Index of Titles Filed Under 'Platform Capitalism'

PublisherSocial Discipline2020
This week Miguel Prado and Mattin talk with Mat Dryhurst: interdependent polymath from the Solarpunk intelligentsia. We discuss the pandemic effects of music streaming platforms, the difficult balance between pragmatic and normative approaches, and the Russian doll-hell that is twitter.
PublisherMeatspace Press2019
What operating system does your city run on? After many months in the making, we are excited to announce the publication of our first book, How to Run a City Like Amazon, and Other Fables. The idea behind the book is to ask what would it be like to live in a city administered using the business model of Amazon (or Apple, IKEA, Pornhub, Spotify, Tinder, Uber, and more), or a city where critical public services are delivered by these companies? With 44 contributing authors and 38 chapters, the book playfully combines speculative fiction and analysis of 38 different business models and ...
Social media has penetrated every aspect of our lives, yet no amount swiping or liking seems to satisfy us. Media theorist and internet critic Geert Lovink tries to overcome the deadlock of platform capitalism.
PublisherNew Models2018
Mat Dryhurst, Martti Kalliala, and Michelle Lhooq talk to New Models about #gangcrafting in the age of crypto-raves and ownership in a rent-everything world.
PublisherNew Models2019
Berlin-based designer Cade, a specialist in weaponized design, discusses the collateral (human) damage platforms cause as they scale; questions big tech’s G-rated ideation of the average subject; considers the functionality of personal mobile devices within precarious communities, and remarks on the actual inefficiency of the cloud.
PublisherNew Models2019
When Spotify was founded in 2006, it aimed to solve the problem of online music distribution, remunerating artists for plays. 13 years on, it is a massive data node that is having a profound effect on how artists and audiences connect. In this cast, New Models speaks with music journalist Liz Pelly, who has written extensively on Spotify, particularly its impact on independent music. She talks to us, here, about Spotify’s structure, how it nudges artists to optimize their acts through metrics, and what it understands “music” (let alone “independent”) culture to be. Liz also gives an update on community ...
PublisherNew Models2019
Feat. theorist and philosopher BENJAMIN H. BRATTON, this episode offers a high-gear, macroscopic mapping of Earth and its systems circa 2019 — incl. how notions of “the artificial” and “intelligence” differ across cultures; hemispheric zones of citizenship and exclusion in the age of AR; and a view of human consciousness as a geological phenomenon, a layer through which Earth’s planetary system is coming to know itself. Plus much, much more. Bratton, whose work spans philosophy, art, design, and computer science, is currently preparing (alongside 5 other books) a much anticipated follow up to his 2016 volume The Stack: On Software ...
PublisherLibrary Stack2020
… There’s no thing for a library to buy and shelve, nor a standardized way to price the media files originating in a platform’s attention economy, where value only correlates to further exchanges of other kinds of labor. In library science terms, these publications might be thought of as the digital versions of realia, physical objects that resist classification but must be cataloged and stored anyways, like honorary jars of dirt, textiles, or other material leftovers from daily life…
Today, we live in a world where every time we turn on our smartphones, we are inextricably tied by data, laws and flowing bytes to different countries. A world in which personal expressions are framed and mediated by digital platforms, and where new kinds of currencies, financial exchange and even labor bypass corporations and governments. Simultaneously, the same technologies increase governmental powers of surveillance, allow corporations to extract ever more complex working arrangements and do little to slow the construction of actual walls along actual borders. On the one hand, the agency of individuals and groups is starting to approach ...
PublisherSocial Discipline2020
We talk with Fielding Hope senior producer at experimental music Mecca Cafe OTO in London and co-curator of Counterflows, a Festival for Underground, Experimental and International music.
PublisherThe Shed2019
Why do we have such a difficult time coming up with a reliable definition for “technology”? For one, just when we think we’ve pinned it down, it refuses to stand still. Do we have any real way of maintaining a truth about a category that is constantly updating, innovating, and mutating in relation to every other concept we might use to define it? We frame technology as an other, somehow alien to our humanity. This problem of recognition becomes even more complex when we speak of the relationship between art and technology, two poorly defined terms with deeply intertwined applications. ...

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