Index of Titles Filed Under 'Post-Natural'

PublisherBarbara T. Smith2000
When first launched the Biosphere 2 was sold by the media to an eager public as crucial scientific research that would save us when the earth became uninhabitable.  This was easier then explaining the complicated fact that many of its central ideas had come from an avant-garde theater troupe. But these performative roots were mirrored by Barbara T. Smiths “21st Century Odyssey.”  When Smith’s boyfriend, Dr. Roy Walford, went into the Biosphere for two years she traveled around the world doing performances and communicating with him through then cutting-edge tech like faxes and video chat. While he and the other ...

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Contemporary art almost invariably presents ideas and aesthetics on a symbolic, referential level, particularly when it concerns itself with ecological issues. What this means is that it tells a story that does not include its material realities in that story. The effect this has is that the artwork hides its own material use, social impact, energy use, and other conditions necessary for its production and reception. We need to understand what is at stake when an artwork’s primary form and mode of communication replicates the very problems of a society it reflects on.

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The third BKDN BKDN workbook is for facilitating Deep Listening sonic meditations with others to individually and collectively experience immersive ecological entanglement. The publication is a tool for sinking in to relationships you have with the world around you, helping to bypass the ways you have been taught to limit or ignore the subtleties of the more-than-human world you are immersed in. This workbook has been developed over the past decade through many experiments in Deep Listening sessions that I have facilitated. Since first being exposed to Deep Listening, I was interested in how it could create empathies with the ...

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Publishere-flux2018
Masaccio painted his fresco of the Expulsion of Adam and Eve from Eden (c. 1424–28) just about 600 years before 2030, which is the current cutoff point for humans to curb global temperature rise, or risk quicker extinction. In Masaccio’s rendering, the expelled pair walk together from the green valley crying with open-mouthed agony. Caught in this moment during their walk of shame, their lips, especially Eve’s, surround gaping dark ovals: Where are their teeth?

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… is an ensemble which contends that the meaning of the Anthropocene is less a geological re-formation than it is trans-formation of both land and animal; once exposed to some of the parameters defining this transition, the reader-as-exhibition-viewer may begin to discern erratic rhythms generated by the creatures of nonconformity that inhabit, with their violence, struggles, and love the vast, machinic reality called Earth.

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Petro-subjectivity is something that each of us experiences constantly. It is a sense of self and the world that shapes who we are and how we think. It stems in part from the fact that the use of oil is present in every thing we do. It has shaped the concepts that govern our thinking. Our use of language and the basic concepts that structure our existence are breathed through the logic of oil relationships and form the metaphoric universe we bathe ourselves in when we speak to one another about who we are, what we do and what the ...

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PublisherThe Distance Plan2019
What is the relation between charisma and information? How fast can a well-turned phrase move? How does it age? In this issue of The Distance Plan we consider how, occasionally, facts or argumentative claims float free from their point of origin to become hyper-portable and cross-disciplinary. We call these memorable, animated phrases “charismatic facts” and suggest they can be found at the intersection of flair and research, savvy and data, linguistic craft and political utility. Though charismatic facts may remain lightly tethered to, and therefore validated by, their authorial or institutional home, they are at the same time un-ordinary in ...

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… creates a space for the reader-as-exhibition-viewer to consider how forests may be seen not only for their trees, but also how they can enable experiences of elegance, affirmation, and creation for a multitude of creatures. in response to their violent destruction, which characterizes the Anthropocene, these pages traverse various woodlands by way of their semiotic, socio-political, historical, and epistemic incitements in order to reveal how practices of care, concern, and attention also enable humans to inhabit and flourish in this world as forest.

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‘Zakłady na Žycie’ (Plant-life) is a museum environment exploring Poland’s industrial past. a plant can be as much a photosynthetic organism as a factory, power-station, or other large industrial complex. it is in this sense the piece attempts to achieve as much as state of David Attenborough as it does anthropological glance into the life of factories across Poland. Using relics gathered from both functioning factories and industrial ruins around the country, the installation* is based on a workers health and safety display, found in a power station in Lódz. the experience allows one to zoom-in, from the larger level of ...

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