print. The source for both editions is a found image of a woodcut print by Utamaro, which the artist has intentionally corrupted by embedding one of her written texts into the image’s source code. The downloadable code reveals this hidden text, from which it is possible to reconstruct the original jpeg image. The limited edition print is a further derivative of this text, printed with silver ink containing silicone; a component of semiconductors. Instructions for digital edition: Download the image source text (right-click and select ...
PublisherThe Funambulist2014
Olivia Snaije and I begin this conversation by discussing her multi-faceted work of journalist, editor and translator. We then converse more specifically about the book she co-edited with Mitchell Albert, Keep Your Eye on the Wall: Palestinian Landscapes (Saqi Books, 2014). This book gathers a series of essays and photographic work curated around the question of the Apartheid Wall in Palestine (see below). We evoke most of its chapters, one by one, and extend the question raised by Malu Halasa about the problematic aestheticization of the Wall to the very exercise of photographing it. Olivia Snaije is a journalist and editor based in ...
Kites and Websites collects a selection of works developed in the framework of Evan Roth’s Internet Landscapes project, an ongoing investigation into the network, nature and the self. Like a new romantic wanderer, he has studied the global submarine fiber optic cables in various countries, often finding himself alone in remote locations. As the art critic Domenico Quaranta explains, the visual language adopted for the project is infrared photography, a conceptual reference to the architecture of the Internet. Roth also collects audio documentation through a device that scans radio frequencies at regular intervals, recording a mix of white noise and audio fragments. While the Internet ...
PublisherMACBA2006
Jo Spence (London, 1934-1992) played a crucial role in the debates about photography and the criticism of representation of the 70s and 80s. Drawing inspiration from Bertold Brecht and John Heartfield, she focuses on the construction of an image. Her work explores the ways that social identities are constructed through the still image, and proposes a subjective reappraisal of the dominant and popular uses of the photographic medium. As both author and model, Spence uses photography as a catalyst of rebellion and therapy in the face of the epistemic and symbolic violence that results from the dominant images produced by ...
PublisherLink Editions2013
Damiano Nava likes to use the camera as a diary. After moving to Berlin, in November 2009, he found it hard to spontaneously meet people of his generation who might be interested in being photographed. He didn’t speak German, and it was hard for him to establish the kind of intimate relationship required for the project. “I was like someone having problems finding a soulmate, so it seemed like a natural step to turn to the internet”, he writes in his introduction. He wrote an ad and posted it on Craigslist and Exberliner. For about two years, the ad generated ...
PublisherMagnum Photos2018
A Brief Visual History in the Time of ISIS is curated by Magnum photographer Peter van Agtmael and includes an essay and timeline by Peter Harling, an expert on the Middle East, formerly of the International Crisis Group, and founder of Synaps. The work of nineteen photographers is included in this first newspaper, and the images range from those taken in the final years of the French mandate in Syria in 1941 to the fall of Mosul in 2017.
PublisherFlugschriften2020
“Both embracing and eliding the experience of mediation, (video game environments stage) worldliness for us as a mobile task to explore and engage with, with our eyes, hands, brains, and bodies all participating in seeing and/as doing… Life can thus (also) be redescribed as an ongoing process of navigating between cinema and photography, with image-making becoming a mode of world-making, for gamers and non-gamers alike.”
PublisherHubert's2020
PROVISIONAL READYMADES From an Area of the Republic of Cyprus in which the Republic of Cyprus Does Not Exercise Effective Control The succinct collection of objects gathered here share an important provenance, hailing from the Turkish Republic of Northern Cyprus, an area of the Republic of Cyprus in which the Republic of Cyprus does not exercise effective control. Associated primarily through this common point of origin, they are also remarkable in their presumed anonymity: each was manufactured on an assembly line through a combination of untraceable labor and a myriad collection of unidentifiable tools. Although generic in appearance, a closer look reveals ...
Mitch Goldstein is a designer, artist, and educator based in Rochester, NY. He is an Assistant Professor the School of Design at the Rochester Institute of Technology, works in collaboration with his wife Anne Jordan on client projects, and maintains an ongoing art practice focusing on experimental darkroom photography. He also co-hosted the design podcast Though Process and has written and lectured extensively on design and design education. In this episode, Mitch and I talk about our evolving definitions of the words ‘graphic design’, critique methods in the classroom, and the problems with contemporary design discourse.
Oliver Wainwright a writer and photographer based in London. He has been the architecture and design critic of the Guardian since 2012. He trained as an architect at the University of Cambridge and the Royal College of Art, and worked in strategic planning at the Architecture and Urbanism Unit of the Greater London Authority and at a number of architecture practices, including OMA in Rotterdam and Muf in London. In this conversation, Oliver and Jarrett talk about the relationship between writing and architecture, the tensions between practice and criticism, and what it means to write for a major newspaper.
The first episode of Seeing is Forgetting! I speak with John about his studio practice, his family influencing the work he makes, and how success can complicate friendships.
PublisherTriple Canopy2010
Artist Erin Shirreff’s motivation for developing Shadow, Glare, the first work she’s designed for a digital environment, stems from those moments when the screen’s material presence becomes impossible to ignore, when dust accumulations, errant smudges, and the movement of shadows and glares disturb the illusion of transparency. “In my living room the light will shift,” Shirreff explains, “and suddenly I’ll be looking at all the dust on my computer screen, or the splotches of light. That will really jar me back into my chair.” Originally from the article Shadow, Glare.
Publisheronestar press2010
Prose poems depict witness descriptions of ufo encounters. Figures and shadows loom suggestively. Newsprint collages attest to the variety of odd occurences. Is the evidence of an alien invasion all around us? The transparant and elastic meanings in ‘sightings’ suggest a transformation of ordinary facts, an absurdist archaeology of the everyday. EB
PublisherAsia Art Archive2017
Mumbai-based artist Shilpa Gupta presented That photo we never got, a research-based exhibition that drew out narratives from the AAA collection to explore friendships and love in the field of art.
In The Age of Total Images, art historian Ana Peraica focuses on the belief that the shape of the planet is two-dimensional which has been reawakened in the late 20th and early 21st centuries, and the ways in which these ‘flat Earth’ conspiracy theories are symptomatic of post-digital image culture. Such theories, proven to be false both in Antiquity and Modernity, but once held to be true in the Medieval Period, have influenced a return to a kind of ‘New Medievalism’. By tracing visual representations of the planet across Western history and culture, Peraica provides support for a media-based explanation behind ...

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