Index of Titles Filed Under 'Platform Capitalism'

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PublisherSocial Discipline2020
This week Miguel Prado and Mattin talk with Mat Dryhurst: interdependent polymath from the Solarpunk intelligentsia. We discuss the pandemic effects of music streaming platforms, the difficult balance between pragmatic and normative approaches, and the Russian doll-hell that is twitter.
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PublisherMeatspace Press2019
What operating system does your city run on? After many months in the making, we are excited to announce the publication of our first book, How to Run a City Like Amazon, and Other Fables. The idea behind the book is to ask what would it be like to live in a city administered using the business model of Amazon (or Apple, IKEA, Pornhub, Spotify, Tinder, Uber, and more), or a city where critical public services are delivered by these companies? With 44 contributing authors and 38 chapters, the book playfully combines speculative fiction and analysis of 38 different business models and ...
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PublisherThinkbelt2019
Social media has penetrated every aspect of our lives, yet no amount swiping or liking seems to satisfy us. Media theorist and internet critic Geert Lovink tries to overcome the deadlock of platform capitalism.
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PublisherNew Models2018
Mat Dryhurst, Martti Kalliala, and Michelle Lhooq talk to New Models about #gangcrafting in the age of crypto-raves and ownership in a rent-everything world.
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PublisherNew Models2019
Berlin-based designer Cade, a specialist in weaponized design, discusses the collateral (human) damage platforms cause as they scale; questions big tech’s G-rated ideation of the average subject; considers the functionality of personal mobile devices within precarious communities, and remarks on the actual inefficiency of the cloud.
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PublisherNew Models2019
When Spotify was founded in 2006, it aimed to solve the problem of online music distribution, remunerating artists for plays. 13 years on, it is a massive data node that is having a profound effect on how artists and audiences connect. In this cast, New Models speaks with music journalist Liz Pelly, who has written extensively on Spotify, particularly its impact on independent music. She talks to us, here, about Spotify’s structure, how it nudges artists to optimize their acts through metrics, and what it understands “music” (let alone “independent”) culture to be. Liz also gives an update on community ...
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PublisherNew Models2019
Feat. theorist and philosopher BENJAMIN H. BRATTON, this episode offers a high-gear, macroscopic mapping of Earth and its systems circa 2019 — incl. how notions of “the artificial” and “intelligence” differ across cultures; hemispheric zones of citizenship and exclusion in the age of AR; and a view of human consciousness as a geological phenomenon, a layer through which Earth’s planetary system is coming to know itself. Plus much, much more. Bratton, whose work spans philosophy, art, design, and computer science, is currently preparing (alongside 5 other books) a much anticipated follow up to his 2016 volume The Stack: On Software ...
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The American born artist Jennifer Lyn Morone registered herself as a corporation in 2014, founding Jennifer Lyn Morone™ Inc. As the founder, CEO, owner, shareholder and product of her own company, she sells, leases, rents or invests her personal data for her own profit. She has commercialised her hormones and diamonds made from her hair, advertising them through satirical videos. In the Netopticon, the panopticon in which we live using platforms such as Facebook and Google, our data are vacuumed up to generate profits in an extreme form of capitalism. Artist and curator Marc Garrett (www.furtherfield.org) says that Jennifer Lyn ...
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PublisherLibrary Stack2020
There’s no thing for a library to buy and shelve, nor a standardized way to price the media files originating in a platform’s attention economy, where value only correlates to further exchanges of other kinds of labor. In library science terms, these publications might be thought of as the digital versions of realia, physical objects that resist classification but must be cataloged and stored anyways, like honorary jars of dirt, textiles, or other material leftovers from daily life.
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Today, we live in a world where every time we turn on our smartphones, we are inextricably tied by data, laws and flowing bytes to different countries. A world in which personal expressions are framed and mediated by digital platforms, and where new kinds of currencies, financial exchange and even labor bypass corporations and governments. Simultaneously, the same technologies increase governmental powers of surveillance, allow corporations to extract ever more complex working arrangements and do little to slow the construction of actual walls along actual borders. On the one hand, the agency of individuals and groups is starting to approach ...
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PublisherSocial Discipline2020
We talk with Fielding Hope senior producer at experimental music Mecca Cafe OTO in London and co-curator of Counterflows, a Festival for Underground, Experimental and International music.
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PublisherThe Avery Review2018
Peder Anker and Nina Edwards Anker review Design Earth’s Geostories; Amelia Borg and Timothy Moore follow grey nomads in Australia; Shaka McGlotten takes their turn at intergenerational queer pedagogies; and Hamed Khosravi broadcasts from the world’s smallest micro-nation.

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