Index of Titles Filed Under 'Queer Theory'

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PublisherUrbanomic2016
A conversation with Steven Warwick aka Heatsick about his March 2016 show Neutral at Exile in Berlin, followed by the text of his play Neonliberal, in which a gaggle of animated superfoods travel around Fortress Europe seeking the hip and the accelerated; and an exclusive Heatsick track, StaylienZ.
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PublisherThe Funambulist2021
If you’ve been listening to this podcast these past eight years, you know that we always do our interviews “in house,” as we value the moment of the recorded conversation as well as the encounter with someone’s work and personality. Rules are made to have exceptions however, and today we are happy to introduce you to a conversation between Amélie Tresfels and Michaëla Danjé around the book that Michaëla recently edited,  entitled AfroTrans. This book is the very first one published by Cases Rebelles‘ newly created publishing house. With this new endeavor, the panafrorevolutionary collective co-founded by Michaëla, continues to ...
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PublisherHatje Cantz2012
This title will be available soon. Group Material’s work was primarily topical and temporal, fueled by our personal and collective observations—and by the social urgencies we perceived. Our horizon was the present tense. In 1989, the curator of the MATRIX Gallery at the Berkeley University Art Museum, Larry Rinder, invited us to address the subject of AIDS after seeing our exhibition at Dia Art Foundation the year before, “AIDS & Democracy: A Case Study.” At the time, Group Material consisted of Doug Ashford, Julie Ault, Felix Gonzalez-Torres, and Karen Ramspacher. By 1989, we had witnessed several years of the epidemic with severely ...
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ARTISTS SPACE Center for Experimental Lectures: Amalle Dublon and Aria Dean February 2, 2020, 6pm Amalle Dublon and Aria Dean present new work for the Center for Experimental Lectures, an artist’s project based in New York that engages with the public lecture as form. Amalle Dublon will play and discuss Mariah Carey’s song “Honey,” relating it to concerns of dependency, growth and decay, and culinary sound. In Aria Dean’s lecture, To the Ringdown, two become one, bound by a third. As a part of a series of lectures co-commissioned by Montez Press Radio, their lectures will be broadcast live from Artists Space and ...
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Anthony Elms, Edie Fake and Andy Roche Alderman Exhibitions—350 N. Ogden Ave, 4th fl, Chicago, IL Saturday December 17, 2011 7pm The Center for Experimental Lectures is pleased to announce its inaugural event with presentations by Anthony Elms, Edie Fake, and Andy Roche. Hosted by Alderman Exhibitions, the program will feature three new lecture/performances by these creative producers followed by an open discussion. Anthony Elms’ lecture, entitled I want to lick this animal skin that falls, well cut, from your round shoulder, explores fragments of a reconnection between fashion and art, manifesting the possibility that “winter whites are a myth, and that’s a good ...
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PublisherThe Funambulist2015
This conversation with Stéphanie Dadour evolves around her doctoral dissertation that studies architectural theory and practice in the end of 20th-century North America. We explore a particular chapter of this dissertation to continue a series started with Olivia Ahn and Karen Tongson, about the gendered spatial paradigm constituted by the American suburbia. Citing the works of Mary McLeod, Beatriz Colomina, Joel Sanders and other feminist/queer thinkers and architects, we address architectural elements proper to this paradigm, such as the lawn, the curtain, or the window as instances of gendered apparatuses. We conclude the conversation by examining anthropometric studies, as well ...
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PublisherCamden Arts Centre2019
I met Barbara Hammer and Every Ocean Hughes (who then went by Emily) on the same night in 2011. From my journal, dated May 8th of that year: . . . last night went to the Kitchen for Emily Roysdon’s A Gay Bar Called Everywhere. A collective theater experiment with a large cast of friends and acquaintances. Was very piqued and moved—various representations of clichés and pathos and themes of ‘our community’. Barbara Hammer homage to Claude Cahun. Vanessa Anspaugh and Aretha Aoki’s duet re: passive-aggressive friend-love, many more vignettes. Met Emily at Julius after and shared a cab home—new friend? ...
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PublisherSculpture Center2017
Opening with a monologue that guides us through its entirety, Charlotte Prodger’s BRIDGIT, 2016, is a visual essay, a meandering of sorts. Shot entirely on Prodger’s iPhone, the work turns inside out the highly subjective and increasingly ubiquitous form of the personal narrative created through handheld devices and social media. The immediacy and intimacy of iPhone footage makes it an expressive extension of the artist’s movement through space. Her spoken narrative—in which her voice periodically switches with that of another female—takes us through specific moments related and unrelated to the more-or-less static images her gaze rests on. By sharing reflections ...
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Christoph Cox and Sergei Tcherepnin Recess—41 Grand St, New York Tuesday January 7th, 2014 7pm The Center for Experimental Lectures will welcome 2014 at Recess with the presentation of two new lectures by Christoph Cox and Sergei Tcherepnin. Christoph Cox is a philosopher, curator, and theorist of contemporary art and music. Titled Matter (In Several Phases), his lecture will be an experiment in art historical research and philosophical thinking, exploring the resonances between materialist philosophy and artistic practices since the late 1960s. Eschewing the lecturer’s original voice and comprised solely of media, Cox’s lecture will offer a flow of sounds, images, and texts by artists ...
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Queer Graphic Laboratory had four meetings, of nearly three hours each, to discuss and study problems around queerness and denormatization in both visual and written language. The matter of gender markers in Portuguese—and Latin languages as a whole—also presented itself, whether in the predominance of the use of masculine terms for plural constructions, or its presence that permeates all names. We discussed the limits of using “X” or “@“ to replace linguistic gender designations, and how it might be possible, in the stiffness of our alphabet and lexicon, to subvert this issue. We began to question what a queer vowel ...
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PublisherOnCurating.org2016
Curators and their partners are working in a contested field, in which the meanings of institutions, their power structures and modes of participation can be debated and reshaped. The number and diversity of high-profile major museum exhibitions in the twenty-first century that have been devoted to the themes of feminist and women’s art has attracted an unprecedented critical attention to the practice of feminist curation. The diversity of the ways in which feminism has been represented in curatorial projects—from Womanhouse (1972) to Gender Battle (2007)—is explored here most fully in the essays by Amelia Jones and Hilary Robinson, which identify ...
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Queer Graphic Laboratory had four meetings, of nearly three hours each, to discuss and study problems around queerness and denormatization in both visual and written language. The matter of gender markers in Portuguese—and Latin languages as a whole—also presented itself, whether in the predominance of the use of masculine terms for plural constructions, or its presence that permeates all names. We discussed the limits of using “X” or “@“ to replace linguistic gender designations, and how it might be possible, in the stiffness of our alphabet and lexicon, to subvert this issue. We began to question what a queer vowel ...

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