Index of Titles Filed Under 'Platform Capitalism'

Cover art
PublisherStrelka Press2018
AI plays a crucial role in the global cultural ecosystem. It recommends what we should see, listen to, read, and buy. It determines how many people will see our shared content. It helps us make aesthetic decisions when we create media. In professional cultural production, AI has already been adapted to produce movie trailers, music albums, fashion items, product and web designs, architecture, etc. In this short book, Lev Manovich offers a systematic framework to help us think about cultural uses of AI today and in the future. He challenges existing ideas and gives us new concepts for understanding media, ...
Cover art
PublisherArpa Journal2014
The idea of being online is in danger of extinction from redundancy. The Internet has become the principal site of construction, defense, storage and dissemination of new knowledge and social identity alike. Facebook’s population will soon eclipse that of China, and its holdouts nonetheless have well-formed electric selves in the servers of the NSA. As our physical world is increasingly tapped, scanned, streamed, imaged and mapped in realtime, the province of offline is a shrinking territory. In each wave of digitization—the archival, the social, the physical—the evidence of its arrival and its path to maturity are the same: search. For David Joselit, ...
Cover art
Culture of the Selfie is an in-depth art-historical overview of self-portraiture, using a set of theories from visual studies, narratology, media studies, psychotherapy, and political principles. Collecting information from various fields, juxtaposing them on the historical time-line of artworks, the book focuses on space in self-portraits, shared between the person self-portraying and the viewer. What is the missing information of the transparent relationship to the self and what kind of world appears behind each selfie? As the ‘world behind one’s back’ is gradually taking larger place in the visual field, the book dwells on a capacity of selfies to master ...
Cover art
There is no doubt that we live in exciting times: Ours is the age of many ‘silent revolutions’ triggered by startups and research labs of big IT companies; revolutions that quietly and profoundly alter the world we live in. Another ten or five years, and self-tracking will be as normal and inevitable as having a Facebook account or a mobile phone. Our bodies, hooked to wearable devices sitting directly at or beneath the skin, will constantly transmit data to the big aggregation in the cloud. Permanent recording and automatic sharing will provide unabridged memory, both shareable and analyzable. The digitization ...
Cover art
PublisherNew Models2019
When Spotify was founded in 2006, it aimed to solve the problem of online music distribution, remunerating artists for plays. 13 years on, it is a massive data node that is having a profound effect on how artists and audiences connect. In this cast, New Models speaks with music journalist Liz Pelly, who has written extensively on Spotify, particularly its impact on independent music. She talks to us, here, about Spotify’s structure, how it nudges artists to optimize their acts through metrics, and what it understands “music” (let alone “independent”) culture to be. Liz also gives an update on community ...
Cover art
Publishere-flux2018
In Ursula Le Guin’s 1971 novel The Lathe of Heaven, a seemingly unassuming young white male begins effective dreaming. Desperate to stop altering realities by night, George Orr borrows other people’s pharmacy cards (the world is overpopulated, resources heavily rationed) to obtain more than his share of dexedrine and barbiturates. Landing himself in the hands of an oneirologist, he becomes a tool—a proxy to make the doctor’s megalomaniacal utilitarian fantasies real. The doctor suggests, and George dreams. “This was the way he had to go; he had no choice. He had never had any choice. He was only a dreamer”… Editorial Editors Homeland ...
Cover art
PublisherSocial Discipline2020
This week Miguel Prado and Mattin talk with Mat Dryhurst: interdependent polymath from the Solarpunk intelligentsia. We discuss the pandemic effects of music streaming platforms, the difficult balance between pragmatic and normative approaches, and the Russian doll-hell that is twitter.
Cover art
PublisherMeson Press2018
Contemporary power manifests in the algorithmic. And yet this power seems incomprehensible: understood as code, it becomes apolitical; understood as a totality, it becomes overwhelming. This book takes an alternate approach, using it to unravel the operations of Uber and Palantir, Airbnb and Amazon Alexa. Moving off the whiteboard and into the world, the algorithmic must negotiate with frictions—the ‘merely’ technical routines of distributing data and running tasks coming together into broader social forces that shape subjectivities, steer bodies, and calibrate relationships. Driven by the imperatives of capital, the algorithmic exhausts subjects and spaces, a double move seeking to both ...
Cover art
PublisherFall Semester2014
We are well aware of the limited strength of the left today. Trade unions have been decimated, working class solidarity torn apart, political parties mutated into neoliberal puppets, and social movements channelled into innocuous forms. An entire battery of tactics has been employed to put the left in this position of weakness: legal alterations, increased precarity, global competition, and so on. Yet class power can come from a variety of sources, and a main argument of this paper is that the current weakness of the left is not simply due to a lack of class consciousness, a breakdown of solidarity, or ...
Cover art
PublisherThinkbelt2019
Social media has penetrated every aspect of our lives, yet no amount swiping or liking seems to satisfy us. Media theorist and internet critic Geert Lovink tries to overcome the deadlock of platform capitalism.
Cover art
PublisherNew Models2019
Featuring artist and lecturer of Internet Art at Stanford University, JENNY ODELL who is the author of a new field book for the attention economy “How to Do Nothing” (Melville House, 2019). Odell speaks to NM about disorientation in the current online space, the value of physical context and community, and the practical tactics of refusal. Plus: bioregionalism, Silicon Valley Ayahuasca, the origins of the commodification of time, lucid dreaming — and bird watching.
Cover art
PublisherFall Semester2016
A super-computational grid overlaying the earth’s surface, an all-seeing, floating ecosystem, an Uber-planet, an internet of things in which the things are us, is recording and storing our every movement. We subscribe to it—willingly providing it with our data. By the same token, our immersion in the permanence of the informational mayhem is flooding us with fictions. On the one hand, theoretically, the permanent input channel of billions of facts per second—GPS coordinates, heartbeats, selfies, currency fluctuations, etc.— into the super-computational megastructure, is always pushing for a transparent world. In that world “truth” would cease to be a word because there would be ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List